PO KIM: A Memorial Tribute

2014 09 03 po-kim-gallery  icon3Po Kim’s artistic career was characterized by an ever-evolving style, and an eagerness to seek out new areas of inspiration. His paintings, often large in scale, were bold and compelling, bursting with life, energy, and emotion. This work distinguished Kim as one of the premier Korean-American artists of his time. When the artist died earlier this year, he left behind a strong legacy in his paintings, the innumerable artists he inspired, and the gallery in New York and museum in Korea which bear his name.

Po’s life as an artist began in Korea, where he founded the Department of Fine Arts at Chosun University. Incarcerated and tortured during the Korean War, Kim left Korea in 1955 to accept a fellowship at the University of Illinois. He moved to New York City a few years later, and his artistic life flourished here over the next six decades.

This exhibition, through personal objects, photographs, catalogues, and paintings, seeks to provide viewers a deeper sense of an artist who found great inspiration in his identities as a Korean, an American, and a New Yorker. The objects are on loan from The Sylvia Wald and Po Kim Art Gallery, an institution dedicated to the art of its founders and their personal mission of intercultural dialogue between the artistic communities of New York and the world.

 

August 28—September 26, 2014

 

OPENING RECEPTION | Gallery Talk

The Legacy of Po Kim

Wednesday, September 3, 2014 | 6 PM

 

 

Po Kim was a pioneering force in the Korean American art community. When the artist died earlier this year, he left behind a strong legacy in his paintings, the innumerable artists he inspired, and the gallery in New York and museum in Korea which bear his name.  The evening’s panel features NYU’s Alexandra Chang, Hunter College’s Midori Yamamura and former curator at the Jane Voorhees Zimmerli Art Museum’s Mr. Jeffrey Wechsler. The panelists will discuss Mr. Kim’s life; the hardships and turmoil he endured, his long illustrious career as artist and teacher, his evolving style, his influences, and his contributions and impact on the art world.

 

 

The Korea Society Gallery

 

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This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


 

 

Of Interest:

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We cordially invite you to the special concert,”In Flight”, on Saturday, September 20th at 7:30 PM at the Sylvia Wald and Po Kim Art Gallery.
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In celebration of the life and artistic legacy of Po Kim, The Sylvia Wald and Po Kim Art Gallery presents “In Flight,” a special concert of paintings and music. Professor Richard Miller (Columbia University) and the New York University String Quartet perform works by Mozart, Haydn, Bach and Villa-Lobos, as well as the premiere of a piece by Professors Youngmi Ha (New York University) and Jingfei Li (Shanghai University) that was inspired by two Po Kim paintings on view at the Gallery. This collaborative work captures the spirit and color of human desires in the combined media of moving images and music.

 

 We hope you join us to celebrate the life and works of Po Kim. If you would like to attend, please RSVP  info@waldandkimgallery.org or call 212. 598. 1155 by Thursday, September 18.

 

Admission to this event is $20​

 


 

 

 

 

Gallery Talk: Contemporary Printmaking

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Learn about the fascinating history of printmaking in Asia and the West from Bruce Waldman, professor of printmaking at the School of Visual Arts. Professor Waldman will explain how printmaking evolved from simple beginnings into today’s complex kaleidoscope of techniques and genres through reference to many of the Korean and American prints showing in Made in New York/Made in Seoul, the exhibition currently at The Korea Society Gallery. He will also introduce the master printmakers in history who helped build the foundation for contemporary printmaking and explain how they influenced the artists taking part in the exhibition.

 

Thursday, July 10, 2014 | 5:30 PM

 

This program is now FREE to all guest, but please RSVP. Limited seats available.

 

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 

MADE IN NEW YORK/ MADE IN SEOUL

This exhibition of works by sixty contemporary artists from New York and Seoul reveals the broad range of techniques, styles, and sensibilities active in printmaking today. Representing the state-of-the-art of the genre, these artists manipulate the deep tones and textures accessible to the printmaker to produce artwork with the eye-catching graphic quality that is the hallmark of print.

