Tag: postevent

Holiday Exclusive Event with YUNA YANG Collection

In celebration of the holiday season, The Korea Society collaborates with YUNA YANG Collection to present an exclusive members’ event. Since its debut at 2010

JEJU HAENYEO

© David Alan Harvey / Magnum Photos / Europhotos Jeju is home to the world-famous haenyeo, female divers who gather marine goods for a living. These

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15th Annual New York Korean Film Festival

The 15th Annual New York Korean Film Festival Announces Upcoming Program for November 3rd to November 5th, 2017 at the Museum of the Moving Image.

Po Kim: Making Impossible Demands on Art

In the course of his career, painter Po Kim  worked in three distinct modes, gestural abstraction, realist still-life and symbolist figuration. This talk will examine

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Private Tour of An Inquiring Mind: American Collecting of Japanese & Korean Art @ Christie’s

Members of The Korea Society were invited to an exclusive private tour of an exhibition that showcased works from renowned private, American, Asian-art collections. Exquisite pieces

The Buddhist Arts of Korea with Dr. Robert Mowry

This illustrated slide lecture will introduce Korean Buddhist art, focusing on the late Three Kingdoms period (traditionally, 57 BC – AD 668), the Unified Silla

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Gallery Opening: Finding Dignity The Art of Hyong Nam Ahn

  An award-winning sculptor and installation artist, Ahn incorporates lights, sounds, and movement into his work and seeks to find the human spirit within the

14th Annual New York Korean Film Festival

The 14th Annual New York Korean Film Festival Announces Upcoming Program for November 11th to November 13th, 2016 at the Museum of the Moving Image.

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Prometheus: The Art of Tchah Sup Kim

Tchah Sup Kim has experimented with a wide variety of genres and methods, including pop art, geometric abstraction, mail art, readymade objects, environmental art, and

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Breath of Life: Paintings by Yoo Geun-Taek

Yoo Geun-Taek is a leading contemporary painter known for uniting traditional ink-and-wash painting techniques with the Korean post-modernist approach of the mid-1990s and 2000s. In

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