Details

Category: Performing Arts

Artist Han Heejung performs the two-stringed haegûm in the p’ungnyu style, and her subdued and unhurried melodies are designed to prompt contemplation. Han opens with the Yuch'osin chi kok version of Yôngsan hoesang, accompanied by two wind instruments, the taegûm and the hyangp'iri. She also performs the Haegûm sanjo in the style of Chi Yônghûi, a delicate tune reminiscent of Kyunggi folk music with Chinyang, Chungmori, Chungjungmori, and Chajinmori rhythms. Han concludes with Chôk Nyôm, a seven-movement solo piece for haegûm composed by master Kim Yôngjae, and a composition by Yang Sônghwan that derives from the folk music of Kyôngsang province.

Thursday, April 21, 2011

6:30PM Performance




$10 Members/Student Guest; $20 Guests; $5 Student Members
Explore Korea card holders attend this program for free with REGISTRATION

Springtime Court Music
Contemplative Traditions Music Series

with

Heejung Han

The Korea Society
950 Third Avenue @ 57th Street, 8th Floor

P’ungnyu, the classical ensemble music of Korean nobility, is the central theme of The Korea Society’s 2011 traditional music series. As a music of the upper class, P’ungnyu includes the most sophisticated Korean lyric song genre, or kagok, and the indigenous Korean popular song, or sijo. P’ungnyu appears in three varieties: chul-p’ungnyu, with stringed instruments; taep’ungnyu, with wind instruments; and a combination of the two. P’ungnyu also refers to a leisurely state where one becomes appreciative of poetry, music and companionship.

Presented with the generous support of the New York State Council on the Arts.

Enjoy traditional teas and sweets throughout this special hour of contemplative music, commentary, and Q&A.




About the Performer and Commentator:

Han Heejung was a principal member of two traditional orchestras in Korea, the Youth Korean Traditional Music Orchestra and Seoul Korean Traditional Music Orchestra, prior to immigrating to the United States. She graduated from Chu-Gye University for the Arts, where she received traditional academic training and studied under celebrated haegum performers Jung Lim Kim and Kyonng Sook Yang. She joined the Korean Traditional Performing Arts Association’s Chamber Ensemble in 2005, developing new approaches to Korean traditional compositions.