Songs of Love from Hawai‘i: Screening and a Director’s Talk

 

Embark on a captivating musical journey weaving three compelling stories from Hawai‘i’s Korean diaspora with performances by remarkable musicians, including the Grammy Award-winning violist Richard Yongjae O’Neill, the world renowned violinists Chee-Yun and Ignace Jang, and Keola Beamer.

Songs of Love from Hawai‘i weaves together three stories from the long history of Korean diaspora in Hawai‘i, blending historical narratives with soul-stirring musical performances. From the fascinating tapestry of Korean immigrant history in Hawai‘i to a poignant life of Lim Ok Soon, a young Korean woman who came to Hawai‘i in 1912 as a picture bride, to a heartfelt musical tribute to the souls who found their resting place in Molokai’s Kalaupapa, the film weaves a powerful elegy amidst the islands’ natural beauty.

After premiering at the 43rd Hawaii International Film Festival and airing on PBS Hawai‘i, the film had a successful nationwide theatrical run in Korea in 2024.

On Korean American Day, join us for a special screening of the film, followed by a conversation with filmmaker Jinyoung Lee.

 

 

 

Songs of Love from Hawai‘i: Screening and a Director’s Talk

In-Person: Monday, January 13, 2025 | 6 PM
Video Release of Director’s Talk: Tuesday, January 14, 2025


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

 

Jinyoung Lee is an award-winning journalist-turned-filmmaker. Her debut film, The Words of Wisdom from the Rainbow State (2021), was screened at the 41st Hawaiʻi International Film Festival. Her latest project, Songs of Love (2024), skillfully merges cultures through music, combining rare historical photographs with enchanting performances by world-renowned musicians. Lee has won accolades from the Ministry of Foreign Affairs of South Korea’s Digital Contents Competition and won the Best Emerging Filmmaker Award from the Liberty International Movie Festival and the Tagore International Film Festival.


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Sherman Family Korea Emerging Scholar Lecture 2024

 

The Korea Society is pleased to announce that the eighth annual Sherman Family Korea Emerging Scholar Lecture Awardee is Dr. David Krolikoski, assistant professor at the University of Hawai’i. In his lecture Dr. Krolikoski examines The Silence of Love (Nim ŭi ch’immuk, 1926), the acclaimed collection of eighty-eight poems by Han Yong-un (1879-1944), a Buddhist monk and public intellectual. Although the book is commonly celebrated as a metaphor for colonial subjugation, Dr. Krolikoski complicates this established reading to argue that its artistic significance lies in Han’s paradigm-shifting use of colonial poetry as a medium of communal expression during a time of national crisis.

The lecture explores how Han uses fiction and symbols to collapse the boundary between private and public address, transmuting the individual voice of his poetic speaker into a platform for a community. Dr. Krolikoski also contextualizes The Silence of Love within the history of the translation of foreign poetic forms into Korea during the 1920s, with a focus on how Han incorporated elements from the lyric and prose poem into his verse. Dr. Emily Jungmin Yoon, author of Find Me as the Creature I Am (Alfred A. Knopf, 2024) and assistant professor of Korean literature at the University of Hawaiʻi at Mānoa, will serve as moderator.

 

2024 Sherman Family Korea Emerging Scholar Lecture
The Politics of The Silence of Love in Colonial Korea
David Krolikoski

Tuesday, November 19, 2024 | 6 PM (EST)

 


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

 

David Krolikoski is assistant professor of Korean literature at the University of Hawai’i at Mānoa. He specializes in modern Korean poetry, colonial literature, and translation. Krolikoski’s scholarship has appeared in Azalea: Journal of Korean Literature & Culture, Japanese Language and Literature, The Routledge Companion of Korean Literature, Hyŏndae sihak, and Sima, and his translations of Korean literature have been published by The Margins and Chicago Review, among other outlets. His first book manuscript, titled Lyrical Translation: The Creation of Modern Poetry in Colonial Korea, is forthcoming from the University of Hawaiʻi Press. Dr. Krolikoski holds a PhD and MA from the University of Chicago in East Asian Languages and Civilizations and a BA from the University of California, Berkeley.

