Greek Lessons: Han Kang In Conversation with Katie Kitamura

Han Kang’s Booker Prize-winning 2016 novel The Vegetarian solidified her place as a master of the surreal, and is a powerful reminder that what makes surrealist narratives so haunting is the way they illuminate concerns that are real and urgent. Han, one of South Korea’s leading literary voices, joins the Pen America’s World Voices Festival for the North American launch of her new novel, Greek Lessons. Following a female protagonist who loses her voice and seeks out learning Greek as a possible remedy, the book is a poignant exploration of language, the nature of pain, and the need to move on. Join Han in conversation with Katie Kitamura, author of Intimacies, for this fascinating conversation of the self and the myriad ways we seek to heal.

The Korea Society is proud to be a Cultural Partner for the World Voices Festival.

 

Purchase tickets here

 

All PEN World Voices Festival tickets are non-refundable. Please confirm the time and location of your event before finalizing your purchase.

 

Greek Lessons: Han Kang
In Conversation with Katie Kitamura

Friday, May 12, 2023 | 8 PM
@ The Strand

 

 

 

 


About the Speaker:

Han Kang was born in 1970 in South Korea. A recipient of the Yi Sang Literary Award, the Today’s Young Artist Award, and the Manhae Prize for Literature, she is the author of The Vegetarian, winner of the International Booker Prize, Human Acts, and The White Book.

 

About the Moderator:

Katie Kitamura’s most recent novel is the national bestseller Intimacies, which was longlisted for the 2021 National Book Award for Fiction and was named one of President Barack Obama’s favorite books of Summer 2021. Her previous novel, A Separation, was a finalist for the Premio Gregor von Rezzori and a New York Times Notable Book. It was named one of the best books of the year by over a dozen publications and translated into sixteen languages, and it is being adapted for film. Her two earlier novels, Gone to the Forest and The Longshot, were both finalists for the New York Public Library’s Young Lions Fiction Award. A recipient of fellowships from the Lannan Foundation and Santa Maddalena Foundation, Kitamura has written for publications including The New York Times, The Guardian, Granta, BOMB Magazine, Triple Canopy, and Frieze. She teaches in the creative writing program at New York University.


ADG7 (AK DAN GWANG CHIL)

Photo (c) Lee Jong Sam

ADG7 is back–this time in person!

The nine-piece South Korean ensemble ADG7 (aka Ak Dan Gwang Chil) draws equal inspiration from newly reclaimed Korean folk styles of gut and minyo and the contemporary stylings of modern K-Pop for a mix that will surprise you with its raucous, danceable energy. The band’s charismatic three frontwomen are backed by masterfully played traditional Korean instrumentation and present a distinctively theatrical style of performance that’s like nothing you’ve ever heard before, but that you’ll never forget. You won’t want to miss the crowd-pleasing sonic sensations that The New York Times calls “catchy, bouncy and brash.”

The Korea Society is proud to support ADG7’s concert in New York at Le Poisson Rouge, presented by World Music Institute. WMI’s COUNTERPOINT series focuses on contemporary artists who push the boundaries of what “world music” can mean in the 21st Century.

 

ADG7 (AK DAN GWANG CHIL)

Wednesday, May 3, 2023 | 8 PM

PURCHASE TICKETSPURCHASE TICKETS
@ Le Poisson Rouge
158 Bleecker St, Manhattan

 

Doors: 7 PM | Show: 8 PM
Le Poisson Rouge
158 Bleecker St, Manhattan
Tickets: Advance $30 | Day of Show $35
Standing Room with Limited Seating

 

 

 

 


THE DIVE: THE SONGS OF JULIA RIEW

The Korea Society is thrilled to sponsor The Dive: The Songs of Julia Riew featuring Julia Riew, Claire Kwon, Natalie Choo and others at 54 Below, Broadway’s supper club.

Fred Ebb Award Winner Julia Riew returns to 54 Below and makes her New York City solo concert debut. The evening will feature original music from a variety of projects including Julia’s viral musical Dive (previously known as Shimcheong: A Folktale), a fantasy-novel-inspired song cycle, and some of her other greatest online-and-onstage hits. Stepping into the solo spotlight for the first time, the composer-lyricist will be joined by rising theater stars to perform in a joyous celebration of lyric, melody, and the diversity across our experiences.

