Cycling in Korea

 

In April 2018, the United Nations General Assembly declared June 3rd as International World Bicycle Day to recognize “the uniqueness, longevity and versatility of the bicycle, which has been in use for two centuries, and that it is a simple, affordable, reliable, clean and environmentally fit sustainable means of transport.”

Koreans have enjoyed cycling and life with bicycles for many years. Hear from the cycling experts and enthusiasts from different backgrounds and cultures about cycling in Korea as they share their personal stories and experiences from the seat of their bicycles.

Join in the conversation among life-long cyclists: Chang Wan Kim, the legendary rock singer and actor; Christopher Koo, Chairman of LS Group, KITA and Korea Cycling Federation; Ambassador Kathleen Stephens; and Tom Underwood, former U.S. Foreign Service officer.

With a special video presentation by Ho Pil Yoon, director of Sangju Bicycle Museum.

 

Cycling in Korea
Thursday, June 3, 2021

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


ABOUT THE SPEAKERS:

Chang Wan Kim is the legendary rock singer, composer, musician, actor, TV host, radio DJ, and writer. Along with his two brothers, he formed the band Sanullim, one of the most beloved and influential music groups in Korea. Today, Mr. Kim performs as a solo artist and as a lead singer of an eponymous Kim Chang Wan band, and he continues to collaborate and inspire the next generation of musicians.

Mr. Kim has also acted in numerous television dramas and films, hosted television shows and radio programs, and written several books, including a collection of essays, poetry, and short stories.

Christopher Koo began his business career at Bando Trading (currently LG International), where he worked for the company’s New York Office and later served as Regional Director of the Southeast Asian Regional Office based in Singapore. In 1995, he moved to LG Investment and Securities (presently NH Investment & Securities) to head the International Business Division. This career path has made him a seasoned expert in international trade and finance. In 2002, he joined LG Cable (presently LS Cable & System) as Chief Financial Officer and later became the company’s CEO and Chairman. During his tenure, he grew the firm into the third-largest wire and cable manufacturer in the world, through the successful acquisition of Superior Essex (SPSX), the leading cable manufacturer in North America. Since 2013, he has served as the second chairman of LS Group, driving the company’s second leap toward the future through diverse efforts, including the expansion of the Group’s global presence and the development of new growth engines.

In addition, Mr. Koo is the chairman of Korea International Trade Association (KITA) which is the prominent economic organization at the forefront of trade promotion. He is also the board member of UN Global Compact (UNGC), the chairman of Korea Cycling Federation, and the chairman of Korea University Alumni Association (KUAA). Furthermore, he performed as the chairman of the Presidential Council on Intellectual Property, and the chairman of Korea Invention Promotion Association.

Amb. Kathleen Stephens is a former American diplomat. She was U.S. Ambassador to the Republic of Korea from 2008 to 2011. Korea has been a leitmotif of Ambassador Stephens’ life and career since she served in rural Korea as a Peace Corps volunteer and trainer in 1975-1977. She was also in Korea 1983-1989, first as a political officer at the U.S. Embassy in Seoul reporting on Korea’s domestic political and human rights scene, and later leading the U.S. Consulate in Busan. Other overseas assignments included postings to China, former Yugoslavia, Portugal, Northern Ireland, where she was U.S. Consul General in Belfast during the negotiations culminating in the 1998 Good Friday Agreement, and India, where she was U.S. Charge ‘d Affaires (2014-2015). Ambassador Stephens also served in a number of policy positions in Washington at the Department of State and the White House. These included acting Under Secretary of State for Public Diplomacy and Public Affairs (2012), Principal Deputy Assistant Secretary of State for East Asian and Pacific Affairs (2005-2007), Deputy Assistant Secretary of State for European and Eurasian Affairs (2003-2005), and National Security Council Director for European Affairs at the Clinton White House.

Ambassador Stephens is the board chair of The Korea Society, and she has been President and CEO of the Korea Economic Institute of America since September 2018, based in Washington, DC.

Tom Underwood was born in Korea to a family of American missionaries and returned to Seoul as a Political Officer in the U.S. Embassy (1999-2003). Mr. Underwood also served with the State Department at NATO in Brussels, OPCW at The Hague, and U.S. Embassies in Bucharest (1997-1999), Kampala (1991-1993), and London (1989-1991). He worked in Korea as Regional Program Officer from 2008 to 2011, and then as Deputy Commissioner of the USA Pavilion at Expo 2012 in Yeosu. He also served in Afghanistan as Senior Civilian Representative to three provinces, and his last overseas assignment was as Senior Advisor to the U.S. Delegation to the Conference on Disarmament in Geneva.

After retiring from the U.S. Foreign Service in 2015, Mr. Underwood settled in Arlington, VA, as a base for traveling, writing, continuing education, and exploring by bicycle.

