The Korea Society Interviews Park Chan-wook

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South Korean star director Park Chan-wook (JSA, Old Boy), has thrilled both critics and audiences in his native country for a decade. His “vengeance” trilogy brought international recognition, including a Cannes Film Festival Grand Prize (2008) and a Jury Prize (2009), and established Park as a virtuoso filmmaker with a thoroughly original artistic vision. On July 24, 2009, The Korea Society recorded a special interview with the director in which he spoke about his influences, his meteoric ascension into the pantheon of internationally celebrated directors, and his latest film, Thirst.

Thirst is a stylish vampire thriller with a dramatic bite, and continues Park’s exploration of the dark side of the human soul. A devout priest (Song Kang-ho, The Host) on a mission to Africa volunteers as a test subject in a vaccine trial-gone-awry. Now a vampire, he returns to Korea to endure the torments of temptation, embodied by a childhood friend’s wife (Kim Ok-bin).

Korean Films Made During the Japanese Occupation

 

The Korea Society and The Museum of Modern Art (MoMA) are proud to present seven films from one of the earliest, and most complex, periods of Korean cinema. Recently discovered in a Chinese warehouse and restored by The Korean Film Archive, the films date from the 1930s and ’40s, a period when Korea was dominated by the dictates of Japanese colonialists. These dramas are thus uncomfortably pro-Japanese. Yet simultaneously, their rich aesthetics and formal experimentation reach beyond imperial Japanese ideology to express timeless themes of longing, loss and duty. 

The films will be shown in five programs from January 28 through February 1 at The Roy and Niuta Titus Theaters at MoMa.
All films are in Korean with English subtitles. 

 

 

Wednesday, January 28 – Sunday, February 1, 2009

Museum of Modern Art
11 W 53rd St, New York, NY 10019

Tickets may be purchased from the MoMA box office. 
Click here for more information. 
(Museum full admission includes any film for that day.)

 


Wednesday, Jan 28   6:00 Spring in the Korean Peninsula 8:00 Straits of Chosun
Thursday, Jan 29     8:00 Fishermen’s Fire and Volunteer
Friday, Jan 30   6:00 Angels on the Street 8:00 Sweet Dreams and Military Train
Saturday, Jan 31 1:00 Spring in the Korean Peninsula 3:00 Straits of Chosun 5:00 Angels on the Street
Sunday, Feb 1 1:00 Fishermen’s Fire and Volunteer 3:30 Sweet Dreams and Military Train  

 


SPRING IN THE KOREAN PENINSULA (84 min) 1941

Wednesday, January 28 | 6 PM
Saturday, January 31 | 1 PM

Directed by Lee Byeong-Il. Starring Kim Il-Hae, Seo Wol-Young and Kim So-Young. A film adaptation of a traditional Korean tale, Spring in the Korean Peninsula is a backstage romance between a director and an actress that falls into crisis when the director is jailed.


STRAITS OF CHOSUN (75 min) 1943

Wednesday, January 18 | 8 PM
Saturday, January 31 | 3 PM

Directed by Park Ki-Chae. Starring Nam Seung-Min, Moon Yae-Bong and Kim Shin-Jae. Made at the height of World War II, when Japanese censorship was at its tightest, Straits of Chosun tells the bittersweet story of a husband and wife separated by war. 


FISHERMAN’S FIRE (52 min) 1939

Thursday, January 29 | 8 PM
Sunday, February 1 | 1 PM

Directed by Ahn Chul-Yeong. Starring Park Hak, Nah Woong and Park Jung-Kyeong. Following a fisherman’s daughter as she moves from her seaside village to bustling Seoul and is quickly beset by shady characters, Fisherman’s’ Fire is about the things you lose when you lose your home. 


VOLUNTEER (55 min) 1941

Thursday, January 29 | 8 PM
Sunday, February 1 | 1 PM

Directed by Ahn Seok-Young. Starring Choi Woon-Bong, Moon Yae-Bong and Lee Keum-Ryong. A simple Korean farmer’s son who aches to leave the countryside behind and fight for Imperial Japan finally gets his chance when colonial authorities enact a draft.


