ROUGH PLAY

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North American Premiere

Rough. Raw. Real. The Kim Ki-duk school of filmmaking has given us several great projects produced and written by Kim and directed by young filmmakers: Poongsan, Bedevilled, and now we have Rough Cut’s spiritual successor in Rough Play. The film opens with crazed actor Oh Yeong (K-Pop idol Lee Joon playing totally against type) dragging a mannequin up the stairs of a department store and spouting some rather menacing dialogue. Intercut with this is a stage performance from early in his career where Oh takes his performance a bit too far and threatens the actress he’s doing a scene with. The rest of the film expands outward from these two moments and shows Oh’s rise and violent fall under the influence of mobbish manager Kim Jang-ho (Seo Bum-suk). Lee Joon is absolutely captivating in a performance that is all about the destruction that narcissism and rampant ego can bring. He lets it all hang out and embodies Oh’s (literally) insane dedication to his craft. A darker than dark take on the Korean film industry, Rough Play rails against the apathy of a business wholly concerned with appearance and that gives no long-term thought to the future.

 

Tuesday, July 1, 2014 | 6:30 PM

Thursday, July 3, 2014 | 3:30 PM

ROUGH PLAY
배우는 배우다 | SHIN YEON-SHICK, 2013
SOUTH KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: DCP | 98 MINUTES

 

 $10 affiliate rate for The Korea Society members.
You can also purchase at the box office by showing your membership card
or mention “The Korea Society.”

 

Walter Reade Theater
165 West 65th Street, New York, NY

 

New York Asian Film Festival 2014

 

 


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This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 

MOEBIUS

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New York Premiere

A playfully twisted black comedy with no dialogue, Moebius is an everyday tale of penectomy, rape, sadomasochistic sex, and incestuous love. It continues maverick writer-director Kim Ki-duk’s journey into the madness of the Korean soul—though in a much more in-your-face way than last year’s Pietà. Marbled with references to earlier films like The Isle (genital mutilation), Bad Guy (tough, twisted love), and Pietà (“mother” love), plus numerous other titles, Moebius is a quintessentially Kim Ki-duk movie in its risk-taking and outsider feel, and could have been made by no other filmmaker currently working in the country. Words have never formed a major component of Kim’s films, which reveal themselves more through physical action than dialogue. But the absence here of any words (along with any names for the characters) brings an even more allegorical, universal aspect to the movie’s themes while still leaving it feeling absolutely Korean in its emotional intensity. Moebius’s sheer cheek and bravado is more than welcome at a time when South Korea’s film industry has become more and more conventional, predictable, and risk-averse.

 

Tickets include special entry to 8 PM reception with actress Lee Eun Woo, “Moebius,” Shin Yeon-shick, director of “Rough Play,” and Lee Su-jin, director of “Han Gong-ju.” 

 

Light refreshments and appetizers will be served. Limited seats available.

 

Wednesday, July 2, 2014

8:00 PM | Reception

9:30 PM | Film

MOEBIUS
뫼비우스 | KIM KI-DUK , 2013
SOUTH KOREA | NO DIALOGUE | FORMAT: DCP | 90 MINUTES

 

$10 affiliate rate for The Korea Society members.
You can also purchase at the box office by showing your membership card
or mention “The Korea Society.”

 

Walter Reade Theater
165 West 65th Street, New York, NY

 

New York Asian Film Festival 2014

 

 


logo nyaff basic logo-thumb-300xauto-47837

 


NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 

Han Gong-ju

2014 06 30  han-gong-ju  icon2

 

New York Premiere

Praised by Martin Scorsese, who presented it with the Golden Star for Best Film at the Marrakech International Film Festival last year, the feature debut from writer-director Lee Su-jin has walked a path strewn with prizes since it premiered at the 2013 Busan International Film Festival, where it won two awards, and went on to win the Tiger Award at the Rotterdam International Film Festival. A devastating portrait of South Korea’s blame culture, embedded cronyism and destructive family pressures, the film follows a high-school girl, by the name of Han Gong-ju, as she seeks anonymity and escape from the horror of an unnamed past experience. Han Gong-ju focuses largely on the aftermath, rather than the event itself. Refreshingly free of self-pitying trauma, the film offers the beautiful character of a young girl, almost a woman, who, in the face of social stigmatization, stands radiant, strong, and self-reliant… not given easily to tears and only wanting to rebuild her life after moving away from home. With her mother divorced and her father on the bottle, Gong-ju works out her own problems, fiercely defending her privacy from new school friends. Strong, compelling, and anchored by a superb lead performance by Chun Woo-hee, Han Gong-ju is a standout social and psychological drama.

 

HAN GONG-JU
한공주 | LEE SU-JIN, 2014
SOUTH KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: DCP | 114 MINUTES

 


Walter Reade Theater

165 West 65th Street, New York, NY

Monday, June 30, 2014 | 6 PM

 

$10 affiliate rate for The Korea Society members.
You can also purchase at the box office by showing your membership card
or mention “The Korea Society.”

