Leesle Hwang has built a distinctive fashion universe by reinterpreting Korean heritage through a modern lens. Her philosophy is rooted in the belief that “fashion comes to life not in a museum, but on the street.” Determined to transform time-honored traditions into living, breathing style, she reconstructs hanbok silhouettes, signature details, and unique textiles with contemporary materials, creating designs that are both distinctive and accessible. This vision has cultivated a devoted global following, positioning her as a pioneering voice in the emerging fashion genre of “Korean Chic” at a time when global interest in K-culture is at an all-time high.
In a conversation with The Korea Society, Leesle discusses her brand and design philosophy.
Category: Arts & Culture
Leesle: Korean Chic
The Forgotten Home Front
Okdongsik
With a philosophy rooted in simplicity, precision, and balance, Chef Dongsik Ok has reframed traditional Korean comfort food through a minimalist and modern lens. His eponymous restaurant Okdongsik’s signature dish is an elegant yet deeply comforting pork broth, dwaeji gomtang.
Since its launch in Seoul’s Seogyo-dong neighborhood in 2017, Okdongsik has earned critical acclaim and recognition with the Michelin Guide Bib Gourmand distinction for eight consecutive years, establishing it as one of Seoul’s premier dining spots. Now an international brand, Okdongsik has expanded its presence beyond Seoul with locations in New York (Manhattan and Bayside), Honolulu, Tokyo, and Paris. The brand’s ongoing growth focuses on small, highly curated spaces that prioritize consistency, quality, and operational discipline, and the chef’s commitment and dedication is transforming Korean soul food into a globally recognized culinary category.
In his conversation with Vivian Lee, Chef Dongsik Ok shares his insights on his career, food philosophy, and the restaurant industry.
In this talk, Kim explores the recent popularity of Korean food in New York City by focusing on both transnational and domestic factors, leading to the new trend of commercialization of ethnic food, emphasis on authenticity, and rise of the omnivore society, by delivering the voices of ordinary people. While Koreatown’s authenticity has been largely defined by commercialized ethnic cuisine by local entrepreneurs, the Korean government, and franchises, Kim argues that Koreatown’s authenticity has represented the collective imaginations and narratives of various consumer groups–Korean nationals, Korean Americans, and non-Koreans.
About the Speaker
Speaker
Chef Dongsik Ok
Chef Dongsik Ok is the founder and owner chef of Okdongsik. He holds a Bachelor’s degree in Culinary Science from Kyung Hee University and opened the first Okdongsik restaurant in Seoul’s Seogyo-dong neighborhood in 2017. The restaurant quickly gained critical acclaim and has been awarded the Michelin Guide Bib Gourmand distinction for eight consecutive years, establishing it as one of Seoul’s most respected dining destinations. Since entering the U.S. market, Okdongsik has grown into an international presence, with locations in New York (Manhattan and Bayside), Honolulu, Tokyo, and Paris. Chef Dongsik Ok gained broader international recognition following his appearance on Netflix’s Culinary Class Wars 2 (2025), where his culinary philosophy and signature dishes were introduced to a global audience.
About the Moderator
Moderator
Vivian Lee Ok
Vivian Lee is an Emmy-winning TV journalist, public speaker, moderator and director/producer in New York. Currently a correspondent for the magazine show Asian American Life. CUNY-TV, Vivian garnered her third Emmy nomination this year for producing and hosting CUNY-TV’s special on the 70th anniversary of the Korean War armistice. She also co-hosts the podcast The 5 Of Us, which examines career and life issues affecting women at work. Vivian anchored, reported and hosted for NY1 Spectrum News between 2008 and 2020, covering stories of national and international importance, including the pandemic, social justice protests, and the 2020 general election. Vivian also hosted Spotlight New York, a weekly magazine show exploring the arts landscape of the five boroughs of NYC. She was awarded an Emmy in 2020 for her story on Manhattan’s iconic Joe’s Pub.
The Illusion of Pastness:
Hanbok on Screen
Korean visual entertainment—including films, K-dramas, and K-pop music videos—is the result of highly sophisticated planning and production. These productions captivate a global audience by synthesizing music, narrative, and styling to deliver striking visual aesthetics and compelling emotional narratives. Costume is central to this production system, and it plays an instrumental role in the aesthetic appeal and popularity of the media. For luxury brands, K-drama serves as a powerful niche marketing platform, while traditional dress (hanbok) is pivotal to nation branding.
Dress historian Dr. Minjee Kim will offer fresh insights into Korean period costume as a visual and narrative language closely aligned with the development of plot and storyline. She will demonstrate how period costumes produce the “illusion of pastness” rather than the past itself, operating within a narrower range of sartorial possibilities, thereby negotiating historical accuracy, constructing stylized appearances, and translating dynamically into contemporary aesthetics.
This program is co-hosted by the Consulate General of the Republic of Korea in New York.

About the Speaker:
|
Minjee Kim is an adjunct professor at the Fashion Institute of Technology, where she teaches History of East Asian Dress. She earned her PhD from Seoul National University and is the co-editor of Dress History of Korea: Critical Perspectives on Primary Sources (Bloomsbury, 2023). Her research interests include the historiography of Korean dress and fashion, research methodology, fashion history pedagogy, and archival practices. www.kimminjee.com. |
<
Author Talks:
Kim Choyeop & Anton Hur
In If We Cannot Go at the Speed of Light, Korean science fiction superstar Kim Choyeop leads us to places we never thought we’d reach, imagining worlds galaxies away and unfamiliar lifeforms with near-dizzying humanity. A stunning and poignant collection of literary speculative fiction stories that explore the complexities of identity, love, death, and the search for life’s meaning, Kim’s stories dismantle the borders between normal and abnormal, material and abstract, earthly and otherworldly. With unforgettable inventiveness and pathos, If We Cannot Go at the Speed of Light heralds the arrival of an essential voice in contemporary fiction.
In this episode of Author Talks, Kim and her English translator Anton Hur discuss her English debut.
About the Authors:
|
Kim Choyeop has a master’s degree in biochemistry from Pohang University of Science and Technology. When she burst onto the Korean literary scene, her short story ‘Lost on Premises’ received immediate recognition at the 2017 Korean Science Fiction Awards. She is also the recipient of the Minumsa Writer of the Year Award and the Munhak Dongne Young Writer Award. Her first short story collection If We Can’t Travel at the Speed of Light has sold over two hundred thousand copies in Korea alone. She is also the author of two more short story collections, The World I Just Left Behind and The Bookstore of Planetary Languages. Kim’s first novel, Greenhouse At the End of the Earth, became an instant bestseller in South Korea. |
|
Anton Hur is the author of Toward Eternity and the translator of Kim Choyeop’s If We Cannot Go at the Speed of Light, Bora Chung’s Cursed Bunny, Baek Sehee’s I Want to Die but I Want to Eat Tteokbokki, Lee Seong-bok’s That Summer’s End, Kyung-Sook Shin’s Violets, and others. He was double-longlisted and shortlisted for the International Booker Prize, a finalist for the National Book Award, and nominated for the Dublin Literary Award and the National Book Critics Circle Award. He resides in Seoul. |
Across Languages:
New Voices in Korean Poetry
Across Languages: New Voices in Korean Poetry brings together acclaimed South Korean poets Lee Jenny, Yoo Heekyung, Oh Eun, and Shin Hae-uk with award-winning literary translators Archana Madhavan and Stine An, for a Korean–English bilingual reading and conversation to share the dynamism and innovations of language in Korean poetry culture. Through poetry and discussion, the speakers examine the cultural centrality of poetry in Korea and consider translation as a critical, creative practice that reshapes how literature circulates, sounds, and is felt across languages.
This program is presented in partnership with Ugly Duckling Presse and Zephyr Press.

