Korean Contemporary Ceramics

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When artists work in a medium as old as earth itself, in a country that has for centuries been recognized as a center for artistic expression in that medium, how do they continue to innovate? This challenge is answered by each of the artists in this exhibition of Korean contemporary ceramics.

YOON Kwang Cho, a leading buncheong artist, is a recipient of Korea’s most esteemed prize for contemporary art, the National Museum of Modern and Contemporary Art’s Artist of the Year. Yoon’s playful, carefree approach and coarse forms belie a powerful imagination and profound originality. KIM Yik Yung, also a recipient of the Artist of the Year prize, creates refined porcelain masterpieces with faceted surfaces that play with light. Min Kyu LEE’s porcelains, filled with recessed squares of negative space, elicit contemplation of the unseen. Young Mi KIM subjects her ceramics to several wood-firings, adding organic textures and colors to her botanical forms. SHIN Sang Ho possesses a vivid sense of texture and form, and the many legs of his African-inspired horse sculpture captures the energy of swift horizontal motion. Jong Sook KANG portrays the immigrant experience as adventurous butterflies, each encountering its own voluptuous Big Apple. KIM See Man’s poetic sensibility transforms functional space into aesthetic space with modern translations of buncheong vessels. Ji Wan JOO’s meditative groups of celadon and white stoneware cubes reference Korea’s ancient tradition of geometric patterns in a contemporary form.

The works by these artists represent the diverse range of ceramic art as practiced in Korea today, and exemplify the creative Korean spirit of artistry and innovation.

February 7, 2014-April  25, 2014

 

Gallery Opening
Friday, February 7,2014 |  5:30 PM – 8 PM

 

The Korea Society

Gallery Open Daily, M-F, 10 AM-5 PM

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


 

 

 

Distinctive Design of Wooden Furniture from Choson Dynasty

 

The exhibition features wooden furniture made in the Choson Dynasty (1392-1910) and includes furniture of a variety of functions and designs. Even though Korea is a relatively small country, each province has a distinctively different furniture design and decoration style. The exhibit will examine not only cultural characteristics, but also the different aesthetics and lifestyles of Korea’s regional society. All works are on loan from Koreana Art and Antiques.

September 19, 2013–January 28, 2014

 

Gallery Opening
Thursday, September 19, 2013

6 PM

 

The Korea Society

Gallery Open Daily, M-F, 10 AM-5 PM

 

NYCulture current inverted white logo

This program and the accompanying exhibit is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


 

The Hidden Beauty of Korea Captured by Five Artists from Abroad 1920s-1950s

 

 

The exhibition features the etchings and woodblock prints produced by five artists from abroad: Kawase Hasui (1883–1957, Japan), Paul Jacoulet (1896–1960, France), Elizabeth Keith (1887–1956, Scotland), Lilian May Miller (1895–1943, America) and Willy Seiler (1903–Unknown, Germany) at the turn of twentieth century. The exhibit presents the redefining of the beauty of Korea through people, things, and scenes that charmed artists from different cultures.

June 20– August 31, 2013

 

Gallery Opening
Thursday, June 20, 2013
6 PM

 

The Korea Society

Gallery Open Daily, M-F, 10 AM-5 PM


 

 

Traces of Life: Seen Through Korean Eyes, 1945-1992

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Experience the captivating imagery in this collection of photographs by some of the pioneers of modern Korean photography. The fifty-four photographs showcase the first generation of Korean realists who played a pivotal role in the development and enrichment of Korean photography as an art form. The exhibition marks the first time these original black and white photographs have been mounted in the United States and fills a chasm not only in the visual archive of modern Korean photography but also in the visual vernacular of the period.

REVIEWS from:

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Traces of Life: Seen Through Korean Eyes, 1945–1992 reveals everyday life through exuberant visual diversity and documents anthropologically important aspects of Korea’s nearly forgotten recent past. The photographs offer a counter-narrative of ordinary lives during this turbulent period of Korean history. These photographs are documentary, but at the same time aesthetically charged, illustrating and illuminating the traces and trails of Korean life as seen through Korean eyes.