 

About the Moderator:

 

Emily Jungmin Yoon is the author of Find Me as the Creature I Am (Alfred A. Knopf, 2024). Her first poetry collection A Cruelty Special to Our Species (Ecco, 2018) was a finalist for the 2020 Kate Tufts Discovery Award and winner of the 2019 Devil’s Kitchen Reading Award. Yoon works as the poetry editor for The Margins, the literary magazine of the Asian American Writers’ Workshop, and as an assistant professor of Korean literature at the University of Hawaiʻi at Mānoa. Dr. Yoon holds a PhD in East Asian Language and Civilizations from the University of Chicago.

 

 

About the Award:

The Sherman Family Korea Emerging Scholar Lecture Award was established in 2017 through the generous support of Mr. and Mrs. Philp Sherman and family. Its primary goal is to encourage U.S. thought leadership on Korea among a new generation. The annual award competition opens in early spring and the lecture is hosted in-person at the Society and streamed virtually in the fall of each year. The award is presented across disciplines to emerging thought leaders from a wide range of disciplines and backgrounds working in the U.S.

Prior awardees have explored topics in the arts, architecture, industrial policy, political science and technology and have included Ph.D. candidates, junior professors (tenure and non-tenure track), researchers and professionals. Questions can be directed to linda.tobash@koreasociety.org.

Click here for further information on the application process.
Click here to view presentations of former award winners.

 


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Maybe Happy Ending: A New Broadway Musical

Image credit: MurphyMade

Inside a one-room apartment on the outskirts of Seoul, Oliver lives a happily quiet life, listening to jazz records and caring for his favorite plant. But what else is there to do when you’re a Helperbot 3, a robot that has long been retired and considered obsolete? When his fellow Helperbot neighbor Claire asks to borrow his charger, what starts as an awkward encounter leads to a unique friendship, a surprising adventure, and maybe even…love?

Winner of the Richard Rodgers Award, MAYBE HAPPY ENDING, starring Darren Criss and Helen J. Shen, is the offbeat and captivating story of two outcasts near the end of their warranty who discover that even robots can be swept off their feet. Helmed by the visionary director and Tony Award winner Michael Arden (Parade, Once on This Island), with dazzling scenic design by Dane Laffrey (A Christmas Carol) and book, music, and lyrics by the internationally acclaimed duo Will Aronson and Hue Park, MAYBE HAPPY ENDING is a fresh, original musical about the small things that make any life worth living.

Join us for a conversation with the cast members Helen J. Shen and Marcus Choi of this enchanting new Broadway musical.

 

Maybe Happy Ending: A New Broadway Musical

Monday, November 18, 2024 | 6:30 PM (EST)

 

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speakers:

Helen J Shen is an actor, musician, and writer who has quickly established herself as a force within the theater industry. Helen starred in MCC Theater’s musical The Lonely Few by Zoe Sarnak and Rachel Bonds, directed by Trip Cullman and Ellenore Scott, following their acclaimed performance in the show’s world premiere at the Geffen Playhouse in 2022. Recently, she captivated audiences in Anna K. Jacobs and Tony Award and Pulitzer Prize winner Michael R. Jackson’s musical Teeth at Playwrights Horizons, directed by Sarah Benson. Helen’s regional credits also include starring in Anna Ouyang Moench’s Man of God at the Williamstown Theatre Festival and as Betty Schaefer in Sunset Boulevard at ACT of Connecticut. Helen earned a BFA in Musical Theatre from the University of Michigan, receiving the esteemed Earl V. Moore Award. Maybe Happy Ending is her broadway debut.

 

Marcus Choi recently played the role of “George Washington” in Hamilton on the Philip tour. Broadway credits include original companies of Wicked, Flower Drum Song, Allegiance and The Times They Are A Changin. Revival of Miss Saigon and Sweet Charity starring Christina Applegate. Select TV: Blue Eye Samurai, Luke Cage, The OA, FBI, Chicago PD, Blind Spot, Homeland.


