TradINNOVAtion: New Trends in Contemporary Korean Architecture

2009 04 14 tradinnovation icon

Korea’s dizzying economic and urban growth over the past 50 years has seen the country exchange its traditional architectural landscape for Westernized office towers and apartment blocks. At the dawn of the twenty-first century, a few Korean architects are embracing buildings visibly rooted in history and synthesizing traditional forms and the demands of modern life. Architect Doojin Hwang will explain the theory, design and methodology behind the “creative restoration” changing the face of Korea’s cities.

TradINNOVAtion: New Trends in Contemporary Korean Architecture

Gallery Talk with

Doojin Hwang
Principal, Doojin Hwang Architects

Tuesday, April 14, 2009

Pojagi: Cloth, Color and Beyond

Join us for a panel discussion on the art and history of Korean wrapping cloths, or pojagi, with Lee Talbot, assistant curator of The Textile Museum; Chunghie Lee, fiber artist; and Seta K. Wehbé, assistant collection manager of the Antonio Ratti Textile Center at the Metropolitan Museum of Art. Linking pojagi aesthetics to both traditional American quilts and contemporary abstract painting, the panelists will discuss the enduring appeal of pojagi and what they reveal about the lives and times of their creators.

This lecture is organized in conjunction with Unwrapping the Secrets of Korean Textiles: An Exhibition of Pojagi , which runs through April 24, 2009 at The Korea Society Gallery. You may also be interested in the workshop sessions, Making a Pojagi, beginning February 24.

 

Wednesday, March 18, 2009

 

Gallery Talk

with

Lee Talbot
Assistant Curator of Eastern Hemisphere Collections at The Textile Museum

Seta K. Wehbé
Assistant Collection Manager of the Antonio Ratti Textile Center at the Metropolitan Museum of Art

Chunghie Lee
Artist


 

Encountering North Korea Through Its Art

2008 12 04  EncounteringNKThroughArt icon
Image
Gallery Talk

with

 
Jane Portal
Matsutaro Shoriki Chair of the Art of Asia, Oceania and Africa, Museum of Fine Arts, Boston.

Thursday, December 4, 2008

We might think that we know about North Korea – it has been so much in the news recently, presenting a nuclear threat to the region. But in fact we know very little about the country. In the 19th century, the undivided country was called the hermit kingdom. Since 1953, the South has become accessible and widely known, while the North has remained a hermit, with very few tourists being allowed to travel there to find out what it is really like. Perhaps one form of evidence which would help us understand the north better is through its art. Jane Portal was very privileged to be able to travel to Pyongyang in 2001 and 2002 as a result of the establishment of diplomatic relations between the UK and the DPRK. At that time she started to collect a variety of contemporary works for the British Museum.

This lecture is in conjunction with the gallery exhibit North Korean Images at Utopia’s Edge, on view at The Korea Society Gallery through December 12, 2008.

Above print:
Happiness (1990), Hwang Chol-Ho
Linoleum Print (Ed. 1 of 5)
25 (H)” x 21¾ (W)”

A young boy gives his father, a miner, his report card from school.

North Korean Images at Utopia’s Edge

 

 

Exhibition

September 9 – December 12, 2008

Tuesday, September 9, 2008

The Korea Society presents, for the first time ever in the United States, the art of North Korean woodblock printing. In an exhibition spanning the last three decades of North Korean artistry, North Korean Images at Utopia’s Edge features 24 prints from the Nicholas Bonner Collection. These prints offer a fascinating picture of North Korean conceptions of daily life and work, family and Fatherland. Four subject areas delineate the contours of North Korea’s vision of an earthly paradise: harmonious families, plenteous landscapes, male laborers and women at work.
 
Following its engagement at The Korea Society, North Korean Images at Utopia’s Edge will be available for travel to colleges, universities, galleries, and non-profit institutions across America.

Related program:

Crossing the Line, directed by Daniel Gordon and narrated by Christian Slater
Tuesday, October 28, 2008
6:00 PM-6:30 PM • Registration and Reception
6:30 PM-8:30 PM • Screening and Q&A

Join The Korea Society for a screening of this unique documentary, followed by a conversation with co-producer Nicholas Bonner.

mt_gallery:nkwoodblock


 

The Kyopo Project

 

 
Exhibition

kyopoproject-gallery.jpgThrough Friday, August 15, 2008

Kyopo (교포) is a Korean term for people of Korean descent who reside permanently outside of the Korean Peninsula. The Kyopo Project is a collection of images created by photographer CYJO to highlight the diversity of the global kyopo community.