The selected photographs are on loan from one of the first public photography museums in Korea, Dong-Gang Museum of Photography, and from several of the photographers and their estates. The thirteen photographers represented in the exhibition are Koo Wangsam, Lim Eungsik, Lee Haesun, Lee Hyungrok, Kim Hanyong, Han Youngsoo, Chung Bumtae, Choi Minsik, Joo Myungduk, Hong Suntae, Yuk Myungshim, Kim Kichan, and Kim Soonam.

This exhibition is the product of a joint effort between The Korea Society and an independent curator, Chang Jae Lee. Traces of Life will be on view in the Korea Society Gallery from September 19 through January 31, 2013. This exhibition, along with other exhibitions created by The Korea Society, is available for loan to universities and museums and other qualifying institutions in the United States. Please click below for booking information or contact Jinyoung Jin.

September 19-January 31, 2013

NYCulture logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

Traces of Life: Seen Through Korean Eyes, 1945–1992 Catalogue Available:
Edited by Chang Jae Lee
Published by Noonbit Publishing Co., September 2012
pp. 136 (in English 110 pp. including 54 plates, in Korean 26 pp.)
Foreword by Jinyoung Jin (TKS Gallery Director), introduction by David R. McCann (Korea Foundation Professor of Korean Literature at Harvard University), contributing essay by Sun Il (Curator of the Seoul National University Museum), and curatorial essay and afterword by Chang Jae Lee (Curator of Traces of Life).

The Korea Society
950 Third Avenue@57th Street

Bojagi : Cloth, Color & Beyond by Chunghie Lee

 

The exhibition features internationally recognized Korean textile artist Chunghie Lee’s contemporary Bojagi works. Once commonly employed in everyday life for carrying, covering and storing objects, Bojagi now has become one of the most widely recognized and appreciated of all traditional Korean textile arts. Chunghie Lee’s work integrates traditional Bojagi motifs into innovative designs with vivid color compositions. Evoking the artistic inspiration of the countless anonymous women who made Bojagi through the ages, Lee’s art retains a meaningful link to the past. Lee has been teaching at Rhode Island School of Design since 1999 and her works are in permanent collections in numerous museums, including Victoria & Albert Museum, London, U.K. and the Museum of Art & Design, New York, USA.

 


March 14 – May 31, 2013

 

Gallery Opening
Thursday, March 14, 2013
6:30 PM

The Korea Society
Gallery Open Daily, M-F, 10 AM-5 PM

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 


 

 

Traces of Life: Seen Through Korean Eyes, 1945-1992

Experience the captivating imagery in this collection of photographs by some of the pioneers of modern Korean photography. The fifty-four photographs showcase the first generation of Korean realists who played a pivotal role in the development and enrichment of Korean photography as an art form. The exhibition marks the first time these original black and white photographs have been mounted in the United States and fills a chasm not only in the visual archive of modern Korean photography but also in the visual vernacular of the period.

Traces of Life: Seen Through Korean Eyes, 1945–1992 reveals everyday life through exuberant visual diversity and documents anthropologically important aspects of Korea’s nearly forgotten recent past. The photographs offer a counter-narrative of ordinary lives during this turbulent period of Korean history. These photographs are documentary, but at the same time aesthetically charged, illustrating and illuminating the traces and trails of Korean life as seen through Korean eyes.

The selected photographs are on loan from one of the first public photography museums in Korea, Dong-Gang Museum of Photography, and from several of the photographers and their estates. The thirteen photographers represented in the exhibition are Koo Wangsam, Lim Eungsik, Lee Haesun, Lee Hyungrok, Kim Hanyong, Han Youngsoo, Chung Bumtae, Choi Minsik, Joo Myungduk, Hong Suntae, Yuk Myungshim, Kim Kichan, and Kim Soonam.

This exhibition is the product of a joint effort between The Korea Society and an independent curator, Chang Jae Lee. Traces of Life will be on view in the Korea Society Gallery from September 19 through December 7, 2012. This exhibition, along with other exhibitions created by The Korea Society, is available for loan to universities and museums and other qualifying institutions in the United States. Please click below for booking information or contact Jinyoung Jin.

