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Author: Yurim Oh

If This Kayagŭm Could Talk…

Posted on by Yurim Oh
2010 05 20 live house korea small“…It would speak to the seasons.” Join us for a rich evening of time circling through the elegant sounds of Rami Seo’s kayagǔm. Powerful at times, passive at others, Ms. Seo’s stringed wonder takes us from spring through summer, to autumn’s passing and wintry embrace…and back again to spring. Relax amid the contemplative sounds and relish the rich history of the kayagǔm.

Thursday, May 20, 2010
6:15 PM Check-in
6:30 PM Recital

“If This Kayagŭm Could Talk…”
Kayagŭm Recital

The Korea Society
950 Third Avenue @ 57th Street, 8th Floor

$10 for members and students; $20 for nonmembers
(Walk-in registration will incur an additional charge of $5)

For more information or to register for the program, please contact Heewon Kim or 212-759-7525, ext. 355.

If this kayagǔm could talk…

If this kayagǔm could talk
It might tell tales…
Of kings that ruled
In gilded courts,
Bent peasants
Out in the fields,
A nameless ki-saeng
With her private audience,
A famed musician
Whose song is legend;

Or it might tell
Of untried dreams,
And uncounted hours,
Unspoken truths,
And unshed tears…

If this kayagǔm could talk
You just might hear
The unstrung words
To my heart’s impetuous song;
Within each measure
My unrelenting pulse;
My palpable Joy
Resonating…
Beneath my weeping fingertips.

-Michelle C. Yoon

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LIVE HOUSE KOREA is made possible with the support of the New York State Council on the Arts.

 

The Fabulous Kim Sisters

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The year is 1960, and The Kim Sisters have set the Vegas Strip afire with rich harmonies and an ability to play dozens of instruments. The sisters had been in the United States only two short years at the legendary Thunderbird—after singing for American GIs during and after the Korean War. From there, they became a staple of Rat Pack-era Las Vegas, booking clubs across the United States and appearing a record 22 times on the Ed Sullivan Show. Join us as we trace the meteoric rise of The Kim Sisters—from singing for chocolate bars in war-torn Korea to making $13,000 a week as headline entertainers—with a special montage from The Fabulous Kim Sisters and sister Sue Kim Bonifazio sharing her Stardust memories.

 

Thursday, April 15th | 6:30 PM
Q&A with Sue Kim Bonifazio | 7:15 PM

Moderated by Benjamin Min Han, New York University  
Film Screening at The Korea Society

 

 

The Fabulous Kim Sisters
39 Minutes

 

 

 

 

 

Korean Masked Dance-Drama: Enchanted Fertility Rite and Social Satire

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maskofnightJoin us as Theresa Ki-ja Kim, professor emeritus of theater arts at SUNY Stony Brook, discusses how Korea’s unique tradition of masked dance-dramas masterfully blended fertility rite, social satire, and popular entertainment. Held in conjunction with the exhibition, Masks of Night: Faces from Traditional Korean Dance-Dramas, Kim’s gallery talk will introduce the masked dance-drama, a form of performance that included songs, dances, and dialogues that aimed to satirize the local nobility (yangban) and promote fertility. Her talk will also examine how masked dance-dramas performed at the Korean royal court and throughout the countryside evolved from ancient shamanic rituals into a form of popular theater that helped release the pent-up social frustration generated by the rigid Confucian norms of the Chosŏn kingdom (1392-1910).

 

Gallery Talk with
Theresa Ki-ja Kim
Professor Emeritus, Department of Theatre Arts, SUNY Stony Brook, New York

ABOUT THE AUTHOR

Theresa Ki-ja Kim is a professor emeritus of theatre arts at SUNY Stony Brook and a Fulbright Scholar of the shamanic origins of theater. Kim’s collection of Korean theatrical masks, on display at Masks of Night: Faces from Traditional Korean Dance-Dramas, is a result of her personal associations with the masked dancers and shamans during years of researching, teaching, producing, and publishing in the fields of traditional Asian theater and shamanism. She holds a Ph.D. in performance studies from New York University.

Masks of Night: Faces from Traditional Korean Dance-Dramas

Posted on by Yurim Oh

Koreans expressed their passion and fear through masked dance for hundreds of years.  The dance-drama dates back to shamanic ritual aimed at warding off malevolent spirits and grew into a form of popular entertainment that poked fun at the establishment.

March 4—April 25, 2010

Free and Open to the Public.

The Korea Society Gallery
950 Third Avenue @ 57th Street, 8th Floor 
(Building entrance on SW corner of Third Avenue and 57th Street)

Over the centuries, masked dance evolved from shamanic ritual to popular entertainment.  By the mid-eighteenth century, masked dance was firmly rooted as popular entertainment featuring dance, song and dialogue, with distinct regional varieties on offer.  Masked dance-dramas were staged outdoors and in the countryside as all-night, bonfire-lit events. The performances took place during planting and harvest, to promote fertility, and on the eve of the lunar new year and Buddha’s birthday to ensure good fortune. The dramas also were performed to welcome foreign envoys.

Dancers began by donning the masks—made from gourds, wood, bark, animal fur, cloth, and paper-mâché—and, like their shamanic predecessors, invoking the deities.  What followed was a riotous series of satirical sketches featuring characterizations of wayward monks, pompous playboys, love triangles and farcical noblemen. In this way, the dances functioned as a catharsis for the community, releasing through laughter the pent-up tensions created by the Chosŏn Dynasty’s (1392-1910) rigid moral and social strictures. The performance ended at dawn when the masks were tossed into the bonfire, symbolically expelling misfortune. As a result of this tradition, intact dance-drama masks from the period are exceedingly rare.

This exhibition features traditional dance-drama masks carved by four master artisans in the 1970s and 1980s. The masks here are of four regional types: Pongsan (Hwanghae province in the northwest of North Korea), Songp’a (Seoul), Yangju (north of Seoul), and Tongnae (south of Kyŏngsang province). The exhibition also features reproductions from an original set of Hahoe (Andong) exorcism masks from North Kyŏngsang province. Each regional style has been designated as an Important Intangible Cultural Property of Korea.  Unfortunately, the carving of traditional masks has become a dying skill.  Of the four artisans featured here, only one survives.

The masks in this exhibition are on loan from the collection of Dr. Theresa Ki-ja Kim.

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Director Bong Joon-Ho

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Director Bong Joon-Ho

Director Bong Joon-Ho

 

Korean Film in Focus: A Conversation with Director Bong Joon-ho |

Long before he swept the Oscars with Parasite, Director Bong Joon Ho visited The Korea Society to talk about his career and films in February 2010. Listen to the highlights from his conversation with Michael Atkinson.

 

 

 

Korean Ghost Stories

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Through November and December, 2009, The Korea Society is screening episodes from Korean Ghost Stories, KBS’ popular and long-running television series. Known in Korea as Hometown of Legend, the series has thrilled Korean audiences with tales of the supernatural since it began airing in 1977. Often drawn from ancient folklore, these tales of tortured ghosts and supernatural curses have a uniquely Korean feel, and as such, provide a look into how Korean culture views issues of justice, revenge, and the role of women in a Confucian society. As part of our screening program, Yuni Cho, senior program officer for film, prepared questions for Lee Min-hong, who directed several episodes of Korean Ghost Stories, including The Reincarnated Princess, which will be screened at The Korea Society on Thursday, December 17th. Director Lee discusses the popularity of the series, as well as what sets it apart from other Asian horror films and TV. This podcast is also available as a video on http://www.youtube.com/user/TheKoreaSociety.

 

 

Talismans of Protection from Chosŏn Korea: Antique Locks, Latches and Key Charms

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Shown for the first time in the United States, the collection features a rare collection of locks, latches and key charms, from the Chosŏn Dynasty (1392-1910), beautifully designed metal and wood objects executed in myriad shapes.