 


 

MoMA | Museum of Modern Art

11 W 53rd St, New York, NY 10019

 

Tuesday, July 1, 2014 | 7 PM, Theater 2, T2
(Followed by discussion with Su-jin Lee)

Wednesday, July 2, 2014 | PM, Theater 2, T2

Thursday, July 3, 2014 | PM, Theater 2, T2

Friday, July 4, 2014 | 4:30  PM, Theater 2, T2

Saturday, July 5, 2014 | PM, Theater 2, T2

Sunday, July 6, 2014 | PM, Theater 2, T2

Monday, July 7, 2014 | 4:30  PM, Theater 2, T2

 


 

New York Asian Film Festival 2014

 

 


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NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 

 

9 Muses of Star Empire

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Filmmaker Hark-Joon Lee chronicles the making of an all girl band in this insightful documentary on K-Pop—the multi-billion dollar South Korean musical entertainment industry. 9 Muses of Star Empire follows the nine young women in a new girl group for a year as they are molded and trained by the powerful Star Empire Agency to be the next big K-pop sensation. As the everyday life of these girls unfolds, they relentlessly pursue their dreams in a world of jealousy, betrayal, and scandal. You’ll never look at K-Pop in quite the same way.

 

Following the screening, director Hark Joon Lee will be available to answer questions about the documentary, as well as what’s happened to 9 Muses since the 2010 filming.

 

(82 minutes, 2012)

Directed by Hark Joon Lee

Produced by Min-Chul Kim (Minch & Films) and Suk Kee Lee (Style Chosun)

 

Thursday, April 17, 2014  |  7:00 PM

The Korea Society
950 Third Ave., 8th Fl
(Entrance on 57th St.)

 

Members and Students: Free

Non-members: $10

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 

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Co-presented with KAFFNY

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Director’s Talk with Hark-Joon Lee

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Director Hark-Joon Lee, long-time reporter turned filmmaker, discusses his amazing, and in some cases life-threatening, experiences making documentaries on two wildly different subjects: North Korean defectors trying to escape to freedom and K-Pop, Korea’s musical entertainment industry. Lee deeply embeds himself in his film projects and goes to extraordinary lengths in pursuit of stories he thinks are worth telling.

From 2007 to 2011, Director Lee lived among North Korean defectors in China filming episodes which tell the moving and dramatic stories of a few of the many North Korean defectors who have crossed into China and made the harrowing journey along the 20,000 kilometer escape route stretching through China to Laos and Thailand or north into Russia, traveling through Khabarovsk, Tynda and on to Moscow. Posing as a North Korean defector, Lee risked his life filming undercover to capture the haunting stories first-hand. He witnessed human trafficking, the smuggling of illicit drugs by North Korean soldiers, and a rare successful escape from North Korea by sea. Crossing Heaven’s Border, which captures several of these harrowing, heartbreaking stories, aired in 2009 on Wide Angle, a PBS series, and received an Amnesty International’s best in human rights journalism award and a 2010 Emmy award nomination.  Another documentary, Across Land, Across Sea, received an Emmy nomination in 2012 and has been shown in Korea and Europe.

For his documentary, 9 Muses of Star Empire, Lee got extraordinary access to the inner workings of the Star Empire agency by agreeing to become the 9 Muses’ manager during the year-long filming of the band as they prepared to make their debut. What emerges is a fascinating look at Korea’s musical entertainment industry, as well as a candid portrait of a physically grueling and psychologically challenging life, where the young singers must decide whether the price of fame is worth it.

In order to experience Hark-Joon Lee’s work, The Korea Society will be showing Across Land, Across Sea for the first time in the U.S. on April 16 at 6 PM, preceding our talk with Director Lee. 9 Muses of Star Empire will be shown at The Korea Society on April 17 at 7 PM. You can also watch his award-winning Crossing Heaven’s Border on PBS’s Web site.

2014 04 16  directors-talk across-land2014 04 16  directors-talk nine-muses2014 04 16  3     Across Land, Across Sea                9 Muses of Star Empire                   Crossing Heaven’s Border

 

Wednesday, April 16, 2014

 

6:00 PM  |  Pre-Program Screening of Across Land, Across Sea

7:00 PM  |  Director’s Talk with Hark-Joon Lee

 

The Korea Society
950 Third Avenue, 8th floor
New York, NY 10022

 

Explorers and Above: Free

Students:  $5

Members: $10

Non-members: $20

 

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 

 


 

Co-presented with KAFFNY

2014 04 17  9-muses  KAFFNY


 Contemporary Culture programs are generously sponsored by CJ

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KOREAN CINEMA TODAY

2014 04 08 korean-cinema  icon2

A Conversation With Nicolas Archambault, Director of Asian Programming, Fantasia International Film Festival, and Tom Vick, Curator of Film Freer and Sackler Galleries, Smithsonian Institution. Moderated by Samuel Jamier, Co-Director New York Asian Film Festival and Rufus de Rham, Director of Operations for Subway Cinema, organizers of the New York Asian Film Festival.