The concert will feature performers Claire Kwon (Always Famous), Emily Borromeo (The Prom Nat’l Tour, School of Rock), Juliet Lee, Kevin Perdido (Always Famous), Marina Kondo (KPOP, Frozen Nat’l Tour), and Natalie Choo. The band will be led by music director Simon Broucke, and will feature Noah Weisbart on guitar, Shelby Blezinger-McCay on Drums, Skyler Volpe on Bass, and Jeremiah Blacklow on violin.

 

THE DIVE: THE SONGS OF JULIA RIEW

Thursday, April 27, 2023 | 7 PM

PURCHASE TICKETS

@ 54 Below

254 W 54TH ST. CELLAR, NYC 10019

 

Use code RIEW5 for $5 off of Main Dining Room or Bar Rail cover charge;

Cover charge starts at $35, plus a $25 food/beverage minimum.

 

 

 

 

 


About the Performer:

Julia Riew is a Korean-American composer, lyricist, librettist, and writer from St. Louis and currently based in New York City. She is primarily known for her musical Dive (previously known as Shimcheong: A Folktale), which amassed over 100k followers online and over 16 million streams on an animated music video of its titular song in Korea. Julia graduated from Harvard University in May 2022 and is First-Year in the BMI Lehman Engel Musical Theatre Workshop. In her first year out of college, she has been named the 2022 Fred Ebb Award winner, Playbill’s Featured Songwriter of the Month, A Woman to Watch on Broadway, and the recipient of the 2022 Harvardwood Artist Launch Fellowship under the mentorship of composer Laurence O’Keefe (Legally Blonde, Heathers). Julia was the inaugural recipient of the Musicians United for Social Equity (MUSE) Linda Twine Scholarship (2021), a member of the first MUSE One-on-One Mentorship Program (2021-22) (mentor: Jeanine Tesori), and a member of the inaugural Maestra Music Mentorship Program (2020-21) (mentor: Deborah Wicks La Puma). Her past works include Alice’s Wonderland, an original musical co-written by J Quinton Johnson (Hamilton), Jack and the Beanstalk: A Musical Adventure (The American Repertory Theater’s 2020 Family Musical), and Thumbelina: A Little Musical (The A.R.T. 2019 Family Musical).


Seongmin Ahn | Enchanted Reality

January 19 – April 14, 2023|
Opening Reception: Thursday, January 19, 2023 5-7 PM (EST)|
Artist Talk: Tuesday, March 21, 2023 6 PM (EST)|

In her solo exhibition at The Korea Society, Seongmin Ahn presents a series of paintings and wall installations that fuses her insight in the relativity of perception with a deep regard for traditional Korean art, especially minhwa–folk painting. In her work, Ahn begins with traditional forms and themes, which she then extends into multi-disciplinary and multi-media practices by adopting science, technology, and multiple cognitive models.

For Ahn, whose work reads as equally playful and earnest, bringing light to a dark room at the touch of a finger is a wondrously apt metaphor for the role of art in our lives. —Richard Vine, a senior editor at Art in America

The Korea Society Gallery is open only by appointment. The appointment must be made at least 24 hours prior to the scheduled visit. To make an appointment, please contact info@koreasociety.org.

Gallery Hours: Monday-Friday 10 AM-4:30 PM
By Appointment Only

Click here to make an appointment

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTIST:

Seongmin Ahn holds an MFA in Asian traditional painting from Seoul National University and another MFA in mixed media from the Maryland Institute College of Art. As an active participant in the contemporary art scene in New York and East Asia, she has exhibited work at such major venues as the National Museum of Modern and Contemporary Art in Seoul, the Jordan Schnitzer Museum of Art at the University of Oregon, and the Charles Wang Center at Stony Brook University. She has received a number of funding awards, including two Pollock Krasner Foundation grants, AHL foundation artist grant and Café Royal Cultural Foundation grant. Her work has been reviewed in The Washington Post, the Philadelphia Inquirer, The Baltimore Sun, The Plain Dealer and others. Her work has been acquired by the National Museum of Modern and Contemporary Art in Korea, Princeton University Art Museum, and Hudson River Museum.