Emigration from Korea to other countries in Asia began as a trickle in the mid-nineteenth century, and accelerated during the first half of the twentieth century as the depredations of Japanese colonial rule increased. A second wave of emigrants began leaving for the Western Hemisphere, particularly the United States, in the mid-1960s. Kyopo hail from virtually every country in the world, but the vast majority reside in just three countries: China, the U.S. and Japan. Today, kyopo number approximately 6.5 million—one for every ten Koreans residing in the Korean Peninsula.

This exhibition features a series of 171 full-length portraits of kyopo from around the world. It shows each subject in their analogical plenitude, as Roland Barthes would say, and betrays/displays the intimate relation of the photographer to the portraits. The subjects are posed frontally, with their eyes returning the camera’s and the viewer’s gaze. Thus, each subject connects with and mirrors the others, while also reflecting their inherent differences. Ranging in age from teenagers to a septuagenarian, they are novelists, actors, teachers, comedians, athletes, executives and retirees. The striking diversity of the group—the subjects do not appear to have much in common other than their Korean ancestry—challenges the idea of a monolithic, authentic Korean identity and stimulates exploration of what it means to be Korean. The exhibition also poses the question of how kyopo negotiate the sometimes conflicting expectations and sensibilities arising from their intrinsic bicultural identity.

Asian Diasporas: New Conceptions, New Formations, a collection of essays co-edited by Rhacel Salazar Parreñas and Lok Siu, will be available for purchase at The Korea Society during the exhibition.

 

 

For inquiries about the exhibition in The Korea Society Gallery, contact Jinyoung Kim at (212) 759-7525, ext. 316 or email .

This exhibition was made possible in part by support from the Joh Foundation, Andy S. Ree, Asian/Pacific American Institute at New York University, Gie Kim, Alexander Brodsky, the Network of Korean-American Leaders (NetKAL), Bomsinae Kim, P.J. Kim and Hoon-jung Kim. Additional thanks to Timothy Archambault, Stephan Valter, Joseph and Linda Kang Chong, Kevin and Clara Kim, Younmee Shin, Min Yang, Charles No and all The Kyopo Project  participants. 

Read more about The Kyopo Project:

 

ChelseaNow
KoreAmJournal.com
Korea Daily May 22, 2008 (Coverage of exhibit in Korean)
PBS 13 Sunday Arts News June 28, 2008 (video)
Asians in America Magazine, June 2008

 

ImageExhibiting Korea 2007
A New, Monthly Series of Gallery Talk Programs at The Korea Society

The Kyopo Project

with

 
 

Cindy Hwang
Photographer

 

Thursday, November 15, 2007 at 6:30 PM

The Korea Society Auditorium

 

Millions of Koreans live outside of Korea; many of them have never even set foot in their home country. In Korean, they’re known as kyopo. And the Kyopo Project, organized by photographer Cindy Hwang, tells their story.

 
 

Begun in November of 2004, the Kyopo Project is a collection of over 100 portraits-both photographic and literary-of overseas Koreans from around the world. The stories and images of these kyopo, fully integrated into countries as far afield as the U.S., Canada, Denmark and Brazil, reveal an emerging, dynamic identity that defies received wisdom on kyopo in both Korea and around the world.

 
At an enlivening and inquisitive gallery talk, Cindy Hwang will display sections of the Kyopo Project, and discuss how today’s trans-national kyopo communities are reshaping their host countries and Korea.

Photo: Daniel Dae Kim, Photo © CYJO

About the Presenter

Cindy Hwang is a freelance photographer in New York City. Her photos often seek to capture the inherent beauty of her subjects through traditional and interpretive portraiture. Much of her work included in the Kyopo Project focuses on capturing the collective persona of a cultural diaspora and the inherent synergies produced by subjects during the documentation process. Hwang is a graduate of the University of Maryland and the Fashion Institute of Technology in New York. A fashion industry expert, her clients include Guess Watches, Equilend, Elle International, Angelo Filomeno and Jessica Corr.

 
 
 

Questions, registration? call Jinyoung Kim, senior program officer for arts, 212-7597-525 ext 316 or emailThis e-mail address is being protected from spam bots, you need JavaScript enabled to view it .