Printmaking, through its unique ability to produce affordable copies, has been long associated with the democratization of information—and it continues to be a force for wider dissemination of fine art, even in this digital age. Today’s print artists from New York and Seoul, through application of the wide palette of printer techniques, participate in and extend their respective country’s remarkable—and in the case of Korea’s, ancient—history of printmaking.

“Made in New York/Made in Seoul” is a joint effort of the New York Society of Etchers, the Korean Contemporary Printmakers Association, The School of Visual Arts, Carrier Pigeon magazine, and The Korea Society. The collection will also be exhibited at the Seoul Museum of Art’s Gyeonghuigung Annex from October 1-5, 2014.

 

June 11—August 15, 2014

 

Reception

New York

Wednesday, June 11, 2014 | 5:30 PM-8 PM

 

Gyeonghuigung Annex building of the Seoul Museum of Art
45, Saemunan-ro Jongno-gu, Seoul (Simmunno 2-ga)

Wednesday, October 1, 2014 | 4:30 PM-6 PM

 

For more information, please contact Jahee Yu

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Korean Contemporary Ceramics

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When artists work in a medium as old as earth itself, in a country that has for centuries been recognized as a center for artistic expression in that medium, how do they continue to innovate? This challenge is answered by each of the artists in this exhibition of Korean contemporary ceramics.

YOON Kwang Cho, a leading buncheong artist, is a recipient of Korea’s most esteemed prize for contemporary art, the National Museum of Modern and Contemporary Art’s Artist of the Year. Yoon’s playful, carefree approach and coarse forms belie a powerful imagination and profound originality. KIM Yik Yung, also a recipient of the Artist of the Year prize, creates refined porcelain masterpieces with faceted surfaces that play with light. Min Kyu LEE’s porcelains, filled with recessed squares of negative space, elicit contemplation of the unseen. Young Mi KIM subjects her ceramics to several wood-firings, adding organic textures and colors to her botanical forms. SHIN Sang Ho possesses a vivid sense of texture and form, and the many legs of his African-inspired horse sculpture captures the energy of swift horizontal motion. Jong Sook KANG portrays the immigrant experience as adventurous butterflies, each encountering its own voluptuous Big Apple. KIM See Man’s poetic sensibility transforms functional space into aesthetic space with modern translations of buncheong vessels. Ji Wan JOO’s meditative groups of celadon and white stoneware cubes reference Korea’s ancient tradition of geometric patterns in a contemporary form.

The works by these artists represent the diverse range of ceramic art as practiced in Korea today, and exemplify the creative Korean spirit of artistry and innovation.

February 7, 2014-April  25, 2014

 

Gallery Opening
Friday, February 7,2014 |  5:30 PM – 8 PM

 

The Korea Society

Gallery Open Daily, M-F, 10 AM-5 PM

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


 

 

 

Gallery Talk: Korean Contemporary Ceramics

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Fresh from participating in the Gyeonggi International Ceramic Biennale, artist Young-mi Kim reports on her three-month journey to kilns, studios, and ceramic heritage sites throughout Korea.

 

Tuesday, February 11, 2014 | 6 PM

 

This program is now FREE to all guest, but please RSVP. Limited seats available.

 

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 

Elegance and Tradition in Korean Furniture

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Dr. Lyndel King, Director and Chief Curator at the University of Minnesota’s Frederick R. Weisman Art Museum, introduces traditional Korean furniture with photos from the museum’s collection of Korean furniture, the largest in the world with over 200 pieces. Her presentation explores the traditional Korean home and interior furniture, highlighting its craftsmanship, many specialized uses, and regional differences.


Dr. King first became interested in Korean traditional furniture when she met Dr. Edward Wright in the early 1980s. Dr. Wright had built an extensive collection of traditional Korean furniture, ceramics, and screens during his long service as an administrator of the Korean-American Educational (Fulbright) Commission in Seoul between 1967 and 1979. Following his bequest of the collection to the museum in 1988, Dr. King curated several exhibitions of the Weisman’s collection of Korean furniture.