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Artist Talk: Annette Hur

In the modern tradition of abstract art, artists look beyond what we physically see. Using color, shape, line, and texture, they express strong emotional content without constraints of representation. With her bold colors and brushstroke Annette Hur deliberately positions her paintings in between abstraction and figuration, dealing with the conflicts of the real lived experience and how her body remembers and processes it. “Anchoring to nothing, my ever-flowing identity as an immigrant female”
Courtesy of Artist

In the modern tradition of abstract art, artists look beyond what we physically see. Using color, shape, line, and texture, they express strong emotional content without constraints of representation. With her bold colors and brushstroke, Annette Hur deliberately positions her paintings in between abstraction and figuration, dealing with the conflicts of the real lived experience and how her body remembers and processes it.

Anchoring to nothing, my ever-flowing identity as an immigrant female in the United States created the journey to investigate my self-perception, longing and belonging. The urge to release myself from the past traumas conflicts with the yearning for home and the loved ones who are no longer with me. This collision between reality, dreams, and desires resonates through layers of violent hues of colors and boundless yet determined brushstrokes. Water-in nature- as a universally symbolic capricious element, operates as a metaphor for perpetual journeys and reflecting the passing of time.”

 

Artist Talk: Annette Hur

Tuesday, October 15, 2024


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Artist:

 

Annette Hur was born in South Korea and lives and works in Brooklyn. Her recent exhibitions include solo/group exhibitions at Hesse Flatow, Home Gallery, Ross + Kramer, Assembly Room, Wallach Gallery, Gavin Brown Enterprise, RegularNormal, Urban Zen, Times Square Space in New York; Phillips Auction Seoul & Hong Kong; Long Story Short LA, Helen J Gallery, Los Angeles; Unit London, London. Hur was a nominee for Rema Hor Mann Grant, a resident of BOLT Residency at Chicago Artists Coalition and she holds a BA from Ewha Women’s University, a BFA from The School of the Art Institute of Chicago, and MFA from Columbia University.


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Banchan with Caroline Choe

 

Banchan, the shared side dishes that accompany a Korean meal, are often the real stars of the table, and it’s time we celebrate them. From the kitchen of chef Caroline Choe, Banchan: 60 Korean American Recipes for Delicious, Shareable Sides offers 60 mouthwatering recipes for classic and modern banchan dishes. From namul (fresh vegetables) to buchimgae (pancakes), these tasty sides are proof that big flavor can be found in small bites.

In this conversation with Marja Vongerichten, Choe discusses her first cookbook that shares her experiences, the global emergence and evolution of Korean American cuisine, and the importance of women’s contributions to this movement.

During the event, Banchan: 60 Korean American Recipes for Delicious, Shareable Sides will be available for purchase.

 

Banchan with Caroline Choe – In Conversation with Marja Vongerichten

Thursday, October 10, 2024 | 6:30 PM (EDT)

 

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

Caroline Choe is a chef, artist, teacher and writer based in New York City, and is a proud daughter of Korean American immigrants. She is the creator of The Exploratorians illustration series, and the founder of Create & Plate, a business devoted to helping create community through arts and food education. After a long career of classroom teaching, she truly believes that practicing the act of creating — whether through art, music, dance, writing, food, and much more, is what will connect people across all differences and timelines. Both she and her work have been featured in Food & Wine, NPR, Food52, Jamie Oliver’s Food Revolution, Eater, Cherry Bombe Magazine, Glamour, and NBC’s Today Show. Both she and her husband, Eric, host the podcast, An AHEM Moment.

 

About the Moderator:

Marja Vongerichten is a chef, author and TV personality. With her husband, a 3-Star Michelin Chef Jean-Georges Vongerichten, she hosted “Kimchi Chronicles” a PBS TV series chronicling food, culture and travel in South Korea, and she wrote a companion cookbook Kimchi Chronicles: Korean Cooking for an American Kitchen. Marja opened her first Korean restaurant with Jean-Georges in Shanghai, called CHI-Q, which was awarded Best Asian Restaurant by Time Out Magazine for two years in a row. She is the co-founder of Marja’s Original Asian sauces, sold exclusively at the Tin Building by Jean-Georges.


