Author Talks: Kim Eui-Kyung

In her absorbing and candid novel Hello Baby, Kim Eui Kyung explores what women endure to become mothers. The novel features six women in their thirties and forties who strike up a friendship at a fertility clinic in Seoul and share their personal paths to motherhood via a group chat they name “Hello Baby.” Switching between the six characters—a journalist, a police officer, a vet, a lawyer, and two housewives—this thought-provoking novel explores the social pressure and emotional strain on women struggling to conceive. Written with insight, humor, and great empathy, Hello Baby is a moving portrait of what it means to be a woman today and the lengths some will go to seek motherhood.

In this episode of Author Talks, Kim Eui-Kyung discusses her novel, translated into English by Sora Kim-Russell.


Author

Kim Eui-kyung

Kim Eui-kyung is a novelist and essayist. Her debut novel, Youth Bankruptcy (2014) won the Korea Economic Daily Youth Literary Contest, and her second novel Call Center was awarded the 6th Soorim Literary Prize. She also published the story collection Showroom, set against the backdrop of IKEA, and the essay collection The Season Called Life. Her latest novel Hello Baby is a groundbreaking work of Korean feminist fiction about a group of women undergoing IVF at a fertility clinic in Seoul.

Artist Talk: Ran Hwang

In her solo exhibition, Ran Hwang presents large-scale installations that are both intricate and poetic, delicate yet dramatic, as they explore the cyclical patterns of life and the fleeting nature of beauty. |
Credit: Images Courtesy of the Artist; Artist photo by Lee Eun Joo

In her solo exhibition, Ran Hwang presents large-scale installations that are both intricate and poetic, delicate yet dramatic, as they explore the cyclical patterns of life and the fleeting nature of beauty.

Hwang creates her art through a meticulous and repetitive process, utilizing everyday materials such as paper buttons and pins. This requires intense concentration and discipline, reflecting the meditative state of Zen masters and the spiritual values traditionally sought by scholars of the past. While painstaking and labor intensive, the process also embodies an aesthetic of transcending difficulty, ultimately visualizing a serene beauty and noble spirit that defines the artist’s unique perspective. Through her work, Hwang evokes a sense of tranquility, inviting the viewer into an experience that seeks fulfillment and peace.

Hwang discusses her art and career in conversation with Bradley Bailey, the Ting Tsung and Wei Fong Chao Curator of Asian Art at the Museum of Fine Arts, Houston.

 

 

Artist Talk: Ran Hwang

In-person: Friday, March 20, 2026 | 6 PM

 Video Release: Friday, March 27, 2026


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Artist:

Ran Hwang‘s work permanently resides in the collections of internationally acclaimed venues, including the Brooklyn Museum in New York, Museum of Fine Arts in Houston, Deji Art Museum in Nanjing, Dubai Opera House, Des Moines Art Center in Iowa, New York University and National Museum of Contemporary Art in Seoul. Her work has been exhibited internationally at venues including AAW(Asian Art Works), Leila Heller Gallery in New York and Dubai , Asian Civilizations Museum in Singapore, UNESCO Headquarters in Paris, Mass MoCA in Boston, Fondation d’entreprise Hermès in Singapore, the Facebook New York Headquarter, Baker Museum in Florida, and Venice Biennale 2024. She has won Gold Prize by AHL Foundation NY in 2004 and Pollock-Krasner Foundation Grant in 2015. Hwang has studied at the School of Visual Arts in New York.

About the Moderator:

The inaugural Ting Tsung and Wei Fong Chao Curator and Chair of Asian Art at the Museum of Fine Arts, Houston (MFAH), Dr. Bradley Bailey has written and lectured widely. He has enriched the MFAH’s Asian collections with hundreds of artworks and also led the groundbreaking reorganization and reinstallation of the Korea Gallery at the MFAH. Dr. Bailey earned his bachelor, master, Ph.M., and Ph.D. in art history, as well as his M.B.A., with emphasis on nonprofit management and museums, from Yale University. 


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Korea in Transition

Courtesy of Peabody Essex Museum

Peabody Essex Museum’s Korean art collection, comprising nearly 2,000 works, offers a distinctive lens on late nineteenth- and early twentieth-century Korea—a period marked by reform, global encounter, and artistic transition. Anchored by objects from the first Korean diplomatic delegation to the United States in 1883 and Korea’s participation in the 1893 Chicago World’s Columbian Exposition, the collection reveals how late Joseon art responded to shifting political realities, foreign contact, and emerging modern sensibilities. Initiated under Director Edward Sylvester Morse and enriched through donations by early travelers between Korea and the United States, including the new PEM Korean gallery’s namesake Yu Kil-Chun, the collection tells intertwined stories of continuity and transition.