 

 


From “Ga-yo” to K-pop

Believe it or not, BTS and Blackpink are not the entirety of Korean popular music. At the birthplace of K-pop, “idol” groups share the stage with the new generation of “trot” singers, power balladeers, hip-hop artists and indie bands. Music critic Youngdae Kim surveys the recent history of popular music in Korea and how it has evolved as K-pop exploded all around the world.

 

From “Ga-yo” to K-pop
Tuesday, May 25, 2021 | 7 PM (EDT)

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


ABOUT THE SPEAKER:

Youngdae Kim is a music critic and ethnomusicologist, who serves as a member of the Selection Committee for the Korean Music Awards. Kim holds a Ph.D. in Ethnomusicology from the University of Washington, Seattle. Born and raised in Seoul, South Korea, he moved to Seattle in 2007 where he studied music while closely observing American pop music trends and the development of global K-pop sensation for over a decade. Kim has contributed his critical articles to both Korean and American media outlets, including Vulture, MTV, and the Hankyoreh, and appeared on numerous TV shows, podcasts, and public/academic lectures. He is the author of multiple publications in Korea, including BTS The Review: The Comprehensive Look at the Music of BTS and Korean Hip-hop: The Footprints of its Passion.

 


K-Drama Fever: Global TV in the US

Television as we know it has transformed in the last two decades, away from network television mainly produced in the form of sitcoms, police procedurals, and medical or courtroom dramas, towards serial narratives, with clear storylines developed across episodes. At the same time, the notion of “quality television” has changed the way we evaluate TV content, from intentionally mindless entertainment to innovative cultural works. These shifts have been fortuitous for the rise in popularity of Korean television shows in the US, since Korean narrative television has long been formatted as stand-alone, complete series, with clearly defined beginnings and endings.

Dr. Michelle Cho will introduce you to the characteristics of Korean television serials (K-dramas) that account for their intense binge-ability, and contextualize the place of Korean television content in our increasingly global media landscape.

 

Sign up here to receive the viewing link

 

Due to the novel coronavirus (COVID-19), this program will be conducted virtually. This live session will be provided free of charge at the specified date and time. A limited number of viewing links will be provided to the people who sign up through the form below. Those unable to view the live session will have the opportunity to watch the recorded video or listen to the podcast soon after.

K-Drama Fever: Global TV in the US
with
Michelle Cho

Thursday, November 12, 2020 | 6 PM

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


ABOUT THE SPEAKER:

Michelle Cho is Assistant Professor of East Asian Popular Culture at the University of Toronto. She’s published on Asian cinemas and Korean wave television, video, and pop music in such venues as Cinema Journal, the International Journal of Communication, The Korean Popular Culture Reader, and Asian Video Cultures. She’s currently at work on a book about gender, media, and fandom in Korean-wave popular cultures

 


 

New Narratives in Korea: Drawings for My Grandchildren

Image Credit: Instagram @drawings_for_my_grandchildren

In this interview series, we take a dive into contemporary culture in South Korea.

Grandpa Chan and Grandma Marina are influencers on Instagram, perhaps unlike anyone else you see on that platform, maybe just because of their age. Their Instagram account Drawings for My Grandchildren started in 2015, for which Grandpa Chan draws and Grandma Marina writes stories of their lives for their grandchildren. After 1100 posts and almost 400,000 followers, Grandpa Chan and Grandma Marina have been claimed by their followers all around the world as their own grandparents.

In this episode, Grandpa Chan and Grandma Marina share their adventures and success on social media, and how they stay connected and communicate with the younger generation.

 

New Narratives in Korea: Drawings for My Grandchildren
PREMIERES: Monday, August 31, 2020

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


ABOUT THE SPEAKERS:

Chan Jae Lee and Kyung Ja Ahn are known as Grandpa Chan and Grandma Marina to their almost 400,000 followers on Instagram and over 500,000 followers on TikTok. They are the winners of two 2019 Webby Awards in the Art and Culture category, winning both the main award and the People’s Voice award, which is voted by the public. After living in São Paulo, Brazil, for over three decades, they now live outside of Seoul, South Korea.

 


 

BTS: Blood, Sweat & Tears with Tamar Herman

America’s leading authority on BTS, K-Pop, and East Asian entertainment, Tamar Herman returns to the Korea Society with her book BTS: Blood, Sweat & Tears.

BTS has conquered Western music charts and social media on their way to being the biggest band in the world. With record-breaking firsts and three Billboard No. 1 albums within a year, their music and messaging has gone on to transcend the limitations of language, geography, and genre.

Going behind-the-scenes of today’s biggest pop band and focusing on the members, the music and the fans, Tamar Herman brings the extraordinary story of BTS to life.

Due to the novel coronavirus (COVID-19), this program will be conducted virtually. This live session will be provided free of charge at the specified date and time. A limited number of viewing links will be provided to the people who sign up through the form below. Those unable to view the live session will have the opportunity to watch the recorded video or listen to the podcast soon after.

 

To buy BTS: Blood, Sweat & Tears, please visit:
 https://www.viz.com/read/book/blood-sweat-tears-bts-their-music/product/6380

BTS: Blood, Sweat & Tears
with Tamar Herman

Wednesday, August 12, 2020 | 6 PM

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


About the Speaker:

Tamar Herman is a New York City-based journalist specializing in international music and media with a focus on the Asian pop culture market and its trends. In addition to her role as pop correspondent at Billboard, she has written for outlets including NBC News, Forbes, and Entertainment Weekly, and appears in the “K-Pop” episode of Vox’s Explained docu series on Netflix. She serves as the managing editor of K-Pop blot KultScene and is a co-host of the Nice Jewish Fangirls podcast.


 

New Narratives in Korea: Games & Interactive Storytelling with Dr. Bo hyun Kwon

Copyright Credit: playSyria

In this new series, we take a dive into contemporary culture in South Korea.

In this first episode, we will be exploring the world of games, especially that of computer, video, and mobile games: the history of video game culture in Korea from the 70s until now; how it has given birth to a new industry and a group of new business leaders in Korea; and how it is developing into a new way of storytelling, entertainment, and education.

New Narratives in Korea: Games & Interactive Storytelling
with Dr. Boh Youn Kwon

PREMIERES: Friday. June 26, 2020

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


About the Speaker:

Dr. Boh Youn Kwon is the Managing Director of Playable Consulting in Seoul where she serves as Interactive Storytelling and Playful Experience Designer. She currently teaches Interactive Storytelling Design at Yonsei University.


 

32nd Street: Then & Now

Explore the history and development of 32nd Street, a.k.a Koreatown in Manhattan. Dr. Jinwon Kim presents a comprehensive study of 32nd Street as a transnational space for consumption, leisure and entertainment.

Over the past decade, the one block of 32nd Street between Broadway and Fifth Avenue in Midtown Manhattan has drawn Koreans and non-Koreans seeking everything Korean, from day spas to nightlife. “Koreatown” is now known as a home for a taste of Korea for both ethnic Koreans and non-Korean New Yorkers, where restaurants, bars, karaokes (or “norae-bang”), internet cafes and all-night spas offer “Seoul-style” consumption. The emergence of a new ethnic enclave raises some interesting questions concerning how and why Koreatown in Manhattan has been shaped by transnational flows of culture and economy.

 

 

32nd Street: Then & Now

with Jinwon Kim

Thursday, February 6, 2020 | 6 PM

The Korea Society
350 Madison Avenue, 24th Floor, NYC


About the Speaker:

Jinwon Kim, Ph.D. is an Assistant Professor of Sociology at New York City College of Technology, City University of New York. Kim’s research explores themes of urban sociology, transnational and global sociology, immigration, Asian and Asian American studies, and consumption. She is currently working on her book on Koreatown in Manhattan. Kim’s works appear in City & Community, International Journal of Cultural Policy, CUNY Forum and A Companion to Korean American Studies. She is also editor with two other sociologists for Koreatowns: Exploring the Economics, Politics, and Identities of Korean Spatial Formations (Lexington Books, expected 2020), an edited volume on global Koreatowns. Kim earned her doctorate in sociology at the Graduate Center, City University of New York.


A Decade of K-Pop: Korean Music’s Ascent in the U.S.

Ten years since Wonder Girls and BoA became the first Korean artists to appear on Billboard’s main U.S. music charts, K-pop is at the forefront of the increasingly globalized U.S. music scene. With BTS undeniably at the top of the music world and Blackpink making K-pop history by performing at Coachella, K-pop is no longer an incidental phenomenon but an integral part of American pop culture of 2019. In this talk, Tamar Herman, K-pop columnist for Billboard, reflects on the rise of K-pop in the U.S. during the last decade and ponders its future.

Followed by a rooftop reception, sponsored by West 32 Soju


A Decade of K-pop: Korean Music’s Ascent in the U.S

with

Tamar Herman

 

Thursday, July 11, 2019 | 6:30 PM

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


A Conversation on K-Factor: An Orchestral Exploration of K-pop at Lincoln Center

 

K-Factor, a unique concert presented by Lincoln Center, cast a light on the often overlooked musical innovations and radical spirit of the global phenomenon that is K-pop. On June 20, a 50-piece symphony orchestra performed live at Lincoln Center’s Alice Tully Hall, with a program comprising a curated set of songs arranged to highlight the distinct musical ingenuity present in Korean music new and old. The selections showcased well-known hits by K-pop artists like Blackpink, BTS, EXO, Red Velvet, Seo Taiji and more, placing them in dialogue with noteworthy deep cuts and milestone recordings dating back to the early 1900s. The show seeks to create a historical and aesthetic context that is as entertaining as it is revelatory. For more information on the concert, visit www.kfactor.org.

