Han!

“[Han] is not an easy word to understand. It has generally been understood as a sort of resentment. But I think it means both sadness and hope at the same time. You can think of Han as the core of life, the pathway leading from birth to death. . .” Park Kyongni (1994)

An ancient dance is performed under a neon light. A virgin ghost stares out of the TV. A baby left alone in an apartment meditates on the nature of solitude. A woman explores memories of her life in relation to the Korean concept of Han.

Our heroine moves back and forth between the ancient myths of “Gojoseon,” the era of her dead grandmother, her mother’s past and her own life. Three generations of Korean women bound together in the “resilient silence” of Han. How will she navigate the sea of expectations that life, family, and nation have thrown her way? Through her struggle to understand the complexity of her own Han, which ignites a fire in her mind, we are carried into a dynamic meditation that explores the no man’s land that exists between myth and modernity, as we weigh the relation between suffering, sacrifice, and destiny.

HAN! is directed by Thomas Richards, theater director and former Artistic Director of the Workcenter of Jerzy Grotowski and Thomas Richards in Pontedera, Italy. There, he began as the protégé and then essential collaborator of famed Polish director and performing arts theorist Jerzy Grotowski, considered to have been one of the greatest reformers of 20th century theater and one of the founders of experimental theater.

Directed by Thomas Richards; Assistant Directors: Cécile Richards Jessica Losilla-Hébrail.

The show is in Korean with English subtitles performed by Hyun Ju Baek.

Thursday February 9, 2023 | 7 PM

JERSEY CITY THEATER CENTER
White Eagle Hall

337 Newark Ave, Jersey City, NJ 07302

 

 

 

February 23 – March 12, 2023

LA MAMA EXPERIMENTAL THEATER

66 E. 4th Street, New York, NY 10003

 

 

 

 

             

 


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Performer:

Hyun Ju Baek was born in South Korea. Her career developed mainly as a musical theatre actress for a decade in Korea. She traveled to London to study theatre directing and earned a master’s degree in Theatre and Performance at Goldsmiths, University of London, UK. Before joining the Workcenter Hyun Ju worked as an actress, director, and playwright in both Seoul and London. She wrote, produced and directed many theatre pieces including: Flatmates V Zombies (Tristan Bates Theatre UK, Camden People’s Theatre UK – a piece that won a fund of the Arts Council of England); The lady of Burma (Moon Light Theatre Korea); Today and (commissioned by Kyunggi Cultural Foundation); The Sound Factory (commissioned by the Pusan Cultural Foundation). In 2017, she participated in the Workcenter’s Master Course, supported by the Korean Arts Council. After attending another pedagogic encounter with Thomas Richards in Hongkong, she organized a theatre group: The association for Theatre Craft and Creative Process GB, and held the Seoul Work Encounter 2018, inviting to Korea the Focused Research Team in Art as Vehicle. The following year, she joined the Workcenter’s Focused Research Team in Art as Vehicle.


Crossroads of Youth

During the silent film era in Korea, movie screenings were accompanied by live music and narrators called Byeonsa. This special screening of Crossroads of Youth invites you to encounter the film just as Korean audiences did in 1934. The Korean Film Archive and director Kim Tae-yong have reimagined the traditional Byeonsa theatrical event, bringing together the film, live musicians, actors, and narration for a dynamic multimedia experience.

Thursday November 3, 2022 | 7 PM

Gerald W Lynch Theater
524 W 59th St, New York, NY 10019

Saturday November 5, 2022 | 7 PM

University of Pittsburgh
Alumni Hall, 7th Floor

 

 


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


A Conversation with Kim Tae-yong

The Crossroads of Youth Byeonsa Performance US Tour will begin this November, bringing a byeonsa troupe from South Korea to the United States for a multi-city tour.