About the Speakers:
![]() |
|
Yoo Heekyung is an acclaimed South Korean poet, playwright, and essayist. He is the author of over ten collections of poetry and prose, including Today’s Morning Vocabulary (Moonji Books, 2011), Winter Night Rabbit Worries (Hyundae Munhak, 2023), and Photography and Poetry (Achimdal Books, 2024). Yoo studied creative writing at the Seoul Institute of the Arts and playwriting at the Korea National University of Arts, and debuted as a poet in 2008 when his poem won the Chosun Ilbo’s spring literary contest. A recipient of Today’s Young Artist Award from the South Korean Ministry of Culture (2023), Hyundae Munhak Literary Award (2020), and the Gosan New Writer Award (2019), Yoo lives in Seoul where he runs the poetry bookshop and project space Wit N Cynical. |
![]() |
|
Lee Jenny is a South Korean poet and writer, born in Busan in 1972. In 2008, she made her literary debut with the poem “Peru” which won the Kyunghyang Daily News New Writer’s Award. She has since published four poetry collections: Maybe Africa (2010), As We Don’t Know Us (2014), The Things That Were Thus Scribbled (2019), The Sentences That Aren’t Even There are Beautiful (2019), Eternity Looks Back at the Future (2026), and an essay collection Dawn and Music (2024). She was the recipient of the Kim Hyun Literary Prize in 2016 and the Hyundae Munhak Award in 2022. |
![]() |
|
Oh Eun was born in Jeongeup, Jeollabuk-do in 1982. He graduated from the Department of Sociology at Seoul National University and received a master’s degree from the Graduate School of Culture Technology at KAIST. He began his poetic career in the pages of Modern Poetry in 2002. His work includes the poetry collections The Pigs at Hotel Tassel, We Love Ambience, Something from Something, The Left Hand’s Feelings are Hurt, I Had a Name, The Pronoun for Nothingness, the young adult poetry collection Matters of the Heart, and the essay collections You, I, and Yellow, Patting, Wearing Green, Why Not, People Who Only Become Kin at Night. He has won the Park In-hwan Literary Award, Gu Sang Poetry Award, Modern Poetry Award, Poet’s Notebook Award and Daesan Literary Award. He belongs to the poetry collective Jangnan(作亂). |
![]() |
|
Shin Hae-uk was born in Chuncheon in 1974. Shin’s major works include the poetry collections Precise Arrangement, Biologicity, syzygy, Caecilians, and Natural History from the Edge of the Natural; the novel The Dream Reader Electrical Shop; and the essay collections Book for Just One and Looking out the Window. Her honors include the Kim Hyun Literature Award, the Shin Tong-mun Literature Prize and the Daesan Literature Award. |
![]() |
|
Stine An is a poet, literary translator, and performer in New York City. She holds a BA in Literature from Harvard College and an MFA in Literary Arts from Brown University and is the recipient of fellowships and grants from The Poetry Project, the PEN/Heim Translation Fund Grant, Yaddo, ALTA, and the National Endowment for the Arts. Her publications include Today’s Morning Vocabulary (Zephyr Press, 2025) and Winter Night Rabbit Worries (Ugly Duckling Presse, 2026) by Yoo Heekyung, and S_MMER CR_SH (Sarabande Books, 2025). Their debut poetry collection, B-Dragon Suite, is a winner of the 2023 Nightboat Poetry Prize. |
![]() |
|
Archana Madhavan translates Korean poetry and prose into English. Her past book-length works include Kim Hyun’s Glory Hole (co-translation, 2022) and Amil’s Roadkill (2025). Her translation of Lee Jenny’s first book of poetry Pirowa Padowa was shortlisted for the Granum Translation Prize in 2023 and won the Malinda A. Markham Translation Prize in 2024. She lives in San Jose, California. |
Ran Hwang | Noble Blossoms
In her solo exhibition, Ran Hwang presents large-scale installations that are both intricate and poetic, delicate yet dramatic, as they explore the cyclical patterns of life and the fleeting nature of beauty.
Hwang creates her art through a meticulous and repetitive process, utilizing everyday materials such as paper buttons and pins. This requires intense concentration and discipline, reflecting the meditative state of Zen masters and the spiritual values traditionally sought by scholars of the past. While painstaking and labor intensive, the process also embodies an aesthetic of transcending difficulty, ultimately visualizing a serene beauty and noble spirit that defines the artist’s unique perspective. Through her work, Hwang evokes a sense of tranquility, inviting the viewer into an experience that seeks fulfillment and peace.