Jiyeon Kim, Curator of Korean Art and Culture at PEM, will explore how the late 19th-century Joseon adapted courtly traditions and responded to new popular demands, while also considering the global interactions and human connections forged across the ocean at a pivotal moment in Korean history.

 

 

Korea in Transition: Late 19th-Century Art in the Peabody Essex Museum Collection

Tuesday, March 24, 2026 | 6:30 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

 

Jiyeon Kim is the Curator of Korean Art and Culture at the Peabody Essex Museum. She led the development of PEM’s new Korean Art Gallery, which opened in May 2025, and co-curated Jung Yeondoo: Building Dreams. She earned her Ph.D. in Korean Art History from the University of California, Los Angeles, and completed postdoctoral research at Columbia University.


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Korean Treasures: Collected, Cherished, Shared | The Curatorial Roundtable

Chaekgado: Scholar’s Accoutrements in a Bookcase
Joseon dynasty, 19th century
© National Museum of Korea

The Smithsonian’s National Museum of Asian Art presents Korean Treasures: Collected, Cherished, Shared, the first U.S. exhibition of significant works from the renowned Lee Kun-Hee Collection. On view through February 1, 2026,  Korean Treasures features over 200 works, including a dozen National Treasures designated by the Korean government. The largest and most comprehensive presentation of Korean art ever mounted at the National Museum of Asian Art, the exhibition spans 1,500 years—from ancient Buddhist sculptures and ceramics to paintings, furnishings and modern masterpieces of the 20th century.

Donated to the Republic of Korea in 2021 by the family of the late Samsung Chairman Lee Kun-Hee, the collection reflects more than 70 years of generational collecting and comprises more than 23,000 works, a testament to a decades-long commitment to preserving and sharing Korea’s artistic legacy and cultural heritage. Korean Treasures presents a remarkable selection from the collection to American audiences for the first time, alongside additional loans from the Leeum Museum of Art in Seoul, Korea, shown exclusively in Washington, D.C.

In a conversation with The Korea Society, three curators from the National Museum of Asian Art–Carol Huh, J. Keith Wilson, and Sunwoo Hwang–explore the depth and diversity of Korean art and reflect on the practice of collecting in Korea.

 

 

 

Korean Treasures: Collected, Cherished, Shared | The Curatorial Roundtable

Tuesday, December 2, 2025 | 6 PM (EST)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speakers:

 
 

Carol Huh, the Associate Curator of Contemporary Asian Art, became the Smithsonian’s National Museum of Asian Art’s first curator of contemporary art in 2007. As the curator of contemporary art at the National Museum of Asian Art, Carol Huh focuses on current artistic production related to Asia and the Asian diaspora through exhibitions, acquisitions, and public programs. She spearheaded projects such as the groundbreaking series of contemporary art installations in the Sackler Gallery, and organized Moving Perspectives, the museum’s first series of exhibitions focusing on video art from Asia. Huh is a founding member of the Smithsonian Artist Research Fellowship Committee and a member of the Smithsonian Networks Review Committee. She completed her undergraduate and graduate studies at Georgetown University, Washington, D.C.

 
 

A specialist in Chinese antiquities, J. Keith Wilson received his BA in Chinese Studies from Williams College and completed his PhD coursework at Princeton University after receiving MAs in Chinese art and archaeology from both the University of Michigan and Princeton. He was also a research fellow at the Institute for Advanced Studies on Asia at the University of Tokyo. He was appointed curator at the Cleveland Museum of Art and chief curator of Asian art at the Los Angeles County Museum of Art before joining the staff of the Smithsonian’s National Museum of Asian Art.

 
 

Sunwoo Hwang, Korea Foundation Assistant Curator of Korean Art and Culture, became the first curator of Korean art at the Smithsonian’s National Museum of Asian Art in 2024. Her research interests focus on Korean and Chinese Buddhist art, with a particular emphasis on medieval Buddhist wall paintings and their iconographic significance. Hwang holds an MA in Humanities from the University of Chicago and a PhD in Art History from Dongguk University in South Korea.


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Modern Architecture in Korea: Travels through Terra Incognita

Photo by JongOh Kim

Modern architecture in Korea is characterized by open and dynamic attitudes formed through a unique set of historical circumstances. Through colonial rule, war, and poverty, it was cut off from its older building traditions, emerging only in the latter half of the twentieth century as part of a condensed process of modernization. It is enigmatic in that its build first, think later (if at all) condition has rebuffed holistic narratives of its disjunctive evolution. Long dominated by the construction sector and state bureaucracies, it is now an amalgam of large corporate firms, creative studios, and diverse communities in the culture industry. It is now in crisis for its uncertain response to the challenges of climate change and Korea’s turn to structural low-growth. Neither affirming nor negating traditions and theories, Korean architecture is most interesting when it raises questions and belies unfulfilled ambitions.

This lecture, presented by 2025 Korea Foundation LAB Series, features Pai Hyungmin, a distinguished architect and scholar.

 

 

 

Modern Architecture in Korea: Travels through Terra Incognita

 Monday, November 17, 2025 | 6:30 PM (EST)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

 
 

Pai Hyungmin, Professor at the University of Seoul, is an architectural historian, critic, and curator. Twice a Fulbright scholar, he received his Ph.D from the History, Theory, and Criticism program at MIT. His numerous publications include The Portfolio and the Diagram, Key Concepts of Korean Architecture, and Sensuous Plan: Architecture of Seung H-Sang. He was artistic director of the inaugural Seoul Biennale of Architecture and Urbanism and the 5th Gwangju Folly. He was twice curator of the Korean Pavilion at the Venice Biennale, which in 2014, was awarded the Golden Lion for Best National Pavilion. His recent work has focused on climate change, particularly the material networks of production, consumption, and waste. His Climate Museum: Life and Death of our Home received the Red Dot Award for its innovative and sustainable exhibition design.


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Artist Talk: Hong Seon Jang

Photo by Brad Ogbonna

With his installations, Hong Seon Jang transforms industrial products and found objects in order to explore the usually recognizable surroundings. As their conventional function and values are reinterpreted, distorted, and subverted, Jang investigates opposing concepts and contrasting ideas, such as authority and subordination, internal and external dynamics, and the interplay between security and threat. Through his art, Jang invites viewers to re-examine how symbols acquire cultural and ideological significance, and how their meanings transform in displacement.

 

 

Artist Talk: Hong Seon Jang

 Video Release: Tuesday, October 14, 2025


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Artist:

Hong Seon Jang has widely exhibited in solo and group exhibitions including Wellin Museum of Art, NY; SHCM Museum of Art, NY; Socrates Sculpture Park, NY; Meet Factory, Czech Republic; Fine Arts Gallery, San Francisco State University, CA; Jamaica Center for Arts & Learning, NY; the Cohen Gallery at Brown University, RI; Smack Mellon, NY; McColl Center for Visual Art, NC; The Soap Factory, MN; The Islip Art Museum, NY; Artspace, CT; Rush Arts Gallery, NYC, and Hangaram Art Museum, South Korea. His awards and residencies include: ISCP Ground Floor Program, AHL-AAW Solo Exhibition Grant, The Sharpe-Walentas Studio Program, NY; Art Council Korea Grant, Korea; MSA, LA; Skowhegan School of Painting and Sculpture, ME; Tokyo Wonder Site, Artist-In-Residence, Japan; Percent for Art, Public School Art commission, NY; Djerassi, CA; Atlantic Center for the Arts, FL; Newark Museum, NJ; Lower East Side Printshop Special Editions Residency, NY; Emerging Artist Fellowship, Socrates Sculpture Park, NY; Sculpture Space, NY; Bemis Art, NE; Abron Arts Center, NY; The Triangle Artists’ Workshop Program, NY; and Urban Artist Initiative Fellowship. He received his BFA from Dankook University, South Korea and earned his MFA in Imaging Art at Rochester Institute of Technology, Rochester, NY.


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Artist Talk: Kyungmin Park & Jinsik Yoo

Courtesy of Artist

Through figurative sculpture, two Korean-born artists transcend language and cultural barriers to tell their personal stories and express emotions that resonate universally. By sharing their unique perspectives and introspection, they offer alternative interpretations and an opportunity for a more comprehensive understanding of ourselves and the world around us.