ANGELS ON THE STREET (73 min) 1941

Friday, January 30 | 6 PM
Saturday, January 31 | 5 PM

Directed by Choi In-Kyu. Starring Kim Il-Hae, Moon Yae-Bong and Kim Shin-Jae. Notably realistic for its era in depicting the gritty poverty of contemporary Seoul, Angels on the Street is the story of a man struggling to set up an orphanage for the city’s street kids.


SWEET DREAMS (46 min) 1936

Friday, January 30 | 8 PM
Sunday, February 1 | 3:30 PM

Directed by Yang Ju-Nam. Starring Cho Taek-Won, Moon Yae-Bong and Yoo Sun-Ok. Korean cinema’s first talkie, Sweet Dreams nearly left audiences speechless with its scandalous melodrama about a wife who abandons her family to live with another man.


MILITARY TRAIN (66 min) 1938

Friday, January 30 | 8 PM
Sunday, February 1 | 3:30 PM

Directed by Seo Kwang-Jae. Starring Wang Pyeong and Moon Yae-Bong. Won-jin passes information about a Japanese military train to resistance fighters, putting the life of his best friend, the engineer, in danger in this hybrid of a spy thriller and a pro-Japanese morality play. 


 

 

 

Cabaret Cinema: Kim Ki-duk’s ‘The Bow’

Presented with the Korea Society

Friday, November 28, 2008 | 9:30 PM

Rubin Museum of Art
150 West 17th Street
New York, NY 10011

 


THE BOW (90 min) 2005

Dir. Kim Ki-duk. Starring Jeon Sung-Hwan, Han Yeo-Reum, Seo Ji-Seok. With a bow and arrow, a sixty-year old man protects the young girl he plans to marry when she turns seventeen. She’s content with their life on a fishing boat until a young man arrives and changes everything. 

The Bow illustrates the Bhutanese proverb: “The arrow of divine beings with absolute wisdom: it cannot be seen when shot, but can be seen when it hits.”


 

 

Power and Beauty: KBS’s ‘Hwang Jin Yi’

 

 

The blockbuster TV Drama from Korea
Monthly Screening Series

In an age when women were treated as if they were invisible, Hwang Jin Yi, the celebrated Korean courtesan-singer-poet of the 16th century, was larger than life. Her beauty, wit and intellect propelled her from obscurity into the company of Korea’s most powerful aristocrats. The defining romance of her life broke across Korea’s rigid class lines and was in turn shattered by tragedy. A symbol of art and individuality, the subject of countless novels, movies and operas, Hwang Jin Yi remains a powerful feminist figure in Korea to this day.

Directed by Kim Cheol-gyu (More Beautiful Than Flowers) and written by Yoon Sun-Ju (The Immortal Lee Soon Shin), the acclaimed KBS TV drama series Hwang Jin Yi retells the tumultuous life story of Korea’s most famous kisaeng (courtesan). Join The Korea Society on Wednesday, November 12—and on the second Wednesday of each month through February—as we screen selected episodes from this lavish and epic series. Top actress Ha Ji-won’s portrayal of Hwang Jin Yi made the series an instant television event when the series first aired in Korea in 2006, causing a nationwide rediscovery of the role kisaeng played in Korean history.

All screenings presented in Korean with English subtitles.

 

 

November 12, 2008 – February 11, 2009 | 6:30 PM


The Korea Society
950 Third Ave., 8th Floor
New York, NY 10022

Admission:
$5 Members / $10 Non-members

Order tickets online or by calling The Korea Society at (212) 759-7525, ext. 323.