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The Rise of Korean Contemporary Art with Peter Kahng

Join us for an engaging discussion with Peter Kahng, an expert on the intersection of global art markets and contemporary Korean art. As a lecturer at Stanford University specializing in “Global Art Markets in Asia,” Peter Kahng will provide a unique perspective on the thriving contemporary art scene in Korea. Explore how Korean art movements, including the influential Dansaekhwa, have garnered international acclaim and how contemporary Korean artists are making significant waves on the global stage.
Hyundai Commission: Anicka Yi: In Love With The World, 2021, at Tate Modern, London. Photo by Will Burrard-Lucas ©ArtNews
Seung-taek Lee, Tied White Porcelain © Gallery Hyundai
Park Seo-Bo, Ecriture No.16-78-81 © MMCA
Kyungah Ham, What you see is the unseen – Chandeliers for Five Cities © Kyungah Ham

Join us for an engaging discussion with Peter Kahng, an expert on the intersection of global art markets and contemporary Korean art. As a lecturer at Stanford University specializing in “Global Art Markets in Asia,” Peter Kahng will provide a unique perspective on the thriving contemporary art scene in Korea. Explore how Korean art movements, including the influential Dansaekhwa, have garnered international acclaim and how contemporary Korean artists are making significant waves on the global stage.

 

The Rise of Korean Contemporary Art with Peter Kahng

Wednesday, October 2, 2024 | 6:30 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

 

Peter Kahng is a lecturer at Stanford University, where he delves into the financial dynamics of global art markets with a focus on Asia. His expertise bridges the worlds of finance and art, providing a comprehensive analysis of the art ecosystem. In addition to his academic role, Mr. Kahng is involved on committees of prestigious art institutions such as the Museum of Modern Art, the Guggenheim Museum, Whitney Museum of American Art, and Tate Modern.


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Y. T. Hwang Family Foundation Series on Ethics & Common Values: A Conversation with Minister Kyung-wha Kang

 

With the ever-growing need to understand ourselves and humanity as a whole, it is necessary to examine the concepts of morality, ethics and universal values as guiding principles of the human condition. With generous support from Y.T. Hwang Family Foundation, The Korea Society presents a Series on Ethics and Common Values.

This series promotes the understanding of central themes of our human existence – morality, ethics, personal responsibility, compassion and civility – through a series of lectures by distinguished speakers and conversation with extraordinary individuals who exemplify the universal values in line with the mission of Y. T. Hwang Family Foundation and The Korea Society.

The Korea Society and Y. T. Hwang Family Foundation is proud to present Minister Kyung-wha Kang, President and CEO of Asia Society, in a conversation with Ambassador (ret) Kathleen Stephens.

 


 This program is made possible by the support from Y. T. Hwang Family Foundation.


 

Y. T. Hwang Family Foundation
Series on Ethics & Common Values
A Conversation with Minister Kyung-wha Kang

Tuesday, October 1, 2024 | 6 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

 

Minister Kyung-wha Kang is President and Chief Executive Officer of the Asia Society.

Minister Kang served as the first female Minister of Foreign Affairs of South Korea, from 2017 to 2021. She is a veteran diplomat in the Korean Foreign Ministry and the United Nations, holding positions in Seoul, New York, and Geneva. Prior to her appointment as Minister of Foreign Affairs, she served as Senior Advisor on Policy to UN Secretary-General António Guterres, as well as Chief of his Transition Team. Minister Kang also served as Assistant Secretary-General for Humanitarian Affairs from April 2013 to October 2016, and was Deputy High Commissioner for Human Rights from January 2007 to March 2013. Her roles in the UN marked the highest positions held in an international organization by a Korean woman.

Before entering the United Nations, Minister Kang was Director General of International Organizations in the Republic of Korea’s Ministry for Foreign Affairs and Trade, becoming the second female Korean diplomat to serve at the director level. She was a Minister in Korea’s Permanent Mission to the United Nations from 2001 to 2005, during which period she chaired the Commission on the Status of Women. Prior to joining the Foreign Ministry in 1998, Minister Kang assisted the Speaker of the National Assembly in the fields of women’s advancement and parliamentary diplomacy. Earlier in her career, she worked for the Korean Broadcasting System’s news bureau and international radio bureau, and lectured in universities both in Korea and in the United States.

Minister Kang graduated from Yonsei University and has an M.A. in mass communication and a Ph.D. in intercultural communication from the University of Massachusetts, Amherst. She is currently a distinguished professor at the Institute for Global Engagement and Empowerment at Yonsei University in Seoul. She is also a trustee of several Korean and international non-governmental organizations.

