“I weave and connect traces and tracks of subtle changes into organic forms. The organic forms are made with mass-produced industrial materials, in particular,
“Cutting up, breaking apart, or melting, are some of the ways I lose my familiarity with an object and see its material qualities. Exposing
September 30, 2021 – January 28, 2022| Opening Reception: September 30, 2021 | 6 – 8 PM| In this group exhibition, three artists challenge and
The thing that really struck me was the grit and resilience of the people — they were in the process of recovering from a
Image courtesy of Mina Cheon Studio The global art activist Mina Cheon draws inspiration from the partition of the Korean peninsula, in which she enlists
Illustrator Wooh Na Young, also known by her pen name “Obsidian,” has caught the eyes of people around the world with her distinctive style
Statues, paintings, and masks—like the bodies of shamans and spirit mediums—give material form and presence to otherwise invisible entities, and sometimes these objects are understood
Soonchoel Byun‘s solo exhibition at the Korea Society Gallery, his first one in New York in two decades, showcases nine photographs from his 2015 series
Korean Art From 1953: Collision, Innovation, Interaction is a richly illustrated book containing fourteen essays written by leading Korean art historians and scholars, topics range
Photo credit: Ruth Hogben for ABT Trefoil or “three-leaved plant” is a stylized form found in artifacts and architecture across culture and time. Dr. Minjee
