The Korea Society - Film | Page-8
Director Bong Joon-ho has rapidly become one of the most powerful creative and commercial forces in the Korean film industry. After releasing the critically acclaimed Barking Dogs Never Bite and Memories of Murder, Bong stepped into the international spotlight with his 2006 monster movie The Host. Throughout his films, Bong has forged an unmistakable style that fuses the inner realities of contemporary Korea—especially the shame, guilt, and trauma left over from the democratic movement of the 1980s—with all the power and fun of genre movies. His new film Mother, set for U.S. release in March, utilizes this powerful style in the service of a murder mystery.
Join us on Thursday, February 25, for a conversation with Bong Joon-ho about his filmmaking method and his career in the Korean movie industry. The evening will include a special preview of clips from the upcoming Mother.
 Discussion Moderated By
Michael Atkinson
Professor of Film
Long Island University
Thursday, February 25, 2010
6:00–6:30 PM * Registration and Reception
6:30–8:30 PM * Discussion and Q&A
The Korea Society
950 Third Avenue @ 57th Street, 8th Floor
(Building entrance on SW corner of Third Avenue and 57th Street)
MEDIA SPONSOR
Tickets are available for $10 (members) or $15 (non-members).
For more information contact Yuni Cho or 212-759-7525 ext. 323.
This program is supported by Magnolia Pictures.
Mother will be released in theaters nationwide on March 12, 2010.
About the Moderator
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 Since 1977, KBS’ television series Korean Ghost Stories (a.k.a. Hometown of Legend) has thrilled Korean audiences with spooky tales of the supernatural. Join the members of The Korea Society as we screen three hour-long episodes of this perennial Korean favorite on Thursday, November 19, and Thursday, December 17.
Often drawn from ancient folklore, these tales of tortured ghosts and supernatural curses have a uniquely Korean flavor, as women, forced by Confucian culture into subservient roles, return from the dead to take revenge on the men who caused them misery. The tales also touch on Korean attitudes towards justice, suggesting that the duty of the powerful to protect the powerless transcends even the grave.
Korean Ghost Stories
Classic Korean TV Series Comes to the U.S.
Thursday, November 19 and Thursday, December 17, 2009
6:30 PM * Screening
The Korea Society
950 Third Avenue @ 57th Street, 8th Floor
(Building entrance on SW corner of Third Avenue and 57th Street)
SCREENING SCHEDULE
Screening of Haunted House and The Reincarnated Princess
Thursday, December 17, 2009 – 6:30 PM
The second installment of Korean Ghost Stories features two spine-tingling episodes. In Haunted House (starring Lee Duck-hwa, Lee Min-woo, and Yoo Hye-jung), the ghost of a young woman haunts the family members who sold her into a life of corruption, and two sisters return from the grave to seduce and punish the men who killed them in The Reincarnated Princess (starring Lee Jin, Kang Sung-min, and Lee Ji-hyun).
Download a podcast of our interview with Lee Min-hong, director of several episodes including
The Reincarnated Princess, from iTunes or our Podcast page.
The interview is also available as a video on YouTube.
  
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| The Korea Society and the Film Society of Lincoln Center presented Korea's oldest surviving film, digitally restored, and accompanied by live musicians and narrators (byeonsa) of the type found in Korean theaters of the 1930s.
Crossroads of Youth (Cheonchun's Sipjaro) 
On Saturday, October 4, The Korea Society and the Film Society of Lincoln Center recreated the film-going experience of early modern Korea when they presented Korea's oldest surviving silent film, Crossroads of Youth (Cheonchun's Sipjaro, 1934), at a special screening accompanied by live musicians and narrators (byeonsa).The enthusiastic members of New York's film community—who nearly filled Lincoln Center's Alice Tully Hall on a Saturday morning—were transported to a bygone era when live music heightened the drama and byeonsa (live, dramatic narrators who recapped the plot and gave voice to the characters' silent expressions) provided a uniquely Korean twist to the on-screen action.
The Korea Society and the Film Society of Lincoln Center wish to thank the Korean Film Archive, as well as KOIS (Korean Culture and Information Service), and Korean Cultural Service NY, for their generous support of this successful program.