 

About the Moderator:

 

Ambassador (ret) Kathleen Stephens was a career diplomat in the United States Foreign Service, 1978-2015. She was U.S. Ambassador to the Republic of Korea 2008-2011, the first woman and first Korean-speaker in that position. Other overseas assignments included postings to Trinidad and Tobago, China, Korea, former Yugoslavia, Portugal, Northern Ireland, where she was U.S. Consul General in Belfast during the negotiations culminating in the 1998 Good Friday Agreement, and India, where she was U.S. Chargé d’affaires (2014-2015).

Ambassador Stephens was William J. Perry Fellow for Korea at Stanford University’s Shorenstein Asia Pacific Research Center, 2015-2018. She has served as President and CEO of the Korea Economic Institute of American (KEIA) from 2018 to 2023. She is board vice-chair of The Asia Foundation and board chair of Pacific Century Institute. Ambassador Stephens’ U.S. government awards include the Presidential Meritorious Service Award (2009) and Linguist of the Year (2010). Other awards related to Korea include the Kwanghwa Medal of Diplomatic Merit, the Sejong Cultural Award, the Korean-American Friendship Association Award, the Kevin O’Donnell Distinguished Friend of Korea, AmCham Korea’s Outstanding Achievement Award, and in 2022 the First Baek Bum Kim Koo Award.

Ambassador Stephens studied at Prescott College, University of Hong Kong and Oxford University, and holds a BA Honors from Prescott. She holds a Master’s degree from Harvard University’s Kennedy School. In the 1970s she was an Outward Bound instructor in Hong Kong, and a Peace Corps volunteer in Korea.

 


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Dyadic | Annette Hur & Hayoon Jay Lee

Exhibition: September 12 – December 13, 2024 |

In the modern tradition of abstract art, artists look beyond what we physically see. Using color, shape, line, and texture, they express strong emotional content without constraints of representation.

Two Korean-born artists based in New York present their own expositions and elucidations in Dyadic, a duo exhibition. With her bold colors and brushstroke, Annette Hur deliberately positions her paintings in between abstraction and figuration, dealing with the conflicts of the real lived experience and how her body remembers and processes it. Hayoon Jay Lee uses rice as object, motif, metaphor and visceral biomorphic forms, meticulously and meditatively arranging individual grains of rice into a surface with modeling paste to create physical and emotional topographies.

The Korea Society Gallery is open only by appointment. The appointment must be made at least 24 hours prior to the scheduled visit. To make an appointment, please contact info@koreasociety.org.

 

Gallery Hours: Monday-Friday 10 AM-4:30 PM
By Appointment Only

Click here to make an appointment

 

  Dyadic | A Duo Exhibition
Annette Hur & Hayoon Jay Lee

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTISTS:

Annette Hur was born in South Korea and lives and works in Brooklyn. Her recent exhibitions include solo/group exhibitions at Hesse Flatow, Home Gallery, Ross + Kramer, Assembly Room, Wallach Gallery, Gavin Brown Enterprise, RegularNormal, Urban Zen, Times Square Space in New York; Phillips Auction Seoul & Hong Kong; Long Story Short LA, Helen J Gallery, Los Angeles; Unit London, London. Hur was a nominee for Rema Hor Mann Grant, a resident of BOLT Residency at Chicago Artists Coalition and she holds a BA from Ewha Women’s University, a BFA from The School of the Art Institute of Chicago, and MFA from Columbia University.

Hayoon Jay Lee is an interdisciplinary artist who frequently combines installations, performances, sculptures, videos and paintings. Born in Daegu, South Korea, Lee obtained both a BFA and MFA in sculpture from the Maryland Institute College of Art. Among other awards, Lee received a Jacob K. Javits Fellowship award from the U.S. Department of Education and a Full Fellowship Artist in Residency Award from the Pollock-Krasner Foundation. Her work can be found in the collections of the Zimmerli Museum; Asheville Museum; the Gwangju Contemporary Museum of Art; the Henan Museum in Zhengzhou, China; Hollis Taggart Gallery; and many private collections.