 

September 19-December 7, 2012

 

 

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


2012 09 19  gallery-opening catalogue english Catalog Available:
Edited by Chang Jae Lee
Published by Noonbit Publishing Co., September 2012
pp. 136 (in English 110 pp. including 54 plates, in Korean 26 pp.)
Foreword by Jinyoung Jin (TKS Gallery Director), introduction by David R. McCann (Korea Foundation Professor of Korean Literature at Harvard University), contributing essay by Sun Il (Curator of the Seoul National University Museum), and curatorial essay and afterword by Chang Jae Lee (Curator of Traces of Life).

 PURCHASE

 

 


 

ASH: Contemporary Korean Art & Ceramics by Park Jihyun & Lee Inchin

 

Kick off Asia Week New York 2012 (March 16-24) with the works of internationally recognized artists Park Jihyun and Lee Inchin. Using incense to burn thousands of tiny holes onto rice paper, Park practices reverse-pointillism, puncturing the paper’s fragile surface with tiny marks and thereby subtracting rather than adding dots of paint and color. Lee’s masterful employment of the traditional wood-firing kiln and ash yield ceramics with a spectrum of colors ranging from yellow to bright orange, red-brown to black. Lee’s ceramics and Park’s incense work harness the creative and destructive power of fire, smoke, and ash. Curated in cooperation with Jiyoung Koo and KooNewYork.


March 15-May 18, 2012

Gallery Opening
Thursday, March 15, 2012
6 PM


ASH: Contemporary Korean Art & Ceramics by Park Jihyun & Lee Inchin

2012 03 15  ash icon


Kick off Asia Week New York 2012 (March 16-24) with the works of internationally recognized artists Park Jihyun and Lee Inchin. Using incense to burn thousands of tiny holes onto rice paper, Park practices reverse-pointillism, puncturing the paper’s fragile surface with tiny marks and thereby subtracting rather than adding dots of paint and color. Lee’s masterful employment of the traditional wood-firing kiln and ash yield ceramics with a spectrum of colors ranging from yellow to bright orange, red-brown to black. Lee’s ceramics and Park’s incense work harness the creative and destructive power of fire, smoke, and ash. Curated in cooperation with Jiyoung Koo and KooNewYork.


March 15-May 18, 2012

 

 

Gallery Opening
Thursday, March 15, 2012
6 PM

RSVP


The Korea Society
950 Third Avenue@57th Street

Social Graphics: The Art of Jeski

Social Graphics: The Art of Jeski salutes the award-winning efforts of artist and social activist Jeseok Yi, who has wowed the design and non-profit communities with his thoughtful and often satirical works. Featuring fourteen of Korean-born Jeski’s works for organizations like the Red Cross, Salvation Army, World Vision, City Harvest New York, the American Disability Association and the Global Coalition for Peace, the exhibition provides sharp and insightful commentary on war, global warming, pollution, and other social concerns. Jeski stresses simplicity in messaging and encourages interaction between the design and the real world. His social graphics illustrate the power of creativity to inform, educate, and change society for the better. His efforts are a reminder of the vibrancy of Korean civil society, the strength of its NGOs, and Korea’s contribution to international efforts aimed at peace and social justice. 


September 8-November 4, 2011

with Jeski
Artist and Social Activist


 

The Writings of Lee UFan

The Korea Society presents the writings of celebrated artist, poet, and philosopher Lee UFan, in conjunction with the Guggenheim Museum’s retrospective exhibition, Lee UFan: Marking Infinity (June 24-September 28, 2011). Born in Korea in 1936, Lee has been an artistic and intellectual force in Korea, Japan, and Europe for more than four decades, articulating a unique aesthetic and philosophical stance grounded in modernity critique and Post-Minimalist practice. Lee, the author of seventeen books, has written seminal essays on contemporary art, Asian culture, and democracy that offer a powerful voice to our current cultural discourse. The Korea Society’s summer exhibition will present photographs and work with Lee’s poetry, criticism, and essays.