 

 


Wednesday, November 12, 2008 6:30 The Zenith of a Kisaeng
Wednesday, December 10, 2008 6:30 The Birth of a Kisaeng
Wednesday, January 14, 2009 6:30 Grievance
Wednesday, February 11, 2009 6:30 Finale

 


PART 1: THE ZENITH OF A KISAENG

Wednesday, November 12, 2008 | 6:30 PM

Hwang Jin Yi’s intelligence, beauty and talent have made her the most famous kisaeng in Korea—every man desires her, every woman is jealous of her. But at the height of her fame, Hwang Jin Yi shows only contempt for the aristocracy that adores her. After the death of her first love, shevows to become as unfeeling as the cold moon, and adopts Myŏngwŏl (bright moon) as her courtesan name.

Part One will be introduced by David McCann, professor of Korean Literature at Harvard University. The screening will be followed by a discussion of Hwang Jin Yi and Chosun society with director Kim Cheol-gyu and David McCann.


PART 2: THE BIRTH OF A KISAENG

Wednesday, December 10, 2008 | 6:30 PM

Hwang Jin Yi’s mother fears that her young daughter will follow in her footsteps and become a kisaeng: a singer, dancer and hostess who lives a life catering to the whims of the yangban elite. Determined that her daughter should become more than a mere plaything for men, she sends Hwang Jin Yi deep into the forest to be cared for by an old monk. But when Hwang Jin Yi slips away and glimpses the beauty of a kisaeng dance, she is drawn to her destiny.

Special Guest: Actress Jeon Mi-seon (the mother) will appear from Korea through an exclusive video conference to discuss the making of Hwang Jin Yi and answer audience questions.


PART 3: GRIEVANCE

Wednesday, January 14, 2009 | 6:30 PM

Hwang Jin Yi islearning dance from Yim Baek-moo, one of the best court dancers in the kingdom and a harsh and manipulative teacher. When Hwang Jin Yi’s first love ends tragically, she sees Yim’s scheming behind it. Jealousy and bitterness build between the two as they prepare for what turns out to be a fateful performance of the crane dance. 

Special Screening Guest Hwang Jin Yi writer Yoon Sun-ju
will join the audience by videoconference after the screening to talk about writing for the series and take questions.


PART 4: FINALE

Wednesday, February 11, 2009 | 6:30 PM

Having won the acclaim of King and court, Hwang Jin Yi is confidant that she will win the heart of the people by performing her elegant dances in the marketplace. The people turn out to be a much harder audience to impress than the nobility. Hwang Jin Yi wrestles with the question of whether her life’s passion is really meaningful if it doesn’t resonate with the people among who she was raised.

 


Co-sponsored by KBS.

 

 

 

Crossing The Line

 

With
Nicholas Bonner, Producer of Crossing the Line

In the 1960s, four U.S. soldiers serving in the Korean Demilitarized Zone crossed the most heavily fortified border on earth and defected to Communist North Korea. Trapped in the most secretive country on earth, their life was hidden from the outside world for 40 years. Not even the U.S. government knew their fate. James Joseph Dresnok, one of these four American defectors, is the only one who remains in North Korea today.

The Korea Society has organized an eight-campus screening tour of Crossing the Line, a new documentary film that tells his story, from October 27 through November 12, 2008. The program includes a post-screening discussion led by the documentary’s co-producer Nicholas Bonner who will talk about Dresnok, North Korea and the experience of filming a documentary in one of the least media-friendly environments in the world.

The filmmakers of Crossing the Line were allowed unprecedented access by the North Korean authorities to the subject of their documentary. They were permitted not only to interview Dresnok extensively but also to follow him through his daily life in Pyongyang. Their film, narrated by actor Christian Slater, presents a story that the New York Daily News has called “fascinating” and “unforgettable.”

Join The Korea Society on Tuesday, October 28, 2008 for a screening of this unique documentary, followed by a conversation with co-producer Nicholas Bonner, or check the schedule below for a screening near you. 

 

 

Tuesday, October 28, 2008 | 6 PM
6:00 PM–6:30 PM ♦
Registration and Reception
6:30 PM–8:30 PM ♦
Screening and Q&A


The Korea Society
950 Third Avenue., 8th Floor
New York, NY 10023
(SW corner on 57th)

Admission:
$10 Members / $15 Non-members
(Walk-in registration will incur an additional charge of $5.)

For more information or to register for the program, contact Heewon Kim at (212) 759-7525, ext. 355, or by email.

 

 


Schedule:

Monday, October 27, 2008–6:15 PM
Harvard University 
CGIS South Building (Tsai Auditorium)
1730 Cambridge Street
Cambridge, Massachusetts
Contact #: (617) 496-2141

Tuesday, October 28, 2008–6:30 PM
The Korea Society
950 Third Avenue, Eighth Floor
New York, NY
Contact #: (212) 759-7525, ext. 355

Wednesday, October 29, 2008–5:30 PM
Johns Hopkins University 
Kenney Auditorium in the Nitze Building
1619 Massachusetts Avenue, NW
Washington, DC
Contact #: (202) 663-5830

Thursday, October 30, 2008–6:30 PM
Ohio State University  (poster pdf) 
University Hall 0014
230 North Oval Mall
Columbus, OH
Contact #: (614) 688-4253 

Monday, November 3, 2008–6:30 PM
University of Missouri, Columbia 
100 Stewart Hall
Columbia, MO
Contact #: (573) 882-6902 

Monday, November 3, 2008–7:00 PM
University of Kansas 
Alderson Auditorium
Lawrence, KS
Contact #: 785-864-3849

Tuesday, November 4, 2008–4:00 PM
University of Kansas (poster pdf) 
English Room, Kansas Union
Lawrence, KS
Contact #: (785) 864-3849

Wednesday, November 5, 2008–7:30 PM
University of Notre Dame (poster pdf) 
Eck Visitors Center Auditorium
100 Eck Center
Notre Dame, IN
Contact #: (574) 631-8873

Saturday, November 8, 2008–5:00 PM
Nestrick Room (Dwinelle 142)
UC Berkeley
San Francisco, CA
Contact #: (510) 642-5674

Monday, November 10, 2008–4:00 PM
University of California at Los Angeles 
314 Royce Hall
UCLA Campus
Los Angeles, CA
Contact #: (310) 825-3284 

Wednesday, November 12, 2008–6:15 PM
University of California at Santa Barbara 
McCune Conference Center (HSSB 6020)
UCSB Campus
Santa Barbara, CA
Contact #: (805) 893-3907

 

Koryo Saram: The Unreliable People

 

Screening And A Conversation
With Filmmaker Y. David Chung And Prof. John Kuo Wei Tchen

“Koryo Saram” (the Soviet Korean phrase for Korean person) tells the harrowing saga of survival in the open steppe country and the sweep of Soviet history through the eyes of these deported Koreans, who were designated by Stalin as an “unreliable people” and enemies of the state. Through recently uncovered archival footage and new interviews, the film follows the deportees’ history of integrating into the Soviet system while working under punishing conditions in Kazakhstan, a country which became a concentration camp of exiled people from throughout the Soviet Union.

Today, in the context of Kazakhstan’s recent emergence as a rapidly modernizing, independent state, the story of the Kazakhstani-Koreans situated within this ethnically diverse country has resonance with the experience of many Americans and how they have assimilated to form new cultures in our world of increasingly displaced people.

The screening will be followed by a conversation between filmmaker Y. David Chung and Prof. John Kuo Wei Tchen, Founding Director of A/P/A Institute at NYU.Visit www.apa.nyu.edu

 

Thursday, September 25, 2008 | 6:30 PM


Cantor Film Center
36 East 8th Street
Theater 102
New York, NY 10003
(212) 998-4100

Free and open to the public

Please RSVP by Tuesday, September 23 to apa.rsvp@nyu.edu or call 212-992-8653

 

 


Co-sponsored by:
The Korea Society & the NYU Center for Media, Culture, and History/Center for Media and Religion
With support by Asia Society

 

 

Cinema Korea: The Past, Present and Future of Korean Films

 

With
Christine Choy, Film Director
Jung-Bong Choi, Assistant Professor of Cinema Studies, Tisch School of the Arts, NYU
Jina Kim, Assistant Professor of East Asian Studies, Smith College

 The Korean film industry, which once struggled to attract domestic audiences, has been successfully exporting its products and expanding its influence throughout Asia, Europe and North America in the past decade. These days, casual observers associate Korean cinema with the broader cultural phenomenon of hallyu (“Korean Wave”). But contemporary Korean cinema’s roots run deep and hallyu is only the latest chapter in a rich history.