 

The South Korean Film Industry with Sangjoon Lee, Dal Yong Jin, and Jason Bechervaise

South Korea’s film industry is producing movies and original series eagerly anticipated by the global audience, and it is now arguably considered one of the few countries outside the United States to have captivated the world’s hearts and minds through pop music, TV dramas, and film. Similarly, the exponential growth in the South Korean film industry has been mirrored by increasing interest from the press and academia all over the world.

The South Korean Film Industry is the first detailed scholarly overview of the South Korean film industry, discussing topics from short films to popular television series that have engaged global audiences and exploring the major changes in South Korean film making and marketing, as well as the international popularity of South Korean films.

Join us for a conversation about the South Korean film industry with three contributors to this new volume: Sangjoon Lee, Dal Yong Jin, and Jason Bechervaise.

 

The South Korean Film Industry with Sangjoon Lee, Dal Yong Jin, and Jason Bechervaise

Tuesday, September 10, 2024 | 6 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speakers:

Sangjoon Lee is an Associate Professor of Asian cinema at the City University of Hong Kong’s School of Creative Media. Lee is the author of Cinema and the Cultural Cold War: US Diplomacy and the Origins of the Asian Cinema Network (Cornell University Press, 2020; Korean edition in 2023 and Chinese edition in 2024) and the editor/co-editor of Hallyu 2.0: The Korean Wave in the Age of Social Media (University of Michigan Press, 2015), Rediscovering Korean Cinema (University of Michigan Press, 2019; 2020 CHOICE Outstanding Academic Title), Remapping the Cold War in Asian Cinemas (Amsterdam University Press, 2024), The Routledge Companion to Asian Cinemas (Routledge, 2024), and The South Korean Film Industry (University of Michigan Press, 2024). Currently, Lee is completing a monograph titled Destination Hong Kong: South Korean Cinema’s Encounter with Sinophone Cinemas, which chronicles the seven-decade-long interactions between South Korean cinema and the diasporic Sinophone cinemas of Hong Kong, Taiwan, Malaysia, and Singapore. He is also working on a new edited volume, Netflix and South Korean Media in a Globalizing World (Brill). Lee’s works have been translated into Korean, Japanese, Chinese, and Italian.

Dal Yong Jin is Distinguished SFU Professor in the School of Communication at Simon Fraser University, Vancouver, Canada, where his research explores digital platforms and digital games, globalization and media, transnational cultural studies, and the political economy of media and culture. He is the author of numerous books, including Korea’s Online Gaming Empire (MIT Press, 2010), New Korean Wave: Transnational Cultural Power in the Age of Social Media (University of Illinois Press, 2016), Smartland Korea: Mobile communication, Culture and Society (University of Michigan Press, 2017), Globalization and Media in the Digital Platform Age (Routledge, 2019), and Transmedia Storytelling in East Asia (ed. Routledge, 2020). Jin has also published many articles in scholarly journals, such as New Media and Society, The Information Society, Media, Culture and Society, International Journal of Communication, Telecommunications Policy, Television and New Media, Games and Culture, and Information Communication and Society. He is the founding book series editor of Routledge Research in Digital Media and Culture in Asia while directing the Center for Policy Research on Science and Technology (CPROST) at SFU.

Jason Bechervaise is an academic and film critic based in Seoul where he has taught Korean Cinema at Korea University and at other universities. His Ph.D thesis, titled Bong Joon-ho and the Korean Film Industry: The National and Transnational Cinema Intersection, was completed at Hanyang University, Seoul, Korea (2017). He is the author of several articles including “Parasite Forges New Paradigm on Transnational and National Cinema Intersection” (2020), “Inter-Korean Relations Remain Precarious: The Spy Gone North, Illang: The Wolf Brigade, Swing Kids and Take Point – trends in Korean Cinema in 2018” (2019), in Contemporary Cinema Studies, Contemporary Cinema Research Institute. He has regularly written film criticism in The Korea Times and Screen International and is currently featured on KBS World Radio as a film critic.


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Korean Couture: Generations of Revolution | A Curator’s Perspective

Korean Couture: Generations of Revolution is a compelling exhibition at the Cleveland Museum of Art about the history and transformative legacy of Korean fashion, presenting garments ranging from excavated 17th-century aristocratic garments to contemporary Korean couture by leading and emerging designers, including André Kim (1935–2010); Lie Sang Bong (b. 1954); