Youn-ho, who is about to be engaged to a longtime girlfriend, discovers that his mother has run away. Soon a loan shark comes calling. Now he must find his mother in order to survive. ‘Korean Cinema Now’ will be presented at the newly renovated Museum of the Moving Image, home to New York City’s finest, state-of-the-art screen. Films are free with museum admission. This tribute is made possible by the… Read More

Seventeen-year-old Wan-deuk has every reason to be a rebellious and troubled student. Though he has a disabled father, a runaway mother, and comes from a desperately poor family, he never loses a fight. Wan-Deuk meets teacher Dong-Joo, who inspires him take up kickboxing. ‘Korean Cinema Now’ will be presented at the newly renovated Museum of the Moving Image, home to New York City’s finest, state-of-the-art screen. Films are free with… Read More

If you haven’t seen K-Horror, then you don’t know what scary is! To set the mood for Halloween, we will be screening Epitaph, a Korean horror film famous for its intricate plot and visually stunning cinematography. The film begins in 1979, as an old doctor reminisces about his days as a medical student at the famous Ahn Seng Hospital in Seoul during the Japanese occupation of Korea. Through flashbacks, three… Read More

Yeonghwa is the Korean word for film, and since South Korean cinema now features prominently in every major international film festival, it is a good word for cineastes to know. Korean film tends to blend technical excellence with idiosyncratic expression and an entrepreneurial spirit—filmmakers often write and direct their work, and both actors and filmmakers benefit from the country’s homegrown “star system”—while embracing a wide variety of styles and subjects.… Read More

The Korea Society and the Museum of The Moving Image co-present Spring, Summer, Fall, Winter... and Spring—a gorgeously shot feature film that has grossed more in box office receipts than any Korean movie released in United States to date. Directed by phenom Kim Ki-duk, the film is a pastoral poem about the changing seasons and a meditation on the cycle of life. In a tranquil and timeless setting of a… Read More

The Korea Society presents a retrospective of the work of Choi Min-shik, one of Korea’s most recognizable contemporary actors, as part of our ongoing “Korean Cinema Now” program with MoMI (the Museum of Moving Image).Choi Min-shik had numerous television roles, but his big break came in 1999 when he played a cold-blooded North Korean soldier in Swiri (Dir. Kang Je-gyu) and suddenly gained a reputation as one of Korea’s finest actors. His… Read More

In June of 2010, 10 Korean War veterans, now in their 80s and living in Long Island New York: Sal, Robert, Bill, Bob, Eugene, Frank, Arthur, John, Joseph, and Henry, visit Korea to celebrate the 60th anniversary of the Korean War. The documentary Far From Forgotten, traces these veterans’ emotional return to the DMZ and war memorial, where they realize that the DMZ that they visited after 60 years is… Read More

The Korea Society presents a retrospective of the work of Choi Min-shik, one of Korea’s most recognizable contemporary actors, as part of our ongoing “Korean Cinema Now” program with MoMI (the Museum of Moving Image). Choi Min-shik had numerous television roles, but his big break came in 1999 when he played a cold-blooded North Korean soldier in Swiri (Dir. Kang Je-gyu) and suddenly gained a reputation as one of Korea’s finest actors.… Read More

The Korea Society presents a retrospective of the work of Choi Min-shik, one of Korea’s most recognizable contemporary actors, as part of our ongoing “Korean Cinema Now” program with MoMI (the Museum of Moving Image).Choi Min-shik had numerous television roles, but his big break came in 1999 when he played a cold-blooded North Korean soldier in Swiri (Dir. Kang Je-gyu) and suddenly gained a reputation as one of Korea’s finest actors. His… Read More

 First-time director Christine Yoo shares her remarkable experience making Wedding Palace, a loving portrayal of a tight-knit Korean family. Christine began writing the script in 1999 and, when major studios passed on it, she decided to make the film on her own. Actor Stephen Park (Fargo, In Living Color, and Wedding Palace) will join Christine to discuss how she successfully financed, directed, and distributed a film shot on location in… Read More