Korean visual entertainment—including films, K-dramas, and K-pop music videos—is the result of highly sophisticated planning and production. These productions captivate a global audience by synthesizing
Photo by Janice Chung This spring, from director Andrew Ahn comes The Wedding Banquet, a joyful comedy of errors about a chosen family navigating the
Embark on a captivating musical journey weaving three compelling stories from Hawai‘i’s Korean diaspora with performances by remarkable musicians, including the Grammy Award-winning violist
South Korea’s film industry is producing movies and original series eagerly anticipated by the global audience, and it is now arguably considered one of the
The Korea Society is thrilled to sponsor the screening of the award-winning short film Take Me Home, followed by a Q+A with director Liz Sargent
World-renowned South Korean directors, including Park Chan-wook and Bong Joon Ho, cite Kim Ki-young as being the greatest Korean influence on their work. When Yuh-Jung
Specially Processed American Me, an autobiographical performance by Jaime Sunwoo, delves into her Asian-American upbringing and her family’s encounters with the Korean War through the
From music to film to television and streaming series to food, K-content is dominating the world stage. With remarkable achievements across several artistic disciplines and
The Korean-born, German-educated, life-long New Yorker, Nam June Paik (1932-2006) coined the phrase “the electronic superhighway” long before the Internet was born. A consummate shape-shifter
Bong Joon Ho: Dissident Cinema by culture writer and screenwriter Karen Han is the first definitive critical and visual survey of the Academy Award–winning South
