Po Kim: Making Impossible Demands on Art

In the course of his career, painter Po Kim  worked in three distinct modes, gestural abstraction, realist still-life and symbolist figuration. This talk will examine each of these periods and look at how Po Kim’s work related to the art of the period, especially that of other artists working in New York. I will also seek to understand the motives that sparked his stylistic restlessness, and ask whether his early experiences of war and violence in Korea and Japan may have helped inspire his evident faith in the power of art.

 

 

Po Kim: Making Impossible Demands on Art

Gallery Talk
with Raphael Rubinstein

Art critic and editor, Art in America
Professor of Critical Studies
University of Houston School of Art

 

Monday, October 23, 2017 | 6 – 7:30 PM

FREE: Pre-registration is now required for all Korea Society events, and an ID is required for security.

 

Join our membership program here!

 

NYCulture logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


 

OF INTEREST:

 

 

 

The Buddhist Arts of Korea with Dr. Robert Mowry

This illustrated slide lecture will introduce Korean Buddhist art, focusing on the late Three Kingdoms period (traditionally, 57 BC – AD 668), the Unified Silla period (668–935), and the Koryŏ period (918–1392). Buddhism reached Korea from China in the fourth century; by the Unified Silla period, most members of the royal family were Buddhists, and the royal court patronized the religion, building temples and commissioning sculptures; by the Koryŏ period, the nation had espoused Buddhism as the state religion. Thus, during the millennium from the fourth through the fourteenth century (and the end of the Koryŏ dynasty), Buddhism flourished, as did Buddhist art, so that this era was the golden age of Buddhism in Korea. This lecture will pay particular attention to the sculpture of the Three Kingdoms and Unified Silla periods, to the magnificent temple architecture of the Unified Silla period (including Pulguk-sa and Sŏkkuram in Kyŏngju), and to the refined paintings and sumptuous sutras of the Koryŏ era. The lecture will explore the nature of Chinese influence on Korean Buddhist art, just as it will touch on Korean influence on Japanese Buddhist art.

 

The Buddhist Arts of Korea

Asia Week Lecture by Robert D. Mowry  

 

Thursday, March 16, 2017 | 6:30 PM

FREE Supporter [Formerly Explorer, YPN, Contributor], Fellow & Patron Members

Agenda

6:00 PM | Registration  
6:30 PM | Lecture

Join our membership program here!

$10 Individual Members
$15 Non-members

 

If you have any questions, please contact Jahee Yu  or (212) 759-7525 ext 301.

Space is Limited. Early Registration Requested.

 

NYCulture logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

About the Speaker

2016 03 17  gallery-talk  speakerRecently retired after more than 25 years as a senior curator at the Harvard Art Museums (H/AM), Robert D. Mowry was also the university’s Alan J. Dworsky Curator of Chinese Art (2000-2013) and Head of the Department of Asian Art (1991-2013). He continues to serve as Senior Lecturer on Chinese and Korean Art in Harvard’s Department of the History of Art and Architecture. Under his stewardship, Harvard added numerous and very significant works to what already was one of the finest collections of Asian art in the Western world. Mowry was instrumental in acquiring several renowned collections as well as important endowments for the H/AM, over and above annual fundraising efforts for specific acquisitions and exhibitions. The National Museum of Korea has named Robert Mowry its Senior International Fellow for 2013, and he is also senior editor of its scholarly journal, The Journal of Korean Art and Archaeology.  

 

Mowry’s passion for Asian art and culture was sparked by his two-year service in the Peace Corps in Korea more than 40 years ago (1967-1969). He taught English at Seoul National University, before returning to the University of Kansas, where he completed his graduate work with Chu-tsing Li and Laurence Sickman, taking his degrees with honors. Fluent in Mandarin, he spent two years as a curatorial assistant and translator in the Department of Painting and Calligraphy at the National Palace Museum, Taipei (1975-1977). His career is distinguished with many pioneering leadership roles and ground-breaking scholarship. He was founding Curator of the Mr. and Mrs. John D. Rockefeller 3rd Collection at The Asia Society, New York (1980-1986), and, before that, Assistant Curator of Oriental Art at Harvard’s Fogg Art Museum (1977-1980).

