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For over two decades, the prestigious Seoul Performing Arts Company (SPAC) has created spectacular productions, traveling to over 45 countries around the world. The 15-member Seoul Performing Arts Company will return to the U.S. in spring 2009 and fall 2010 to perform an entrancing program of folk dances as well as contemporary interpretations of ancient court and shamanic dances. Included in the program are the colorful farmer's dance, the vivid Puch'aech'um ("fan dance") and the masked Ch'oyongmu ("dance of the five directions").
Tour Specifications:
Periods: Fall 2010 Participation Fee: Available upon request Contents: Seven performances by fifteen performers Category: Folk Dance and Music Time: 85 minutes
For more information, to receive a press kit with sample DVD or to schedule a performance at your institution, please contact Jennifer Kim at The Korea Society at (212) 759-7525, ext.309 or
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"The performance was a total success with a full house!! Everyone loved the performance....We had a truly wonderful time and exchanged cultures which was what the activity was all about." - Western Illinois University
"Thank you for all that you did to make Korean Dance: Tradition & Creation here in Chicago possible. It was a fantastic performance that was well appreciated by all of the people attending this program. It was a full audience for some 460 people who gave the Seoul Performing Arts Troupe a standing ovation which lasted a long time. The performance was truly successful." - Northeastern Illinois University
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Buddhist Ritual Song and Dance from Korea
Performed by the Young San Preservation Group
In the fall of 2009, the Young San Preservation Group will perform traditional pomp'ae 범패. Derived from ancient Buddhist cermonies that were nearly lost to history, pomp'ae, literally "sacred chanting," is a Buddhist tradition of ritual chant that may be compared with Gregorian chant in the Western tradition of Christiantiy. It offers a rich milieu of complex vocal patters and pure, heavy tones intended to induce ruminative calm and faciliate spiritual growth. The Young San Preservation Group's singing will be accompanied by traditional Korean drums, cymbals and gongs as well as ritualized dance pieces known as chakpop 작법. In the entire Buddhist world, the sounds (pomp'ae 범패) and dances (chakpop 작법) of the Young San ceremony are unique to Korea and were nominated in 1973 for preservation as an Intangible Cultural Asset.
Tour Schedule:
October 8: University of Hawai'i at Manoa (Honolulu, HI)
October 10: Irvine Barclay Theatre (Irvine, CA)
October 12: Princeton University (Princeton, NJ)
October 14: Smithsonian Institute/George Washington University (Washington, DC)
October 16: Towson University (Towson, MD)
For more information, please contact Jennifer Kim at The Korea Society at (212) 759-7525, ext.309 or
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Buddhist Ritual Song and Dance from Korea
October 21 - November 2, 2007
Harmonies as resonant and meditative as the religious devotion they represented filled American concert halls as the Young San Preservation Group, a company of Korean Buddhist monks that performs pŏmp’ae chants, embarked on its second cross-country tour organized by The Korea Society.
Pŏmp'ae, literally "sacred chanting," is a Buddhist tradition of ritual chant that may be compared with Gregorian chant in the Western tradition of Christianity. It offers a rich milieu of complex vocal patterns and pure, heavy tones intended to induce ruminative calm and facilitate spiritual growth. Led by Venerable Dong Hee, the eight monks of the Young San Preservation Group began their five-city tour with a standing room-only performance at the Asian Art Museum of San Francisco on October 21.
The pŏmp’ae chants, accompanied by ritual dance, petition the Buddha and the Bodhisattvas for protection and wisdom. From San Francisco, the group continued on to their show at Western Illinois University, Macomb, Illinois on October 24 where, after the performance, they conducted a workshop to help their curious audience to a better understanding of the ancient tradition.
On October 26, the group played at Ohio State University in Columbus, Ohio. Audiences grew more enthusiastic as the tour continued. Both the group’s performance at Oberlin College in Oberlin, Ohio on October 30, and its final show at the American Museum of Natural History in New York on November 2, received standing ovations.
The tour was a success for venues and audiences:
Hundreds of visitors, including VIP consulate guests, families, members of the Korean community and many others from all over the Bay Area experienced the ceremonial chants and dances of the Young San ceremony. For over two hours our guests—many of whom had to stand—listened and watched appreciatively as the Korean monks meticulously and gracefully performed the ceremony. The front door to the crowded hall was left open so that people could watch and listen from the loggia…When the program ended after a round of generous applause, it was very interesting to note that 98% of the audience lingered in their seats or in their standing positions, reluctant to give up the moment.
– Asian Art Museum of San Francisco
We had a very good turnout. We estimate between 500 and 600 people were in the audience. Many different kids of people attended—students, faculty and administrators, of course, but also people of all ages and backgrounds from the northeast Ohio community…the Young San group was warmly received. Man people lingered at the end, in hopes of talking with the monks, and some people even came up on to the stage afterward. We were also impressed by the generosity of the group, giving their blessing to our College, individuals by name, the Korean student group, and the community. This was perhaps the highlight of the ceremony.
– Oberlin College
The Young San Preservation Group and The Korea Society are already planning a third U.S. tour for the fall of 2009.
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Performance
by
Lee Seul-Gi
Kayagŭm Performer and Composer
Thursday, February 26, 2008
6:00 PM-6:30 PM • Registration and Reception
6:30 PM-8:00 PM • Performance
The Korea Society
950 Third Avenue @ 57th Street, 8th Floor
(Building entrance on SW corner of Third Avenue and 57th Street)
At the crossroads between the traditional repertoire, jazz and pop music, performer/composer Lee Seul-Gi shares her passion for the kayagŭm, a zither-like instrument with 12 strings. The kayagŭm is arguably the best known traditional Korean musical instrument. Join us for an enchanting evening with Lee Seul-Gi, as she reveals the beauty of a time-honored tradition and explores new musical frontiers with songs of her own composition.
$10 for members and students; $20 for nonmembers
(Walk-in registration will incur an additional charge of $5)
For more information or to register for the program,
contact Heewon Kim at 212-759-7525 ext 355 or
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About the Performers
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6:00-6:30 PM • Registration and Reception 6:30-8:00 PM • Performance with Commentary
The Korea Society 950 Third Avenue @ 57th Street, 8th Floor (Building entrance on SW corner of Third Avenue and 57th Street)
Join us for a soulful evening of p’ansori, a traditional genre of dramatic narrative singing, as renowned artist and scholar Chan E. Park gives a unique interpretation of The Song of Hŭngbo in both English and Korean.
Based on one of Korea's most beloved folktales, The Song of Hŭngbo isa moral allegory that pits vice against virtue in the characters of twobrothers whose fortunes are made and broken by a magic swallow.
The Song of Hǔngbo is one of the five extant canonical narratives (madang) of this distinctly Korean art form. Combining narration and drama for a solo vocalist, p'ansori is a unique musical genre that was proclaimed a Masterpiece of the Oral and Intangible Heritage of Humanity by UNESCO in 2003.
$10 for members and students, $15 for nonmembers
(Walk-in registration will incur an additional charge of $5.) Buy tickets For more information or to register for the program, contact Jennifer Kim at (212) 759-7525, ext. 309, or
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