 
 
 

Exhibiting Korea
A New, Monthly Series of Gallery Talk Programs at The Korea Society

Exhibiting Korea, a new monthly series of presentations on the fine arts, film, fashion and architecture of the Korean Peninsula, is debuting this April. Series programs will address contemporary trends in cultural expression in Korea, and take audiences back to important movements they might have overlooked. These gallery talks, given by top experts, critics and artists, will put the colors and shapes of modern Korea on display-and explain the cultural and historical contexts behind them. Please join us.

Other Programs in this Series
(all held at The Korea Society Auditorium, 6:30 PM)

Date

Title

Speaker

April 5, 2007

How Did Korea Become a “Land of Apartments”?

Valérie Gelézeau

May 24, 2007

The Forgotten Legacy of the Minjung Art Movement in South Korea

Soyang Park

June 7, 2007

The Modern Boy and Modern Girl in Colonial Korea: 1910-45

Yeon-Shim Chung

July 12, 2007

Film Screening of A Petal and Q&A with actress Lee Young-Lan

Lee Young Lan

October 25, 2007

Dressed to Kill: Women’s Fashion and Body Politics in North Korea

Suk-Young Kim

November 15, 2007

The Kyopo Project

Cindy Hwang

 

 

 


Inside North Korea with the New York Philharmonic

 

 
Exhibition

April 24–May 16, 2008

Opening Reception
Wednesday, April 30, 2008

The Korea Society is pleased to present Inside North Korea with the New York Philharmonic, an exhibition of photographs by award-winning photographer Mark Edward Harris that document the concert by the New York Philharmonic orchestra in the Democratic People’s Republic of Korea on February 26, 2008.

In these fascinating and often-stunning photographs, Harris offers a portrait of the historic event, encompassing both the concert itself and all the other major activities of the nearly 300-member delegation—artists, staff, accompanying patrons, guests and press corps. The exhibition captures multiple aspects of the New York Philharmonic orchestra’s two-day visit to Pyongyang, the capital of the Democratic People’s Republic of Korea. Most notably, the photographs afford an inside view of this previously unimaginable influx of Americans—the largest group since the days of the Korean War over half a century ago—and insights into the inhabitants of this reclusive country.

The exhibition is accompanied by Harris’ book, Inside North Korea, published by Chronicle Books in 2007, which features photographs from previous visits to the Democratic People’s Republic of Korea. These photographs document life in Pyongyang and scenes from along the northern border with China, the highly militarized DMZ and the tightly controlled economic and tourist zones. The book, which includes short essays, extended captions and a foreword by noted North Korea expert Bruce Cumings, will be available for purchase at The Korea Society during the period of the exhibition.

  • Voice of America News (Coverage of exhibit in Korean)
  • FrictionTV (Video with President of The Korea Society, Evans Revere, and photographer Mark Edward Harris)

Following its run at The Korea Society, Inside North Korea with the New York Philharmonic will be available for travel to colleges, universities, galleries and non-profit institutions across America.


 

Our Toys, Our Selves: Robot Taekwon V and South Korean Identity

 

 

2008 02 07 Korean Toys iconOn February 7, 2008, Aaron Han Joon Magnan-Park, an assistant professor in the Department of Film, Television and Theatre at the University of Notre Dame, delivered at lecture at The Korea Society entitled “Our Toys, Our Selves: Robot Taekwon V and South Korean Identity.” The lecture was in support of “Toy Stories: Souvenirs from Korean Childhood,” an exhibition of toys from 1970s and 1980s Korea, showing at The Korea Society gallery, and available for travel around the United States in 2008.

Toy Stories: Souvenirs from Korean Childhood

Toy Stories: Souvenirs from Korean Childhood

Toy Stories: Souvenirs from Korean Childhood

 

Exhibition

January 31–April 18, 2008

Toys are always more meaningful than the simple playthings they appear to be. They can embody the fantasies, values, obsessions and anxieties of a generation. With Toy Stories: Souvenirs from Korean Childhood, The Korea Society put on display over 90 children’s toys from South Korea in the 1970s and ‘80s. On loan from the Hyeon Tae-Joon Collection in Seoul, the toys—flamboyantly colored action figures, robots, miniature tanks and paper dolls—captured a society in economic and social flux and a generation with rising hopes for the future.