 

The Crossroads of Youth Byeonsa Performance US Tour will begin this November, bringing a byeonsa troupe from South Korea to the United States for a multi-city tour. The byeonsa troupe will present Crossroads of Youth – directed by Ahn Jong-hwa and released in 1934, Korea’s oldest surviving silent film. A screening of this film is presented with live storytelling, music, and acting in accompaniment. Reimagining and reconstructing the byeonsa culture, Korea’s unique film watching tradition from the Japanese occupation period, this event provides a full theater experience unlike any other.

This unique project was spearheaded by director Kim Tae-yong. A film director and screenwriter, Kim’s films include Memento Mori, Family Ties, and Late Autumn.

In this conversation, Kim discusses discovering and restoring the only surviving Korean silent film and the journey of bringing the old form of entertainment to contemporary audiences.

 

A Conversation with Kim Tae-yong

Wednesday, November 2, 2022 | 5 PM (EDT)

 

 


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

Kim Tae-yong is a South Korean film director and screenwriter. After his feature directorial debut Memento Mori (1999), he helmed the critically acclaimed Family Ties (2006), and the English-language remake Late Autumn (2010).


KPOP THE BROADWAY MUSICAL

 

As global superstars put everything on the line for a special one-night-only concert, they face struggles both cultural and personal that threaten to dismantle one of the industry’s hottest labels. Featuring a cast of K-pop and musical theater stars, with 18 Broadway debuts, KPOP is a multimedia experience that explores the relentless discipline, raw talent, and commercial ambition behind the international sensation.

KPOP has the distinction of being the first musical on Broadway celebrating Korean culture and it is the third Broadway musical that highlights API heritage with API representation in the cast and creative team.

Join us for a conversation with the creative team behind the scene and cast members as they prepare to make their Broadway debut.

 

KPOP
THE BROADWAY MUSICAL
INSPIRED BY THEGLOBAL MUSIC PHENOMENON

Hybrid Program

Monday, October 24, 2022 | 6 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speakers:

HELEN PARK (Music & Lyrics, Music Production & Arrangements) is best known for her work as composer-lyricist and music producer for the upcoming Broadway musical, KPOP, for which she is a three-time Drama Desk nominee and recipient of a Lucille Lortel Award and Richard Rodgers Award. Additionally, Park co-wrote songs for the Oscar-nominated Netflix animated musical film Over the Moon, directed by Academy Award-winning animator Glen Keane. She holds an MFA from NYU’s Graduate Musical Theater Writing Program and is an alumnus of the advanced BMI Lehman Engel Musical Theater Workshop.

 

BOHYUNG (Tiny) is proud to be making her Broadway debut in KPOP. She is a veteran K-Pop star, debuting as a member of SPICA as well as performing as a solo artist. She has performed at KCON LA, KCON Abu Dhabi, Rainbow Festival, Immortal Songs, King of Mask Singer, amongst others. @bohyungkim

 

KEVIN WOO (Jun Hyuk) is honored to make his Broadway debut in KPOP. As a successful Korean-American singer-songwriter and former member of K-pop boy band U-KISS, he dedicates this to his South Korean heritage. @kevinwoo_official

 


Free Chol Soo Lee: Screening and Q&A

“A powerful indictment of systemic racism and the criminal justice system” – The Chicago Reader

“Extraordinarily moving… what documentary filmmaking should strive for” – RogerEbert.com

Join us for the riveting documentary FREE CHOL SOO LEE, opening at IFC Center on August 12. A MUBI Release, this revelatory Sundance selection from journalists Julie Ha and Eugene Yi chronicles the story of Chol Soo Lee, a Korean-American whose wrongful murder conviction ignited an unprecedented social movement. Drawing on rich archival footage and personal accounts, the film forms an urgent testament to the power of collective action and the human cost of incarceration.

In 1970s San Francisco, 20-year-old Korean immigrant Chol Soo Lee is racially profiled and convicted of a Chinatown gang murder. Sentenced to life, he spends years fighting to survive until investigative journalist K.W. Lee takes a special interest in his case, igniting an unprecedented push for social action that would unite Asian Americans and inspire a new generation of activists.