Join The Korea Society for a screening of this exciting new documentary, followed by a discussion on the current state of Korean cinema. Director Christine Choy will introduce her film, and field questions from the audience with Jung-Bong Choi, assistant professor of cinema studies at Tisch School of the Arts and Jina Kim, assistant professor of East Asian Studies at Smith College.

 

 

Thursday, August 28, 2008 | 5:30 PM

5:30 PM-6:00 PM ♦ Registration and Reception
6:00 PM-7:00 PM ♦
Screening
7:00 PM-8:00 PM ♦
Presentation and Q&A


The Korea Society
950 Third Avenue., 8th Floor
New York, NY 10023
(SW corner on 57th)

For more information or to register for the program, contact Patrick Clair at (212) 759-7525, ext. 328 or email.

 


CINEMA KOREA (50 min) 2006
Directed and written by Christine Choy

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In her new documentary, Cinema Korea (a Dreamville production), Academy Award-nominated director Christine Choy brings together interviews with actors and directors, archival footage of classic Korean films and accounts of defining historical events to give a fully rounded view of Korean film culture. Interviewees include Im Kwon-taek, Kim Ki-duk, Jang Dong-gun, Jeon Ji-hyun, Lee Byung-hun, Kwak Kyung-taek, Bang Eun-jin.

 


Sponsored by yKAN.

 

A Korean Actor on the World Stage: Ahn Sung-ki

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A Discussion
 
with

Ahn Sung-ki

 
moderated by Hyangsoon Yi, University of Georgia.
 
Wednesday, August 27, 6:30PM
6:00 PM-7:00 PM ♦ Registration and Reception
7:00 PM-8:30 PM ♦ Discussion and Q&A
The Korea Society
950 Third Avenue, Eighth Floor, New York City
(Building entrance on SW corner of Third Avenue and 57th Street)

Ahn Sung-ki, the “people’s actor” of Korea, will speak about his long and rich acting career as well as his own life story that very nearly coincides with the history of contemporary Korean cinema. Given his experience as a veteran actor who has appeared in an exceptionally wide range of genres and roles, Ahn is uniquely qualified to provide an insider’s perspective on the remarkable evolution of South Korean cinema from its fumbling beginnings into one of the most vibrant cultural forces in Asia. From his vantage point as president of the Korean Actors’ Guild, Ahn also will address the relationship between actors and the national film industry, inter-Asian cinematic projects, and the “globalization” of Korean cinema.

This discussion, part of the New York Korean Film Festival 2008 (August 22-31), will be followed by a reception.

(Walk-in registration will incur an additional charge of $5)
For more information or to register for the program, contact Yuni Cho at (212) 759-7525, ext. 323 or email.

 
Tour organized by Hyangsoon Yi, with the generous support of the Korea Foundation.
 
Co-sponsored by yKAN ykan_s.gif

 

 

New York Korean Film Festival Opening Reception

 

Join us for an exciting week of film, shorts, panels and parties at the largest celebration of Korean cinema in the United States. The New York Korean Film Festival showcases dynamic and exciting currents in contemporary Korean cinema and this year looks back on the career of award-winning actor Ahn Sung-ki with a special retrospective. You are invited to come kick off this year’s Festival at a star-studded reception and screening at one of New York City’s newest and most celebrated spaces, TheTimesCenter.

The New York Korean Film Festival, running from August 22 through August 31 at Cinema Village in Union Square and BAMcinématek in Brooklyn, is a program of The Korea Society.