The exhibition debuted on January 31 with an opening reception. Guests admired lines of action figure heroes which, reflecting the economic circumstances of the period, were often bland knock-offs of foreign models. Plastic robots ornamented with futuristic weapons captured viewers’ attention just as they had drawn in a generation of Korean boys, treating them to a sneak preview of a fantastic future where science made anything possible. Korean girls’ futures were more limited, circumscribed by the miniature kitchen and hospital utensils and paper dolls that encouraged them to dream only of becoming housewives or nurses.

Many of the items in the exhibit were modeled on cartoon characters popular in Korea during the period, and in particular, characters drawn from Robot Taekwon V, Korea’s first feature-length animated movie. Throughout its run, Toy Stories: Souvenirs from Korean Childhood was complemented by programs that explored the importance of animation and Robot Taekwon V to Korean youth culture.

On February 7, Aaron Han Joon Magnan-Park, a professor in the department of film, television and theater at the University Notre Dame, gave a gallery talk titled “Our Toys Our Selves: Robot Taekwon V and South Korean Identity.” Magnan-Park explained how Robot Taekwon V cemented children’s loyalty to an emerging South Korean identity by using a state-sanctioned style of taekwondo to fight off invidious foreign enemies. On March 18, The Korea Society screened Robot Taekwon V for an audience of animation enthusiasts.


Thursday, January 31, 2008 at 5:30 PM

ImageFilm Screening: Robot Taekwon V
Animation feature-film,
Directed by Kim Cheong-gi,
produced by Yu Hyon-mok.
Running time: 79 minutes

When an army of giant mecha attack, young martial-arts champion Kim Hoon must pilot Robot Taekwon V to defend the planet! Inspired by Mazinger Z, a Japanese anime popular in 1970s Korea, Robot Taekwon V was the country’s first full-length animated feature and the first to be digitally restored (1976).


 

  • Gallery Talk

Thursday, February 7, 2008

Our Toys Our Selves: Robot Taekwon V and South Korean Identity
with
Aaron Han Joon Magnan-Park
Professor of Film, Television and Theatre, University of Notre Dame

 

Children growing up in South Korea in the1970s faced an overwhelming barrage of cultural influences from the United States and Japan, the nations that, for Koreans, defined the prevailing images of the successful modern industrialized state during the Cold War era. President Park Chung-Hee was determined to bring South Korea into their ranks and, as a means of achieving this goal, adopted an export-driven industrialization policy that laid the economic foundations for the country’s rise to its present status as the 11th largest economic power in the world.

However, merely emulating the American and Japanese models of economic and technological progress could not instill within the Korean population a long-term self-sacrificing work ethic. Rather, the nation needed a Korean-specific hero who could create a vision of a forward-looking, technologized South Korea independent of the type of technological advances that the United States and Japan could already provide.

Kim Cheong-gi’s 1976 animation feature-film Robot Taekwon V signaled a significant contribution in advancing the image of an independent South Korea through the persona of a Korean-specific robot that effectively stands guard against enemies of superior numbers and with access to advanced technology.

This presentation illustrated how the Korean-specific features of Robot Taekwon V encouraged South Korean audiences to celebrate a Korea-centric paradigm of heroism that negated the United States and Japan and more importantly, exorcised the North Korean threat.

About the Presenter

Aaron Han Joon Magnan-Park is an assistant professor in the Department of Film, Television and Theatre at the University of Notre Dame. He specializes in pan-Asian cinema, sound theory, international action cinema and post-colonial theory. He has previously taught at Victoria University of Wellington in New Zealand, Illinois State University, Wesleyan University, University of Iowa, American University of Paris and the University of Paris IV-Sorbonne.


 

Korean Funerary Figures: Companions for the Journey to the Other World

funerary-ft.jpgExhibition

July 26, 2007 – December 18, 2007


  • “… eye-catching.” – New York Times Art Review,
    “Korea’s Extraordinary Send-Offs for Ordinary People”, August 17, 2007 link
  • “… the artifacts… are truly treasures.” – Japan Times Review,
    “Little Friends for the Other World”, October 11, 2007 link

Death is an aspect of the human condition that touches every culture in every age, and almost all cultures envelop death in a rich artistry as a way of managing the trauma it causes. In nineteenth and early twentieth century Korea, artisans carved joyful wooden figurines depicting acrobats, clowns and mystical animals-which are called kkoktu-to place on the funeral biers of the departed. A collection of 72 kkoktu will be brought to the U.S., for the first time ever, for an exhibition in The Korea Society Gallery. Organized jointly with the Seoul-based Ockrang Cultural Foundation, Korean Funerary Figures: Companions for the Journey to the Other World will run at The Korea Society Gallery from July 26 to November 20, 2007.