Kyungmin Park‘s artistic vision was inspired by her experience as an immigrant in the U.S., where she had to learn a new language and customs. This process of adaptation reminded her of the experience of being a child, which led her to explore a childlike state, characterized by freedom, creativity, and the ability to embrace new experiences without restraint. Park’s ceramic sculptures often feature childlike figures with expressive faces that convey a range of human emotions and experiences. Amorphous forms symbolize the boundless imagination of childhood, while the lines and colors represent the societal expectations and constraints of adulthood.

Jinsik Yoo works with clay to create abstract representations of bodily forms, sculptures that embody the layered nature of existence. Through his artistic practices, Yoo expands, alters, intensifies, and ambiguates features so that his sculptures resonate beyond the physical and depict social, emotional, and psychological complexity. Ambiguity in his sculptures  challenges viewers to engage with the art on a deeper level, prompting them to ask questions about themselves and their own inner worlds. Yoo’s artistic inquiry centers less on offering definitive conclusions and more on exploratory thinking and questioning. 

 

 

Artist Talk: Kyungmin Park & Jinsik Yoo

Tuesday, June 10, 2025


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


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From POW Camp to Muralist: The Untold Story of Lee Qoede

Join Korean art historian and curator Jinyoung Jin as she reveals the fascinating life and art of Lee Qoede (1913–1965), a groundbreaking twentieth-century Korean painter shaped by the turbulent ideological battles of postliberation Korea. From surviving three years in a prisoner-of-war camp during the Korean War to defecting to North Korea in 1953, Lee’s journey and artistry reflect a profound resilience. Jin will delve into his impactful contributions to twentieth-century social realism, uncovering the surprising and powerful influence of Mexican muralism on his work.

 

Sign Up Here to Attend In-Person

 

From POW Camp to Muralist: The Untold Story of Lee Qoede

Thursday, June  5, 2025 | 6:30 PM


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

 

Jinyoung Anna Jin, Ph.D., is the Director of Asian Art and Culture at the Charles B. Wang Center at Stony Brook University. Jin has organized critically acclaimed exhibitions including Korea: A Land of Hats (2019), The Power and Pleasure of Possessions in Korean Painted Screens (2016), Comfort Women Wanted (2014), and Seas of Blue: Asian Indigo Dye (2014). Many of her curated exhibitions have been featured in the New York Times, the Wall Street Journal and PBS. Jin’s recent publication includes Art, War, and Exile in Modern Korea: Rethinking the Life and Work of Lee Qoede, Park Dae Sung: Ink Reimagined, and Chaekgeori: The Power and Pleasure of Possessions in Korean Painted Screens. Jin serves as a member of the community advisory board of PBS Thirteen/WLIW.


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Future Present: Contemporary Korean Art with Andy St. Louis

 

Join Andy St. Louis for an in-depth exploration of South Korea’s burgeoning art scene and the most intriguing artists who are at the forefront of a generational shift in Korean art. Working in the fields of painting, sculpture, installation, video and photography, these artists collectively foreground the facets of contemporary Korean culture that have enabled the country’s cultural exports to resonate so strongly worldwide. In his lecture, St. Louis will showcase the diversity of contemporary Korean art practices while situating them amid the global contemporary art conversation.

 

 

Future Present: Contemporary Korean Art with Andy St. Louis

Tuesday, June 3, 2025 | 6:30 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

 

Andy St. Louis is a Seoul-based writer, curator and consultant with more than a decade of experience in the field of contemporary Korean art, and editor of Future Present: Contemporary Korean Art. In 2018, he founded Seoul Art Friend, an online platform dedicated to promoting Korean art and documenting Seoul’s art scene. He is currently the Seoul desk editor for ArtAsiaPacific and has contributed to international publications including Artforum, Artnet News, The Art Newspaper, ArtReview and frieze.


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The Flow of Ink and Color: A Journey of Korean Ink Painting by Sunglim Kim

In this lecture, Professor Sunglim Kim explores the history of ink painting in Korea, and examines its origin and development, both in the past and the present. |
Hemyeong Kim Seongheui Constellation Links

In this lecture, Professor Sunglim Kim explores the history of ink painting in Korea, and examines its origin and development, both in the past and the present.

 

The Flow of Ink and Color: A Journey of Korean Ink Painting by Sunglim Kim

Tuesday, March 18, 2025 | 6:30 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

 

Sunglim Kim is an associate professor of Korean art and culture at Dartmouth College. She specializes in the material and consumer culture of the late Joseon period and women artists in modern and contemporary Korea.


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