Joined by Jakob Dorof, creative consultant of this original concert; Chris Lee, A&R Executive at SM Entertainment and CEO of CTGA Europe; and Soeun Lee, a K-pop star turned New York attorney. They discussed the creative evolution of K-pop, the musical ingenuity and many signature features of Korean music new and old, and its ongoing impact on contemporary music around the world.


A Conversation on K-Factor: An Orchestral Exploration of K-pop at Lincoln Center

with

Jakob Dorof, Chris Lee and Soeun Lee

 

Wednesday, June 19, 2019 | 12 PM

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


Speakers

Jakob Dorof: One of the first to write in major Western media about K-pop’s formal ingenuity, Jakob Dorof moved to Seoul in 2014 to get better access to the artists and executives who have made K-pop an international phenomenon and wellspring of musical innovation. His work has been featured in various media outlets including Pitchfork, VICE, Spotify, GQ Korea and ELLE Korea. Currently, he is a weekly co-host of the Korean Broadcasting System’s One Fine Day radio show with the legendary balladeer Lena Park, and he consults extensively for major corporations about K-pop and the Asian markets. Dorof has a bachelor’s degree from Yale University, where he studied writing and music.

Chris Lee: Since joining SM Entertainment’s A&R department in 2005, Chris Lee has played a visionary role in the evolution of one of Asia’s leading entertainment companies, and one of the key influencers in Korean pop’s development over the past quarter century. As A&R executive and a member of SM Entertainment’s board of directors, Lee takes a hands-on approach to nearly every facet of SM’s output, fostering top global acts like SHINee, EXO, Red Velvet, and NCT. Lee also serves as CEO of CTGA Europe, leading a globe-spanning team of industry experts in EKKO Music Rights’ new offices in Korea, Japan, Sweden, Germany, and the United States.

Soeun Lee: Now a lawyer, musician and writer based in New York, Soeun Lee was a performing and recording artist in the Korean pop music industry since her debut in 1998. She released four studio albums, notched a number of major hits on the charts, and collaborated extensively with living legends and popular auteurs like Yoonsang, Lee Seunghwan, and Kim Dongryul. She received her undergraduate degree from Korea University in Seoul and, after a decade in the music industry, took a professional career turn and received her J.D. from Northwestern Pritzker School of Law and practiced litigation and international arbitration in New York. Most recently, she served as Director of an international organization specializing in transnational disputes in New York. She currently serves as Executive Director and Founding Board Member of a non-for profit organization and music series, Music by the Glass.


Gender Politics of Kpop

Dr. S. Heijin Lee, Assistant Professor at NYU and freelance journalist Lai Frances delve into representations of gender roles in Kpop. They explore the traditional notions of masculinity and femininity reflected in artists’ concepts and LGBTQ+ issues in Kpop.

 

Gender Politics of Kpop

Thursday, December 6, 2018 | 6:30 PM

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 


 

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


About the Speakers

Dr. S. Heijin Lee is Assistant Professor at New York University, focusing on Transnational Feminist Cultural Studies; Asian/American Studies; Gender and Sexuality Studies; Digital Media and Popular Culture. Dr. Lee’s research explores the imperial routes of culture and media. In addition to her book, The Geopolitics of Beauty, which maps plastic surgery in South Korea, Asia, and Asian America, Lee is co-editing two anthologies. Dr. Lee’s works include Other Pop Empires, Bollywood to Hallyuwood, and Fashion and Beauty in the Time of Asia, which tracks fashion and beauty as formations of Asian modernities. Lee has been published in Women and Performance: Journal of Feminist Theory and Frontiers: Journal of Women’s Studies. She earned her Ph.D. in American Studies and Certificate in Women’s Studies from the University of Michigan; a M.A. in Asian American Studies from the University of California, Los Angeles; and a B.A. in Ethnic Studies/Spanish at the University of California, Berkeley.

Lai Frances, whose real name is Allyza Umali, is freelance journalist and producer whose work has been featured in Billboard, Allure, PopCrush, KpopStarz, The Boombox, and many more media outlets. A self-proclaimed Kpop girl group enthusiast, Lai can be found on panels at KCON and New York Comic Con while contributing to podcasts and digital projects on arts, entertainment, and culture. Frances earned a B.A. in Journalism and Video Production from Rutgers University-Newark with a focus on music, entertainment and multimedia journalism.