The kkoktu are archaeological treasures in their own right. Their costumes and poses reflect the realities of rural Korean village life during a period that left few written records. More importantly, the kkoktu open a window on a timeless, characteristically Korean attitude towards death. Though the gaiety depicted in many of the figurines may seem incompatible with mourning, what they are intended to express is a deep desire that the deceased loved one will enter the next world surrounded by joy. The figurines also embody a sophisticated appreciation of the fleeting nature of all experience.

The show’s opening reception will be held on July 26 at 5:30 PM at The Korea Society Gallery. To provide a cultural context for the exhibition, immediately following the reception, Dr. Laurel Kendall of the American Museum of Natural History will give a Gallery Talk on the shamanic rituals for the dead beginning at 6:30 PM.

 

“Journey to the Grave, Dance to Paradise: Shamanic Rituals for the Dead”
with Laurel Kendall of the American Museum of Natural History.

 


ockranglogo.jpg

The Ockrang Cultural Foundation was established by Dr. Ockrang Kim, who also is the founder of the Dongsoong Art Center. In her capacity as chairperson of the Foundation, Dr. Kim has been providing support for culture and the arts since 1992. Under the guiding concept of promoting a contemporary renewal of the cultural traditions of Korea, the Foundation is engaged in a diverse array of projects. Its efforts are directed toward finding ways to support more creative and innovative forms of artistic expression rather than the conventional forms typically supported by the government and large corporations in Korea. In this way, the Foundation is seeking to develop a new methodology for promoting a more authentic Korean culture by funding opportunities for artists to conduct original cultural research and to devote themselves to creative activities. Currently, the diverse projects the Foundation is pursuing include the Ockrang Drama Prize, the Ockrang Documentary Award given in collaboration with the Seoul Women’s Film Festival, the Ockrang-Asian Cultural Council Fellowship awarded in collaboration with U.S.-based Rockefeller Foundation, the Ockrang Kkoktu Museum with its research program, and several other scholarship programs.

‘전통의 현대적 창조’라는 설립이념 아래 다양한 사업들을 펼쳐오고 있는 옥랑문화재단은 동숭아트센터 설립자인 김옥랑 이사장에 의해 1992년에 설립되었습니다. 정부와 대기업 중심의 획일화된 문화예술 지원에서 보다 다양한 문화예술 지원의 통로를 구축하고자 노력해 왔으며, 문화예술 연구 및 창작 활동 공간 지원을 통해 한국적인 문화의 메소드(method)개발을 위해 노력하고 있습니다. 현재 새로운 희곡과 작가를 발굴하는 옥랑희곡상, 여성영화제와 함께하는 다큐멘터리 옥랑상, 미국 록펠러재단과 연계하는 Ockrang-ACC Fellowship, 옥랑꼭두박물관(나무꼭두연구), 장학금사업등 다양한 사업을 펼쳐나가고 있습니다.

Exhibiting Korea

2007 05 24  ExhibitingKorea icon

A New, Monthly Series of Gallery Talk Programs

May 24 – November 16, 2007

Exhibiting Korea, a new monthly series of presentations on the fine arts, film, fashion and photograph of the Korean Peninsula, is debuting in April 2007. Series programs will address contemporary trends in cultural expression in Korea, and take audiences back to important movements they might have overlooked. These gallery talks, given by top experts, critics and artists, will put the colors and shapes of modern Korea on display — and explain the cultural and historical contexts behind them. Please join us.

Date Time Title Speaker
5/24 6:30PM The Forgotten Legacy of the Minjung Art Movement in South Korea Soyang Park
6/7 6:30PM The Modern Boy and Modern Girl in Colonial Korea: 1910-45 Yeon-Shim Chung
7/12 6:30PM Film Screening of A Petal and Q&A with Actress Lee Young-Lan Lee Young-Lan
8/9 6:30PM Film Screening: Im Kwon Tae’s Festival
10/25 6:30PM Dressed to Kill: Women’s Fashion and Body Politics in North Korea Suk-Young Kim
11/16 6:30PM The Kyopo Project Cindy Hwang