Boasting record box office numbers and critical accolades from the major film festival circuit, Korean cinema has seen a spectacular boom. New blood has pumped life into the Korean film business, while established Korean filmmakers have been making their Hollywood debuts (Kim Jee-woon with The Last Stand, Park Chan-wook with Stoker, and Bong Joon-ho with the Korean-produced English-language Snowpiercer). Industry commentators and observers have talked about a “renaissance” or even a new “golden age” of Korean cinema, after the sluggish recovery from the slump of 2007-08.

The Korea Society and the New York Asian Film Festival, working together to promote multi-cultural collaboration, are delighted to present Nicolas Archambault, Director of Asian Programming, Fantasia International Film Festival, and Tom Vick, Curator of Film of the Freer and Sackler Galleries at the Smithsonian Institution. They will consider the prospects of Korean cinema, for the near and long term, in the context of its recent achievements.

 

Tuesday, April 8, 2014 | 6:30 PM


 

Film Comment Selects: Intruders

 

 

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The Korea Society teams up with The Film Society of Lincoln Center and the New York Asian Film Festival to present the New York premiere of the horror/comedy Intruders, and its director, Noh Young-seok.

 

A twisty blackly comic suspense thriller from South Korea, where sometimes it seems like they do this sort of thing better than anyone else. Looking for peace and quiet, a screenwriter rents a winter cabin in a remote country backwater to concentrate on his latest project. On the bus he does his best to rebuff a talkative character fresh out of prison, who unfortunately gets off at the same destination. Throw in a group of obnoxious kids on a ski vacation in the cabin next door, a pair of menacing game hunters who turn out to be related to the ex-con, and a shifty cop and you can see where things are headed, right? Maybe, maybe not. In his second effort, indie director Noh Young-seok shows he’s a talent to watch out for. 

 

Director Noh Young-seok in person on February 20 !

Thursday, February 20, 2014  |  6:30 PM
Thursday, February 27, 2014  |  4:15 PM

 

Film Society Lincoln Center
Walter Reade Theater
165 West 65th Street, New York, NY
(212) 875-5600

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


 

Daytime Drinking

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On February 21st, 2014, The Korea Society hosted a public screening of Daytime Drinking, Director Noh Young-seok’s breakthrough first film, at the New York Film Academy’s Battery Place Campus. After the film, the director answered questions for the audience on his career, filmmaking techniques, and plans for future projects.

 

 

Friday, February 21, 2014 | 9 AM

 

If you have any questions, please contact Estefanía Lee  or (212) 759-7525, ext. 313.

The Korea Society
950 Third Avenue @ 57th Street, 8th Floor

 


NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 

Divided Families

2014 01 22  Divided-family icon

Join us for a private screening of Divided Families, a recently completed documentary about Korean Americans’ search for lost relatives in North Korea, 60 years after Korea became a divided nation. During the Korean War and its aftermath, hundreds and thousands of family members were separated in the chaos of the war, and then by the border that was drawn establishing North and South Korea. More than half a century later, there are an estimated 100,000 first generation Korean Americans with immediate family members in North Korea. This documentary is their urgent story, as time is running out for this generation to reunite with their family and loved ones.

Directors Jason Ahn, Eugene Chung, and producer Jieun Baek will be present to introduce and discuss the making of this documentary which involved dozens of production crew filming in three countries over four years.

 

(50 minutes, 2013)
Directed by Jason Ahn and Eugene Chung
Produced by Jieun Baek, Evangel Fung, and Jennifer Tsay

 

 

Wednesday, January 22, 2014 | 6:30 PM

 

The Korea Society
950 Third Avenue, 8th floor
New York, NY 10022

 

 


 

Co-presented with KoreanAmericanStory.org

koreanamerican-story

 


NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 


 Contemporary Culture programs are generously sponsored by CJ

CJ logo

Fading Away at KAFFNY

2013 10 26  KAFFNY-FadingAway icon

Written and directed by Christopher H.K. Lee. The Korea Society and the Korean American Film Festival New York (KAFFNY) co-present “Fading Away”, a documentary that showcases a series of never before told stories from a group of Korean War veterans and refugees through a series of insightful interviews and the use of rare historical film footage, photos and other archival material. “Fading Away” is unique not because of battle scenes, war photos, or visual recreations or reenactments – it is highly thought provoking because of the interesting, appealing, deeply emotional, and even disturbing stories told by its participants. The veterans and survivors share their stories in their own words with their sons, daughters, and grandchildren with memories of catastrophe, fear, and the pains they vividly remember, shaping a very original documentary film that will stand out from other traditional war documentaries forever. 2013, 95 mins.

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Co-presented with  Korean American Film Festival New York (KAFFNY)

Fading Away

(95 mins, 2013)

 

Saturday, October 26, 2013

4.30 PM

 

Tickets available at the door, cash only.

Village East Cinema

189 2nd Avenue

New York, NY 10003

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.