Mowry is a popular speaker, consultant and author in his many areas of expertise, which include Chinese and Korean ceramics, Chinese painting of the Song, Yuan and Ming periods, Chinese jade, Chinese scholar’s materials, and Korean paintings. Among his many articles, catalogues, textbooks and books, perhaps his best known is Hare’s Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown- and Black-Glazed Ceramics, 400-1400 (Harvard University Art Museums, 1996), the catalogue for an exhibition that he curated and that opened at Harvard’s Arthur M. Sackler Museum in December 1995 and then toured nationally in 1996. He also is the curator of and principal catalogue author for Worlds Within Worlds: The Richard Rosenblum Collection of Chinese Scholars’ Rocks (1997), another exhibition he organized.

 

 

 

 

 

 


 

Gallery Opening: Finding Dignity The Art of Hyong Nam Ahn

 

An award-winning sculptor and installation artist, Ahn incorporates lights, sounds, and movement into his work and seeks to find the human spirit within the results of mankind’s experiments with Utopia.

 

This exhibition is presented in collaboration with the Dongwha Cultural Foundation.

 

February 2 – April 28, 2017


Gallery Opening

Thursday, February 2, 2017 | 6 PM

 

FREE with RSVP

The Korea Society Gallery
950 Third Avenue, 8th Floor, New York, NY 10022 (Corner of 57th & 3rd)

Gallery Hours: M-F, 10 AM-5 PM

 

 For more information, please contact Jahee Yu or call at 212-759-7525 ext. 301.

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 


 

Prometheus: The Art of Tchah Sup Kim

2016 10 13  gallery-opening  Tchah-Sup-Kim  icon2

Tchah Sup Kim has experimented with a wide variety of genres and methods, including pop art, geometric abstraction, mail art, readymade objects, environmental art, and minimalism. Although the styles and materials have changed over time, Kim’s artwork always expresses a quest for the transcendent—as well as a critique of the Western-centric perspective.

Born in Japan’s Yamaguchi Prefecture, Kim and his family moved to Gyeongju, Korea, in 1944.  He graduated from Seoul National University in 1963 and represented Korea at the Biennale de Paris in 1966. In 1974, a scholarship from the Rockefeller Foundation enabled him to study at the Pratt Institute in New York.

Kim’s work was exhibited in the National Print Exhibition, 20th Biennial: 30 Years of American Printmaking at the The Brooklyn Museum (1976), Prints: Acquisitions, 1973-1976 at the Museum of Modern Art (1977), and Six Artists from Korea at the Grace Borgenicht Gallery (1995). The Leeum Samsung Museum of Art, the National Museum of Contemporary Art in Gwachon, Korea, the Library of Congress, the Metropolitan Museum of Art, and the Cincinnati Art Museum all include Kim’s work in their permanent collections.

 

This exhibition is presented in collaboration with the Dongwha Cultural Foundation.

 

October 13, 2016 – January 6, 2017


Gallery Opening

Thursday, October 13, 2016 | 6 PM

 

FREE with RSVP

The Korea Society Gallery
950 Third Avenue, 8th Floor, New York, NY 10022 (Corner of 57th & 3rd)

Gallery Hours: M-F, 10 AM-5 PM

 

 For more information, please contact Jahee Yu or call at 212-759-7525 ext. 301.

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 


 

Breath of Life: Paintings by Yoo Geun-Taek

2016 06 29  gallery-opening  Yoo-Geun-Taek  icon4

Yoo Geun-Taek is a leading contemporary painter known for uniting traditional ink-and-wash painting techniques with the Korean post-modernist approach of the mid-1990s and 2000s. In contrast to the idealized objects usually found in traditional ink-wash painting (Sumukhwa), Yoo’s art depicts the emotional quality of the workaday world—and often uncovers joy in the chaos and clutter of modern life. His paintings depict the everyday experience of the individual, and include intimate views of domestic life and nature. These visual elements have remained steadfast throughout his artistic career.

Yoo has been the recipient of several prestigious awards, including the “Today’s Young Artist Award” by the National Museum of Contemporary Art in Korea (2003) and the “Suk Nam Cultural Foundation Award” (2000).  His work has been presented in international exhibitions and is held in numerous public collections, including White Rabbit (Australia), the Cheng Du Contemporary Art Museum (China), the National Museum of Contemporary Art (Korea), the Leeum Samsung Museum (Korea), and the Jeju Museum of Art (Korea).

This exhibition is presented in collaboration with the Dongwha Cultural Foundation.

 

Gallery Opening

Wednesday, June 29, 2016 | 6 PM

 

FREE with RSVP

The Korea Society Gallery
950 Third Avenue, 8th Floor, New York, NY 10022 (Corner of 57th & 3rd)

Gallery Hours: M-F, 10 AM-5 PM

 

 For more information, please contact Jahee Yu or call at 212-759-7525 ext. 301.

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 


 

Korean Ceramics: The Great Tradition

This illustrated slide lecture will survey the history of Korean ceramics from the early historic period through the nineteenth century. It will focus on the robust stonewares of the Three Kingdoms (57 BC-AD 668) and Unified Silla (668-935) periods, the classical celadons of the Koryŏ (Goryeo) dynasty (918-1392), and the delicate porcelains and rustic punch’ŏng (buncheong) wares of the Chosŏn (Joseon) dynasty (1392-1910). The lecture will emphasize characteristics and innovations that are uniquely Korean (such as the invention of the inlay technique of ceramic decoration), but it will also explore relationships between Korean ceramics and Chinese ceramics, just as it will touch on relationships between Korean ceramics and works of art in other media—from gold, silver, and bronze to lacquer and painting. The lecture will also seek to place the ceramics within the larger context of Korean society and culture.

 

Korean Ceramics: The Great Tradition

Asia Week Lecture by Robert D. Mowry  

 

Thursday, March 17, 2016 | 6:30 PM

 

 

If you have any questions, please contact Jahee Yu  or (212) 759-7525 ext 301.

Space is Limited. Early Registration Requested.

 

NYCulture logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


About the Speaker

2016 03 17  gallery-talk  speakerRecently retired after more than 25 years as a senior curator at the Harvard Art Museums (H/AM), Robert D. Mowry was also the university’s Alan J. Dworsky Curator of Chinese Art (2000-2013) and Head of the Department of Asian Art (1991-2013). He continues to serve as Senior Lecturer on Chinese and Korean Art in Harvard’s Department of the History of Art and Architecture. Under his stewardship, Harvard added numerous and very significant works to what already was one of the finest collections of Asian art in the Western world. Mowry was instrumental in acquiring several renowned collections as well as important endowments for the H/AM, over and above annual fundraising efforts for specific acquisitions and exhibitions. The National Museum of Korea has named Robert Mowry its Senior International Fellow for 2013, and he is also senior editor of its scholarly journal, The Journal of Korean Art and Archaeology.  

 

Mowry’s passion for Asian art and culture was sparked by his two-year service in the Peace Corps in Korea more than 40 years ago (1967-1969). He taught English at Seoul National University, before returning to the University of Kansas, where he completed his graduate work with Chu-tsing Li and Laurence Sickman, taking his degrees with honors. Fluent in Mandarin, he spent two years as a curatorial assistant and translator in the Department of Painting and Calligraphy at the National Palace Museum, Taipei (1975-1977). His career is distinguished with many pioneering leadership roles and ground-breaking scholarship. He was founding Curator of the Mr. and Mrs. John D. Rockefeller 3rd Collection at The Asia Society, New York (1980-1986), and, before that, Assistant Curator of Oriental Art at Harvard’s Fogg Art Museum (1977-1980).

Mowry is a popular speaker, consultant and author in his many areas of expertise, which include Chinese and Korean ceramics, Chinese painting of the Song, Yuan and Ming periods, Chinese jade, Chinese scholar’s materials, and Korean paintings. Among his many articles, catalogues, textbooks and books, perhaps his best known is Hare’s Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown- and Black-Glazed Ceramics, 400-1400 (Harvard University Art Museums, 1996), the catalogue for an exhibition that he curated and that opened at Harvard’s Arthur M. Sackler Museum in December 1995 and then toured nationally in 1996. He also is the curator of and principal catalogue author for Worlds Within Worlds: The Richard Rosenblum Collection of Chinese Scholars’ Rocks (1997), another exhibition he organized.

 

 

 

 

 

 


 

Body and Spirit Moon Jars by Park Boo Won

Park Boo Won’s contemporary reproductions of moon jars simultaneously carry on and advance the Korean royal ceramic tradition. Traditional moon jars originated in the court of King Chŏngjo at the end of the 18th century. The white porcelain and simple curves embodied the principles of frugality and purity—neo-Confucian ideals of the ruling dynasty.

Born in the countryside of Kimje in 1938, Park learned the royal ceramic tradition under distinguished master ceramist Ji Soontag. In the 1970s, Park began to add expressive hues and natural textures to the traditional moon jar through a firing process that permits wind, temperature, and humidity to determine the shape and color of a piece. In this way, Park believes the clay “body” of the jar is animated by the “spirit” of the fire—with the final result solely in the hands of God.

Park has been named the first “Master Potter of Royal Ceramics” by the government of Kwangju, Kyŏnggi—the center for court pottery in the Chosŏn era. His works are part of the permanent collections of the Smithsonian Institution, The National Folk Museum of Korea, the Incheon World Ceramic Center, the Korea Ceramic Foundation, and the Victoria and Albert Museum.