Nearly five decades later, award-winning journalists Julie Ha and Eugene Yi excavate this largely unknown yet essential history in their riveting Sundance selection Free Chol Soo Lee. Combining rich archival footage, firsthand accounts, and narration drawn from personal writings, this poignant documentary paints an intimate portrait of the complex man at the center of a movement and serves as an urgent reminder that his legacy is more relevant than ever.

All film showings will take place at IFC Center, 323 6th Avenue.

The Korea Society will host a special Q&A with Julie Ha and Eugene Yi on Sunday, August 14th, after the 5:50 PM showing.

Use a special discount code KOREASOC, which can be applied to any showings; online purchase only.

 


THE HONG SANGSOO MULTIVERSE: A RETROSPECTIVE OF DOUBLE FEATURES

Photo courtesy Sandro Baebler

Film at Lincoln Center presents in partnership with The Korea Society The Hong Sangsoo Multiverse: A Retrospective of Double Features, offering a thorough compendium of the filmmaker’s career, through a two-part series running from April 8-17 and May 4-10, 2022.

Few if any contemporary directors have amassed as vast and prolific a body of work as Hong Sangsoo. Working at an unparalleled clip of productivity, the South Korean auteur has helmed 25 of his 27 features this century, each a valuable addition to an oeuvre that returns time and again to the same themes, preoccupations, and strategies, but always with some fresh angle, some radically new way of telling a familiar story. Hong’s films seize the material of everyday life—regret, infidelity, professional frustrations, the casual cruelty and brutish folly of men and women alike (but especially men)—in the service of exploring psychology and metaphysics in elegant, subtly profound ways.

In a structural gesture befitting Hong, Film at Lincoln Center’s two-part survey consists entirely of double features, with each film paired differently each time it screens and special 2-for-1 pricing. This career-spanning retrospective, timed to the release of In Front of Your Face, will also feature in-person appearances by Hong, who will return to NYC for the first time since 2017.

All film showings will take place at the Walter Reade Theater (165 W 65th St) or the Elinor Bunin Munroe Film Center (144 W. 65th Street).

 

 

Click here for schedule and ticket information

 

Use promocode INTRODUCTION for $5 off.


New Narratives in Korea: “Poongryu”

Image credit: JTBC

Poongryu: Battle Between the Vocalists is a new music competition program from JTBC aiming to showcase a crossover between popular music and gugak, Korean traditional music. Featuring the best and brightest of a new generation of gugak singers and musicians, Poongryu has captivated the music fans around the world by introducing a new genre of music blending the traditional with modern twist.

Kyojin Hwang, Chief Producer of Poongryu: Battle Between the Vocalists, discusses the origin of the program, the increasing and renewed interest in gugak, and the phenomenal popularity of competition programs on Korean television.

 

 

New Narratives in Korea: “Poongryu”
Wednesday, February 9, 2022 | 5 PM (EST)

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


ABOUT THE SPEAKER:

Kyojin Hwang began her career at MBC where she served as a producer for such popular entertainment programs as The Knee-Drop Guru, Radio Star, and We Got Married. At JTBC, she has served as a producer for The Foreigners and a chief producer of Poongryu: Battle Between the Vocalists.


 

Samul Nori: Dynamic Rhythms from Korea

 

Samul nori, the South Korean percussion genre with powerful rhythmic forms, has reached international popularity. First created in Seoul in 1978 by a quartet of musicians, samul nori (which translates simply into “four things play”) is a neo-traditional musical repertory that has been performed on many international stages by professional ensembles and amateur musical enthusiasts around the world.

Professor Katherine In-Young Lee explores the history and development of samul nori and its importance as a sonic and cultural symbol of South Korea.