  
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 Podcast Release and Free Screening South Korean star director Park Chan-wook (JSA, Old Boy), has thrilled both critics and audiences in his native country for a decade. His "vengeance" trilogy brought international recognition, including a Cannes Film Festival Grand Prize (2008) and a Jury Prize (2009), and established Park as a virtuoso filmmaker with a thoroughly original artistic vision. On July 24, 2009, The Korea Society recorded a special interview with the director in which he spoke about his influences, his meteoric ascension into the pantheon of internationally celebrated directors, and his latest film, Thirst.  Download the podcast of the interview from iTunes or www.koreasociety.org. For English, please click here (mp3) or the icon below. The original Korean interview direct download is here.  To celebrate its release, The Korea Society is also offering free admission to a special advanced screening of Thirst!
The first Korean film to be co-financed and co-produced by Hollywood, Thirst is a stylish vampire thriller with a dramatic bite, and continues Park's exploration of the dark side of the human soul. A devout priest (Song Kang-ho, The Host) on a mission to Africa volunteers as a test subject in a vaccine trial-gone-awry. Now a vampire, he returns to Korea to endure the torments of temptation, embodied by a childhood friend's wife (Kim Ok-bin). The screening will begin at 6:30 PM on Thursday, July 30 at the Landmark Sunshine Theatre in New York City. No tickets are required. A line will form in front of the theater box office and admission will be made on a first-come, first-served basis. |
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May 7-28, 2009
Every Thursday in May
In a follow-up on its first presentation of North Korean cinema in 2008, The Korea Society is proud to announce the second installment in its Films from the North series. The four films—Traces of Life, The Tale of Chun Hyang, Wŏlmi Island and The Flower Girl—convey a view of the world that epitomizes the ideological underpinnings of the North Korean state. Within this context, the tales—of duty,self–sacrifice, imperialist cruelty and heroism in battle—are told with genuine feeling and artistry.
Tickets for Traces of Life are available for $10 (members) or $15 (nonmembers).
Tickets for each additional screening are available for $5 (members) or $10 (nonmembers).
A package of tickets for all four screenings is available for $20 (members) or $35 (nonmembers).
Screening every Thursday evening in May (May 7-28), all films will be shown at The Korea Society
950 Third Avenue @ 57th Street, 8th Floor
(Building entrance on SW corner of Third Avenue and 57th Street)
SCHEDULE
Thursday, May 7
6:00 PM
Series' Opening Reception
 Introduction by Suk-Young Kim, professor of theatre at the University of California Santa Barbara
6:40 PM
Traces of Life
Directed by Jo Kyong-sun
Starring O Mi-ran, Paek Yong-hui and Ri Won-bok
This is the story about a hardworking farmer whose love for her
country helps her transcend her grief over her late husband and raise
her collective farm's rice production to unprecedented levels. It
exemplifies the North Korean "hidden heroes" genre: a type of film made
mostly during the 1980s and 1990s, which features simple country people
bringing life to a barren land.
 Thursday, May 14
6:30 PM
The Tale of Chun Hyang
Directed by Yu Won-jun, Yun Ryong-gyu
Starring Choe Sun-gyu, Kim Yong-hwan and Kim Yong-suk
148 minutes (1980)
The Tale of Chun Hyang is a socialist retelling of Chunhyangjŏn, a Korean folktale about the romance and intrigue that blossom between a kisaeng's daughter and a magistrate's son. While retaining the story's original Confucian ethic, The Tale of Chun Hyang transforms the story's heroine from a cultured court entertainer to a tough, working-class woman.
 Thursday, May 21
6:30 PM
Wŏlmi Island
Directed by Cho Kyong-sun
Starring Cho Kyong-sun, Choe Chang-su, Choe Tae-hyon and Yun Su-gyong
92 minutes (1982)
In this gripping and imaginative war movie a small troop of North
Korean soldiers, armed with just four guns between them, defeats
General Douglas MacArthur and 50,000 American soldiers atInch'on.
 Thursday, May 28
6:30 PM
The Flower Girl
Directed by Choi Ik-gyu and Pak Hak
Starring Hong Yong-hee, Pak Hwa-son, Ryu Hu-nam and Kim Ryong-rin
120 minutes (1972)
Adapted from an anti-imperialist opera from the 1930s, The Flower Girl
is a tragic story of a family cruelly exploited by the Japanese
colonial authorities and a clarion call for the Korean people to fight
for the socialist revolution. The film was so popular when it was
released domestically that Hong Yong–hee's picture was printed on North
Korean currency.
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