ABOUT THE ARTIST:
Ran Hwang‘s work permanently resides in the collections of internationally acclaimed venues, including the Brooklyn Museum in New York, Museum of Fine Arts in Houston, Deji Art Museum in Nanjing, Dubai Opera House, Des Moines Art Center in Iowa, New York University and National Museum of Contemporary Art in Seoul. Her work has been exhibited internationally at venues including AAW(Asian Art Works), Leila Heller Gallery in New York and Dubai , Asian Civilizations Museum in Singapore, UNESCO Headquarters in Paris, Mass MoCA in Boston, Fondation d’entreprise Hermès in Singapore, the Facebook New York Headquarter, Baker Museum in Florida, and Venice Biennale 2024. She has won Gold Prize by AHL Foundation NY in 2004 and Pollock-Krasner Foundation Grant in 2015. Hwang has studied at the School of Visual Arts in New York.
Author Talks:
Bo-young Kim
“Her fiction is a breath-taking piece of cinematic art itself. Reminiscent of the world we experienced in Matrix, Inception, and Dark City, still it leads us to this entirely original structure, which is a ground-breaking, mystic literary and cinematic experience. Indeed, powerful and graceful.”—Bong Joon-ho, Oscar-winning director of Parasite
In her mind-expanding work of speculative fiction, Bo-young Kim explores the driving forces of humanity—love, hope, creation, destruction, and the very meaning of existence. Straddling science fiction, fantasy and myth, her strikingly original, thought-provoking work teems with human and non-human beings, all of whom are striving to survive through evolution, whether biologically, technologically or socially. Kim’s literature of ideas offers some of the most rigorous and surprisingly poignant reflections on posthuman existence being written today.
An award-winning author widely recognized as a pioneer and inspiration in Korean literature, Bo-young Kim discusses her career in this episode of Author Talks.
About the Author:
|
Bo-Young Kim is a Korean speculative-fiction writer. Her debut work, a novella titled The Experience of Touch, unanimously won the award for the best novella at the Korean Science & Technology Creative Writing Awards in 2004. In 2010 she published a two-volume collection of short stories, The Story Goes That Far and An Evolutionary Myth. 2013 saw the publication of her first novel, The Seven Executioners, which won the South Korean SF Award. Her international recognition grew with On the Origin of Species and Other Stories, translated by Sora Kim-Russell and Joungmin Lee Comfort, which was longlisted for the 2021 National Book Award for Translated Literature. Before her career as an author, she worked as a screenwriter, game developer, and graphic designer; she has also worked as a script advisor for Bong Joon-ho’s Snowpiercer. |
Y. T. Hwang Family Foundation Series on Ethics & Common Values Rabbi Angela Buchdahl with Kyung Yoon
![]()
With the ever-growing need to understand ourselves and humanity as a whole, it is necessary to examine the concepts of morality, ethics and universal values as guiding principles of the human condition. With generous support from Y.T. Hwang Family Foundation, The Korea Society presents a Series on Ethics and Common Values.
This series promotes the understanding of central themes of our human existence through a series of lectures by distinguished speakers and conversation with extraordinary individuals who exemplify the universal values in line with the mission of Y. T. Hwang Family Foundation and The Korea Society.
The Korea Society and Y. T. Hwang Family Foundation is proud to present Rabbi Angela Buchdahl in a conversation with Kyung Yoon.