 

 

Samul Nori: Dynamic Rhythms from Korea
Thursday, April 22, 2021 | 6 PM (EDT)

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


ABOUT THE SPEAKER:

Katherine In-Young Lee is Associate Professor of Ethnomusicology at the UCLA Herb Alpert School of Music. Her book Dynamic Korea and Rhythmic Form (Wesleyan University Press 2018), explores how a percussion genre from South Korea became a global music genre. It was recognized with the 2019 Béla Bartók Award for Outstanding Ethnomusicology from the ASCAP Foundation Deems Taylor/Virgil Thomson Awards. Her articles have appeared in Ethnomusicology, the Journal of Korean Studies, and The Journal of Korean Traditional Performing Arts. Professor Lee received her Ph.D. in Ethnomusicology from Harvard University; M.A. in Ethnomusicology from University of Washington; and dual B.M. degrees in Piano Performance and Musicology from the University of Michigan.

 


 

ADG7: A Virtual Concert [Video Release]

Celebrate the Year of Ox with a virtual concert by Ak Dan Gwang Chil a.k.a. ADG7! This award-winning Korean traditional music group’s powerful and engaging performance will immerse audiences into a spiritual experience and bring blessings of positive energy to kick off a new year.

The nine-member ensemble presents itself not as earnest traditionalists, but as a giddy show band with all the trappings of K-pop — choreographed singers, candy-colored costumes and bouncy, upbeat, often swinging songs that link the concision of folk tunes to the catchy repetition of pop, with brash cymbals for drive and flute and zither lines for instrumental hooks. – The New York Times

There’s a flowering folk-roots revival in South Korea, but no band combines virtuosity, charisma, and pure energy like Ak Dan Gwang Chil. – WFMU

Ak Dan Gwang Chil (ADG7) is a multi-award winning Korean traditional music group, featuring six Korean traditional musicians and three powerhouse female folk singers. ADG7 performs repertoire from the sacred, shamanic and secular gut (ritual music) and minyo (folk song) traditions of the Hwanghae-do region, nowadays a western province of North Korea.

ADG7 was organized in 2015, to the 70th anniversary of Korea’s liberation from Japanese colonial rule. Their music expresses the true meaning of liberation and South Korea’s desire for reunification. They recently won multiple awards including Best Group at the 2018 KBS Korean Traditional Music Award and Sori Frontier Award at the 2017 Jeongju International Sori festival. ADG7 has recently performed at WOMEX (World Music Expo) 2019 and globalFEST 2020 as one of their official artists, and became one of 2020-2021 Mid Atlantic Tour Roster Artists.

Band Members: Hyun Soo Kim (Daeguem); Hyang Hee Lee (Piri & Saenghwang); Hyerim Park (Ajaeng); Meondongmaru Weon (Gayaguem); Hyunjun Chun (Percussion); Jinyoung Sunwoo (Percussion); Chorong Bang (Singer); Hee Rim Wang (Singer); and Minyoung An (Singer)

 

ADG7: A Virtual Concert

Friday, February 12, 2021

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


 

Special Virtual Screening: Minari

— REGISTRATION CLOSED —

A tender and sweeping story about what roots us, Minari follows a Korean-American family that moves to an Arkansas farm in search of their own American Dream. The family home changes completely with the arrival of their sly, foul-mouthed, but incredibly loving grandmother. Amidst the instability and challenges of this new life in the rugged Ozarks, Minari shows the undeniable resilience of family and what really makes a home.

Please join us for a special advance virtual screening of Minari, followed by a taped conversation with writer/director Lee Isaac Chung, producer Christina Oh, and Steven Yeun, moderated by Ramy Youssef.

The film and taped conversation will be available Thursday, Feb 4 at 8 PM EST – Sunday, Feb 7 at 11 PM EST. Once you begin, you will have 4 hours to complete the film before the link expires.

 

Special Virtual Screening: Minari

Thurs, Feb 4 at 8 PM EST – Sunday, Feb 7 at 11 PM EST

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017