This exhibition features a rare collection of locks, latches and key charms, from the Chosŏn Dynasty (1392-1910). The items reveal the richly symbolic and exquisitely decorative dimensions of traditional Korean aesthetic and craft traditions. On loan from the Lock Museum in Seoul and shown for the first time in the United States, the collection includes beautifully designed metal and wood objects executed in myriad shapes: dragons, turtles, butterflies, fish, bats and swallows. Although these objects served functional purposes in everyday life, such as securing gates and protecting the contents of chests and other kinds of furniture, the beauty of their design underscores the primarily symbolic nature of the protection they afforded. Traditionally, Koreans believed that locks and latches fashioned in the shape of talismanic animals could invoke the power of these animals both to ensure the protection of their property and to bestow the blessings of wealth, health, fecundity and happiness. As an accompaniment to the locks and latches, key charms evolved from functional key holders into exquisitely decorated personal accessories passed from mothers to daughters as a symbol of the transfer of responsibility for ensuring the good management of household affairs.

On loan from the Lock Museum in Seoul, and shown for the first time in the US. The exhibition was organized by The Korea Society and is co-presented with Flushing Town Hall.

 

Rhythms to Make the Heart Beat Faster

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On September 30, 2009, Minji Kim, traditional percussionist, dancer, and a Republic of Korea 2009 Korean Traditional Artist-in-Residence, performed an evening of folk music on the changgo, an hourglass drum at the heart of traditional Korean music. The night’s program began with an introduction by Dr. Ju-Yong Ha, composer and ethnomusicologist, who also provided commentary before each of the three musical selections: a kayagum sanjo, a duet for haegum and changgo, and a solo percussion piece for changgo. Minji Kim was accompanied by Gee Sook Baek on the kayagum and Lee Kyung Kang on the haegum.

 

Dynamic Korea: Dance and Song 2009

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Performed by Chae Hyang Soon Dance Company
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Bring the rhythm and vitality of Korea’s classical dance tradition to your performing arts venue with Chae Hyang Soon Dance Company. The Korea Society is now accepting bookings for the group’s fall 2010 U.S. tour.

Handed down from generation to generation, the movements of Korea’s classical dance tradition reflect the essential rhythms of life in Korea. The exuberant yŏtt’aryŏngch’um (Taffy Peddler Dance) walks audiences through the bustling marketplaces of Korea, while meditative, deeply symbolic performances such as the hwahyŏnmu (Lotus Dance) and sŭngmu (Monk’s Dance) explore the country’s deep Buddhist roots. From the gentle, gliding grace of the opening chaech’ŏnmu (Chosŏn Court Dance) to the thunderous drumming of the closing p’unggo, the dancers and musicians of the Chae Hyang Soon Dance Company are animated by the strength and energy of the Korean tradition.

dynamic the korea society2Tour Specifications:

Period: September 16-30, 2010
Fee: Available upon request
Contents: 12 performances by 12 performers
Category: Folk Music and Dance / Religious
Time: 90 minutes

For more information, to receive a press kit with DVD or to schedule a performance at your institution, please contact Heewon Kim at The Korea Society at (212) 759-7525, ext. 355 or at heewon.ny@koreasociety.org.

Read more to view a video clip of the performance.

The Korea Society Interviews Park Chan-wook

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South Korean star director Park Chan-wook (JSA, Old Boy), has thrilled both critics and audiences in his native country for a decade. His “vengeance” trilogy brought international recognition, including a Cannes Film Festival Grand Prize (2008) and a Jury Prize (2009), and established Park as a virtuoso filmmaker with a thoroughly original artistic vision. On July 24, 2009, The Korea Society recorded a special interview with the director in which he spoke about his influences, his meteoric ascension into the pantheon of internationally celebrated directors, and his latest film, Thirst.

Thirst is a stylish vampire thriller with a dramatic bite, and continues Park’s exploration of the dark side of the human soul. A devout priest (Song Kang-ho, The Host) on a mission to Africa volunteers as a test subject in a vaccine trial-gone-awry. Now a vampire, he returns to Korea to endure the torments of temptation, embodied by a childhood friend’s wife (Kim Ok-bin).