 

Thursday, August 21, 2008 | 6:00 PM

The New York Times Building
The Times Center
242 West 41st St.
(between 7th and 8th)
New York, NY

For more information, please call (212) 759-7525, ext. 355

 

 


6:00 PM
Cocktail Reception with special guests:
Hwang Jin-Yi director Chang Youn-hyun 
and actor Yoo Ji-tae

7:30 PM
Hwang Jin-Yi Film Screening
Starring Song Hye-kyo and Yoo Ji-tae

For a full schedule of events, visit www.koreanfilmfestival.org.

 


 Community Partners:

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Classic Movie Night: Films From the North

 

South Korean films continue to set box-office records across Asia and win laurels in international film festivals. Meanwhile, little attention is given to the cinema from the other half of the peninsula. From May 12 to 14, 2008, three films from the DPRK’s canon will be screened as a special presentation in the Classic Movie Night series.

The films—Hong Gil DongBellflower, and My Look in the Distant Future—have been rarely seen outside the former Eastern Bloc. Cinema in the DPRK is an original expression of social realism and a primary vehicle for conveying state ideology. Even so, the tales—of peasant farmers struggling against feudal lords, anti-Japanese resistance fighters, and ordinary citizens loyal to their hometowns—are also told with genuine artistry.

6:00 PM Opening Reception for the Series 
Introduction by Professor Charles Armstrong, Director, Center for Korean Research, Columbia University

Classic Movie Night continues to the themes of critical realism in Korea on Thursday, May 15th with The Ball Shot by a Midget.

 

 

Monday, May 12 – Wednesday, May 14, 2008 | 6:00 PM

The Korea Society
950 Third Ave., 8th Floor
New York, NY 10022

Admission:
$7 Members / $12 Non-members
All three movies: $18 Members / $30 Non-members

For more information, please contact Yuni Cho at (212) 759-7525, ext. 323 or email

 

 


Monday, May 12 6:30 HONG KIL DONG
Tuesday, May 13 6:30 BELLFLOWER
Wednesday, May 14 6:30 MY LOOK IN THE DISTANT FUTURE

 


HONG KIL DONG (104 min) 1986

홍길동

Monday, May 12 | 6:30 PM

Directed by Kim Kil-in 
Starring Ri Yong-ho, Ri Gwon and Ri Ri-youn

Mixing Hong Kong-style kung fu with a socialist ethos, the Robin Hood-esque Hong Kil Dong took the Bulgarian box office by storm in the late 1980s. Forever barred from privilege, the eponymous protagonist-the illegitimate son of a nobleman-wanders Korea helping farmers fend off feudal exploitation. But when Korea is invaded by Japanese ninja, he must unite with his perennial enemies to defend the fatherland.


BELLFLOWER (83 min) 1987
도라지꽃

Tuesday, May 13 | 6:30 PM

Directed by Jo Kyong-sun
Starring O Mi-ran, Kim Ryong-jo, Song Yon-ok and Kim Hye-son 

As the most popular North Korean production of the 1980s, Bellflower earned lead actress O Mi-ran the honorific title “People’s Actor.” O’s character, Jin Song Rim, strives to turn her humble mountain hometown of Pyokgye-ri into a model socialist village. Released when the economic foundations of the DPRK were starting to tremble, Bellflower praises the spirit of workers who accept their roles and work for the betterment of the nation.


MY LOOK IN THE DISTANT FUTURE (102 min) 1997
먼 후날의 나의 모습

Wednesday, May 14 | 6:30 PM

Directed by Jang In-hak
Starring Kim Myong-mun and Kim Hye-gyong

 Reeling from famine in the mid-1990s, North Korea mobilized tens of thousands of urban residents for emergency agricultural work in the countryside. My Look in the Distant Future depicts that dire period with an optimistic gloss. Sent to the countryside, a young, urban loafer finds inspiration in a stalwart village leader and decides to become a model worker.