Image courtesy of the artist

 

 

Kyung-Sook Shin with Jenny Wang Medina

 

Author photo © Jun-yeon Kim

An instant bestseller in Korea and the follow up to the international bestseller, Please Look After Mom, I Went to See My Father by Kyung-Sook Shin centers on a woman’s efforts to reconnect with her aging father, uncovering long-held family secrets. More than just the portrait of a single man, I Went to See My Father opens a window onto humankind, family, loss, and war. With this long-awaited follow-up to Please Look After Mom—flawlessly rendered by award-winning translator Anton Hur—Kyung-Sook Shin has crafted an ambitious, global, epic, and lasting novel.

In a rare personal appearance in the U.S., Kyung-Sook Shin will be joined by Jenny Wang Medina to discuss her latest novel.

I Went to See My Father will be available for sale during the event.

 

Kyung-Sook Shin
with Jenny Wang Medina

Thursday, April 13, 2023 | 6:30 PM (EDT)

 

 

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


About the Author:

Kyung-Sook Shin is one of South Korea’s most widely read and acclaimed novelists. She has been awarded the Manhae Grand Prize for Literature, the Dong-in Literary Award, the Man Asian Literary Prize, and many others. Shin is the author of eight novels, eight short story collections, and three essay collections, including the NYT-bestselling Please Look After Mom, which has been published in more than forty countries.

 

About the Moderator:

Jenny Wang Medina is Assistant Professor in modern Korean literature and culture at Emory College.


Gina Chung: Sea Change

A novel about a woman tossed overboard by heartbreak and loss, who has to find her way back to stable shores with the help of a giant Pacific octopus.

Author photo by S. M. Sukardi

One of “22 Works of Fiction to Read This Spring”—The New York Times

A novel about a woman tossed overboard by heartbreak and loss, who has to find her way back to stable shores with the help of a giant Pacific octopus. Sea Change is an “absolutely stunning debut” novel —Frances Cha, author of If I Had Your Face—by Gina Chung.

Ro is stuck. She’s just entered her thirties, she’s estranged from her mother, and her boyfriend has just left her to join a mission to Mars. Her days are spent dragging herself to her menial job at a mall aquarium, and her nights are spent drinking sharktinis (Mountain Dew and copious amounts of gin, plus a hint of jalapeno). With her best friend pulling away to focus on her upcoming wedding, Ro’s only companion is Dolores, a giant Pacific octopus who also happens to be Ro’s last remaining link to her father, a marine biologist who disappeared while on an expedition when Ro was a teenager. When Dolores is sold to a wealthy investor intent on moving her to a private aquarium, Ro finds herself on the precipice of self-destruction. Wading through memories of her youth, Ro has one last chance to come to terms with her childhood trauma, recommit to those around her, and find her place in an ever-changing world.

In a conversation with Frances Cha, Gina Chung talks about her debut novel.

Sea Change will be available for sale during the event.

Gina Chung: Sea Change
with Frances Cha

Tuesday, April 11, 2023 | 6:30 PM (EDT)

 

 

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


About the Author:

Gina Chung is a Korean American writer from New Jersey currently living in Brooklyn, New York. A recipient of the Pushcart Prize, she is a 2021-2022 Center for Fiction/Susan Kamil Emerging Writer Fellow and holds an MFA in fiction from The New School. Her work appears or is forthcoming in The Kenyon Review, Catapult, Gulf Coast, Indiana Review, Idaho Review, The Rumpus, Pleiades, F(r)iction, and Wigleaf, among others, and has been recognized by several contests, including the American Short(er) Fiction Contest, the Los Angeles Review Literary Awards, and the Ploughshares Emerging Writer’s Contest.

About the Moderator:

Frances Cha is the author of the novel If I Had Your Face (Ballantine, 2020), which was named one of the Best Books of the Year by Time Magazine, NPR and BBC among other publications, and is being translated into 11 languages. She is from Korea and worked as a culture editor for CNN in Seoul and Hong Kong. She has taught creative writing at Yonsei University and media studies at Ewha Womans University in Seoul and currently teaches undergraduate fiction workshop at Columbia University. Her children’s book The Goblin Twins, set in Korea and New York, is forthcoming from Crown in September, 2023.


Minhwa: Korean Paintings of the People, by the People, and for the People

Tiger with Two Cubs and Two Magpies, Late Joseon Dynasty (18th or 19th Century), Mattielli Collection. Image courtesy of jstor.org | 

In this lecture, Professor Sunglim Kim explores Korean folk painting, minhwa, and examines its origin and development, the different genres within it, and their meanings and functions. She will also illustrate how minhwa paintings were consumed by Koreans in the past and the present.

 

Minhwa
Korean Paintings of the People, by the People, and for the People
by Sunglim Kim

Wednesday, April 5, 2023 | 6:30 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


ABOUT THE SPEAKER:

Sunglim Kim is an associate professor of Korean art and culture at Dartmouth College. She specializes in the material and consumer culture of the late Joseon period and women artists in modern and contemporary Korea.


gamin & ensemble: Korean Music & Beyond

Robert Browning Associates, Lotus Music & Dance, and Roulette present in association with The Korea Society and the Korean Cultural Center New York: gamin & ensemble: Korean Music & Beyond

This entrancing program of traditional Korean music (rooted in shamanic rituals and agrarian life) and contemporary music influenced by Korean culture is led by the engaging master multi-instrumentalist gamin (piri -double-reed oboe, saenghwang – mouth organ, and taepyungso – double-reed horn). Her extensive credits include being a principal player at the National Gugak Orchestra for a decade, performing in the Silk Road concert with Yo-Yo Ma in Seoul, and touring the world. The program features improvised music for rituals, percussive farmer’s music, and modern works. gamin will be joined by Satoshi Takeishi (percussion), Vong Pak (janggo – drum), Jeff Fairbanks (piano, trombone), Choi Fairbanks (cello), Marty Ehrlich (bass clarinet, saxophone), and other artists to be announced.

This event is co-presented by Robert Browning Associates, Lotus Music & Dance, and Roulette, in association with The Korea Society and the Korean Cultural Center New York.

 

Robert Browning Associates, Lotus Music & Dance, and Roulette present in association with The Korea Society and the Korean Cultural Center New York:

 gamin & ensemble: Korean Music & Beyond

Friday, March 31, 2023 | 8 PM

PURCHASE TICKETS

Roulette Intermedium

509 Atlantic Avenue | Brooklyn, NY 11217

 

 

 

 

 


About gamin:

gamin is a Korean born NYC based multi-instrumentalist specialized for traditional Korean wind. She tours the world performing both traditional Korean music and cross-disciplinary collaborations. She is a scholar and designated Yisuja, official holder of Korea’s Important Intangible Cultural Asset No. 46.

From 2000 to 2010, gamin was the principal player at the National Gugak Orchestra. gamin has received several cultural exchange program grants, including Artist-in-Residence at the Asian Cultural Council, and has collaborated in cross-cultural improvisation with world-acclaimed musicians, presenting premieres at Roulette Theater, New School, and Metropolitan Museum. gamin was featured artist at the Silkroad concert, Seoul, 2018, performing on-stage with the founder, Yo-Yo Ma.

Since 2018, gamin curated performances at the Center for Remembering and Sharing. For 2020, gamin was selected as artist-in-residency at the HERE Arts Center, NYC, and her album ‘Nong’ was released by Innova Records. gamin’s Carnegie Hall solo début, accompanied by Nangye Gugak Orchestra, scheduled for March 2020, was postponed by Covid 19. For 2021-2022, gamin was awarded the prestigious two year Fellowship by Jerome Hill Foundation.


Nam June Paik: Moon Is the Oldest TV

The Korean-born, German-educated, life-long New Yorker, Nam June Paik (1932-2006) coined the phrase “the electronic superhighway” long before the Internet was born. A consummate shape-shifter — classical composer, subversive trickster, pioneer of experimental “interventions” (he called “action music”) and, according to friends, speaker of nine languages (all badly). Paik’s influences ranged from Hegel to Schoenberg, from traditional Korean dance to Buddhism, space travel, and beyond.

Debut filmmaker Amanda Kim’s captivating, kinetic documentary — narrated by actor Steven Yeun (MINARI, BURNING) — uses archival footage and clips from the artist’s work to recount his collaborations and fascinations with Joseph Beuys, Charlotte Moorman (the topless cellist), David Bowie, Philip Glass, Laurie Anderson, Allen Ginsberg, Merce Cunningham, and his great mentor and friend, John Cage.

The Korea Society and Asian American Writers’ Workshop will present a Q&A with the filmmaker Amanda Kim, moderated by Mary H.K. Choi, following the screening.

Purchase Tickets @ Film Forum

Use promocode KOREA for a discounted $11 rate for general tickets (reg $15) up to two tickets per person. The discount is valid for any screening throughout the film’s run.

     * Scroll to your desired screening(s) and click BUY TICKETS
     * In the top right corner of the screen, click PROMO CODE
     * Enter KOREA, then click submit
     * Select 1 or 2 General $15.00 tickets (Note: you may purchase multiple tickets, but discount will apply only to the first 2)
     * Click Add to Cart – the discount will be applied at checkout

 

Nam June Paik: Moon Is the Oldest TV
Q&A with the filmmaker Amanda Kim

Monday, March 27, 2023 | 8 PM


@ Film Forum
209 West Houston St., NYC.

 


About the Speaker:

 

Amanda Kim is a Tokyo-raised, Korean American director and producer. After graduating from Brown University with a degree in Comparative Literature, she worked many odd jobs in music, fashion, and design, before landing a job at Vice Media. A former creative director at Vice Media, she led U.S. video direction for i-D, Creators, and Garage magazine. Kim also worked on Viceland, Vice’s TV channel, as a creative producer in an experimental incubator where she directed a nimble production crew to test out pilots and innovative content formats.

 

About the Moderator:

 

Mary H. K. Choi is the New York Times bestselling author of Emergency Contact, Permanent Record and Yolk. Her writing has been featured in The Atlantic, The New York Times, New York and GQ. Previously, she was a culture correspondent for Vice News and has written comic books for Marvel and DC. She is currently developing Permanent Record for a feature film and Yolk for TV. She lives in New York City.


Artist Talk: Seongmin Ahn with Eleanor Hyun

Traditional Korean Painting for Modern Times: In Seongmin Ahn’s paintings, it is not our past we are looking at but our possible future. – John Yau, Hyperallergic

In her solo exhibition at The Korea Society, Seongmin Ahn presents a series of paintings and wall installations that fuses her insight in the relativity of perception with a deep regard for traditional Korean art, especially minhwa–folk painting. In her work, Ahn begins with traditional forms and themes, which she then extends into multi-disciplinary and multi-media practices by adopting science, technology, and multiple cognitive models.

In conversation with Eleanor Hyun, Associate Curator for Korean Art at the Metropolitan Museum of Art, Seongmin Ahn discusses her work, her career, and her solo exhibition at The Korea Society.

 

Artist Talk: Seongmin Ahn
with Eleanor Hyun

Tuesday, March 21, 2023 | 6 PM (EDT) | In Person

Friday, March 24, 2023 | Video Release

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

Gallery hours: (M-F) 10 AM – 4:30 PM by appointment

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTIST:

Seongmin Ahn holds an MFA in Asian traditional painting from Seoul National University and another MFA in mixed media from the Maryland Institute College of Art. As an active participant in the contemporary art scene in New York and East Asia, she has exhibited work at such major venues as the National Museum of Modern and Contemporary Art in Seoul, the Jordan Schnitzer Museum of Art at the University of Oregon, and the Charles Wang Center at Stony Brook University. She has received a number of funding awards, including two Pollock Krasner Foundation grants, AHL foundation artist grant and Café Royal Cultural Foundation grant. Her work has been reviewed in The Washington Post, the Philadelphia Inquirer, The Baltimore Sun, The Plain Dealer and others. Her work has been acquired by the National Museum of Modern and Contemporary Art in Korea, Princeton University Art Museum, and Hudson River Museum.

ABOUT THE MODERATOR:

Eleanor Soo-ah Hyun is the Associate Curator for Korean Art at The Metropolitan Museum of Art. She joined The Met in September 2019. From 2015 to 2019, she worked at the British Museum as the first Curator for the Korean Collections. She is a PhD candidate at the University of Chicago completing a dissertation on late imperial Joseon Korean and Qing Chinese art.