This exhibition is presented in collaboration with the Dongwha Cultural Foundation.

 

March 17 – May 20, 2016

 

Gallery Opening

Thursday, March 17, 2016 | 6 PM

 

FREE to Public

The Korea Society Gallery
950 Third Avenue, 8th Floor, New York, NY 10022 (Corner of 57th & 3rd)

Gallery Open Daily, M-F, 10 AM-5 PM

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 


 

Young Shik Kim

Young Shik Kim is a Korean folk-art painter who combines historic technique and materials with contemporary forms and non-traditional colors.  Her style of simple objects rendered in a soft palette was developed over twenty years of practicing traditional Minhwa painting. Ms. Kim has participated in many group exhibitions in South Korea, China, Mongolia, Switzerland, and the United States. Her work recently appeared at the Induk University Gallery and the Ara Art Center in Seoul, and she and her daughter presented a two-person show in both Konjiam and Seoul.

Young Shik Kim lives and works in South Korea. She is a member of the Korea Fine Arts Association and the Korea Folk Arts (Minwha) Association. She holds a bachelor’s degree from Ashland University.

  

Thursday, February 18, 2016 | 6 PM

Gallery Opening

 

FREE with RSVP

 

The Korea Society Gallery
950 Third Avenue, 8th Floor, New York, NY 10022 (Corner of 57th & 3rd)

Gallery Open Daily, M-F, 10 AM-5 PM

For more information, please contact  Luz Lanzot

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 


 

Miindo, Velazquez and Ants: Gallery Exhibition

 

Unrestrained by boundaries of medium or style, Lee LeeNam playfully reimagines classic works of art from different genres, time periods, and countries.  He adds movement and detail to Eastern and Western masterpieces, inviting viewers to discover the new in familiar images.

Lee majored in sculpture at Chosun University before discovering a passion for animation, a discipline that embraces both technology and time-honored technique. His digital creations also examine this interaction between the traditional and the hi-tech—a tension that is also characteristic of contemporary Korean society.

Lee’s art has been exhibited at the 2015 Venice Biennale, the Bolshoi Theater, New York’s Museum of Art and Design, the Moscow Biennale, the Kobe Biennale, and the Smithsonian. His works are in the permanent collections of the Fine Arts Museums of San Francisco, Yale University, The National Museum of Korea, and the Leeum, Samsung Museum of Art.

 

Thursday, November 12, 2015 | 6 PM

Gallery Opening

 

FREE with RSVP

 

The Korea Society Gallery

Gallery Open Daily, M-F, 10 AM-4:30 PM

For more information, please contact Jahee Yu

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 


 

Into The Light: Gallery Exhibition

2015 07 13  exhibition  icon4

 

In the 1990’s, Ha Dong Chul (1946-2006), a leading Korean abstract artist, sought to represent the essential nature of creation through an examination of “light.” The resulting series of paintings bear his trademark synthesis of Western Modernism and native Korean technique. Ha used the “plucked ink line,” the age-old tool of the Korean carpenter and stonemason, to mark his canvasses with diagonal stripes. His bold, primary colors come directly from the obangsaek, the spectrum of red, blue, yellow, white, and black used to represent the cardinal directions in Korean tradition.

A painter, print-maker, and educator, Ha Dong Chul received the 1974 Prize at the Korean National Art Exhibition and a 1977 Fulbright Scholarship to the Tyler School of Art at Temple University. He served as Chairman of the Korean Contemporary Print Association from 1990 to 1991 and Dean of the College of Fine Arts at Seoul National University from 2000 after teaching there for over two decades. His work is in the permanent collections of the National Museum of Contemporary Art in Korea, the Hokkaido Museum of Modern Art in Japan, the Cincinnati Museum of Art, and the British Museum.

Ha’s daughter, Ha Won, uses projections and reflections of light to compare subjective and objective reality. Her installation, “A Drop of Sky,” invites viewers to an “experience of space” and, through video, adds the element of time. Ms. Ha is a professor at Ulsan University, and her works are in the permanent collections of the Gwangju Museum of Art, the Honolulu Academy of Art, and the British Museum.

 This exhibition was presented in collaboration with the Dongwha Cultural Foundation.

 

 

Monday, July 13, 2015 | 6 PM

Gallery Opening

 

 

The Korea Society Gallery

Gallery Open Daily, M-F, 10 AM-5 PM

For more information, please contact Jahee Yu

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.