Thursday, November 21, 2013 | 6:30 PM

 

From the Edward Reynolds Wright Collection

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YPNs, Explorers, and above |  Free

Members | $10

Non-members | $20

 

Gallery Talk

Elegance and Tradition in Korean Furniture

by

Lyndel King, Director and Chief Curator of Frederick R. Weisman Art Museum, University of Minnesota

 

NYCulture current inverted white logo

This program and the accompanying exhibit is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 

K-Art: Splendors from Silla to Seoul

 

The Korea Society, in collaboration with The College Group at the Met, invites undergraduate and graduate students to kick off the weekend with a fun and festive evening exploring the treasures of The Metropolitan Museum of Art’s special exhibition Silla: Korea’s Golden Kingdom. Enjoy performances and activities featuring both traditional and K-pop music.

Advanced registration required. RSVP to metcollegegroup@metmuseum.org. Space is limited; first come, first served. This event is free with museum admission and a valid student I.D.

 

Friday, November 15, 2013

6:30 – 9:00 PM

at

The Metropolitan Museum of Art

Please use the Fifth Avenue and Eighty-First Entrance and the event will take place at the Ruth and Harold D. Uris Center for Education Show location on map


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Above: Crown (detail), second half of 5th century. Korea; Silla Kingdom (57 B.C.–A.D. 935). Gold and jade; H. 10 3/4 in. (27.3 cm). Gyeongju National Museum, National Treasure 191

 

Silla: Korea’s Golden Kingdom is made possible by Samsung.

Additional support is provided by the Korea Foundation and the National Endowment for the Arts.

The exhibition was organized by The Metropolitan Museum of Art, the National Museum of Korea, and Gyeongju National Museum, Korea.


 

Comfort Women Wanted

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Artist Chang-Jin Lee presents her artwork, Comfort Women Wanted, on the forgotten history of WWII-era Japanese military sex slaves, or  “comfort women” as they were euphemistically known. Since 2007, Chang-Jin Lee has traveled to 7 different countries throughout Asia to interview Korean, Chinese, Taiwanese, Indonesian, Filipino, and Dutch “comfort women” survivors, as well as a former Japanese soldier, producing a video based on her interviews and creating a public art project. The public exhibition, on view around Manhattan through October 6,  uses billboards, phone booth posters, prints, audio and multi-channel video installations to bring to light the memory of these 200,000 young “comfort women.”


Chang-Jin Lee, continuing to raise awareness of sexual violence against women during wartime, will discuss her research and art before screening her powerful video, Comfort Women Wanted.

 

http://www.changjinlee.net/cww/index.html

Distinctive Design of Wooden Furniture from Choson Dynasty

 

The exhibition features wooden furniture made in the Choson Dynasty (1392-1910) and includes furniture of a variety of functions and designs. Even though Korea is a relatively small country, each province has a distinctively different furniture design and decoration style. The exhibit will examine not only cultural characteristics, but also the different aesthetics and lifestyles of Korea’s regional society. All works are on loan from Koreana Art and Antiques.

September 19, 2013–January 28, 2014

 

Gallery Opening
Thursday, September 19, 2013

6 PM

 

The Korea Society

Gallery Open Daily, M-F, 10 AM-5 PM

 

NYCulture current inverted white logo

This program and the accompanying exhibit is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


 

Exporting Enlightenment Korean Buddhist Art

2013 07 24  rubin-museum icon2Famed scholar Robert D. Mowry introduces the development of Korean Buddhist art from its formative phase in the late Three Kingdoms (57BC–668AD) and Unified Silla (668–935) periods through its maturation in the Goryeo dynasty (918–1392), emphasizing architecture and sculpture in the earlier periods and paintings and illuminated sutras in the later periods.  In tracing the development of Korean Buddhist art, this lecture explores relationships with China and will identify those characteristics that are uniquely Korean.

 

EXPORTING ENLIGHTENMENT
KOREAN BUDDHIST ART

Presented by the Rubin Museum of Art
In association with The Korea Society

 

Wednesday, July 24, 2013

7:00 PM

 

Click here for tickets or call the box office at 212.620.5000 x344 from 11-5 M-F and 11-2 Sat.

As a TKS member, use code Brooklyn for a ten percent discount.