This program is made possible by the support from Y. T. Hwang Family Foundation

Y. T. Hwang Family Foundation Series on Ethics & Common Values
Rabbi Angela Buchdahl with Kyung Yoon
Tuesday, March 31, 2026 | 6:00 PM (EDT)
The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017
About the Speaker:
|
Rabbi Angela Warnick Buchdahl serves as the Senior Rabbi of Central Synagogue in New York City and is the first woman to lead Central’s Reform congregation in its 185-year history. Rabbi Buchdahl first joined Central Synagogue as Senior Cantor in 2006. In 2014, she was chosen by the congregation to be Senior Rabbi. Born in Korea to a Jewish American father and a Korean Buddhist mother, Rabbi Buchdahl is the first Asian American to be ordained as a cantor or rabbi in North America. Rabbi Buchdahl has been nationally recognized for her innovations in leading worship, and she has been featured in dozens of news outlets including the Today Show, NPR, and PBS and was listed as one of Newsweek’s “America’s 50 Most Influential Rabbis.” She serves on the boards of the AJC, the Asia Society, the New York Board of Rabbis, and the Yale University President’s Council. Rabbi Buchdahl’s memoir, Heart of a Stranger, released in October 2025 became an instant New York Times bestseller. |
About the Moderator:
![]() |
|
Kyung B. Yoon is the President and CEO (as well as co-founder) of the Korean American Community Foundation (KACF), the first and largest philanthropic organization in the U.S. dedicated to strengthening Korean American communities. Her career in poverty alleviation, development economics, and media encompasses her roles as the Executive Producer of Television at the World Bank Institute and a correspondent for WNYW-Fox Channel 5 where she made history as the first Korean American broadcast reporter in NYC. Kyung is currently a contributing reporter to CUNY-TV’s Asian American Life, which is broadcast nationally on PBS stations and for which she received an Emmy nomination. She has previously served as the board chair of Philanthropy New York and Asian Americans and Pacific Islanders in Philanthropy, as a trustee of the New York Foundation, and as a board member of the United Way of New York City. |
Artist Talk: Ran Hwang
![]()
In her solo exhibition, Ran Hwang presents large-scale installations that are both intricate and poetic, delicate yet dramatic, as they explore the cyclical patterns of life and the fleeting nature of beauty. |
Credit: Images Courtesy of the Artist; Artist photo by Lee Eun Joo |
In her solo exhibition, Ran Hwang presents large-scale installations that are both intricate and poetic, delicate yet dramatic, as they explore the cyclical patterns of life and the fleeting nature of beauty.
Hwang creates her art through a meticulous and repetitive process, utilizing everyday materials such as paper buttons and pins. This requires intense concentration and discipline, reflecting the meditative state of Zen masters and the spiritual values traditionally sought by scholars of the past. While painstaking and labor intensive, the process also embodies an aesthetic of transcending difficulty, ultimately visualizing a serene beauty and noble spirit that defines the artist’s unique perspective. Through her work, Hwang evokes a sense of tranquility, inviting the viewer into an experience that seeks fulfillment and peace.
Hwang discusses her art and career in conversation with Bradley Bailey, the Ting Tsung and Wei Fong Chao Curator of Asian Art at the Museum of Fine Arts, Houston.
Artist Talk: Ran Hwang
In-person: Friday, March 20, 2026 | 6 PM
Video Release: Friday, March 27, 2026
The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017
About the Artist:
|
Ran Hwang‘s work permanently resides in the collections of internationally acclaimed venues, including the Brooklyn Museum in New York, Museum of Fine Arts in Houston, Deji Art Museum in Nanjing, Dubai Opera House, Des Moines Art Center in Iowa, New York University and National Museum of Contemporary Art in Seoul. Her work has been exhibited internationally at venues including AAW(Asian Art Works), Leila Heller Gallery in New York and Dubai , Asian Civilizations Museum in Singapore, UNESCO Headquarters in Paris, Mass MoCA in Boston, Fondation d’entreprise Hermès in Singapore, the Facebook New York Headquarter, Baker Museum in Florida, and Venice Biennale 2024. She has won Gold Prize by AHL Foundation NY in 2004 and Pollock-Krasner Foundation Grant in 2015. Hwang has studied at the School of Visual Arts in New York. |
About the Moderator:
|
The inaugural Ting Tsung and Wei Fong Chao Curator and Chair of Asian Art at the Museum of Fine Arts, Houston (MFAH), Dr. Bradley Bailey has written and lectured widely. He has enriched the MFAH’s Asian collections with hundreds of artworks and also led the groundbreaking reorganization and reinstallation of the Korea Gallery at the MFAH. Dr. Bailey earned his bachelor, master, Ph.M., and Ph.D. in art history, as well as his M.B.A., with emphasis on nonprofit management and museums, from Yale University. |
You May Also Enjoy:










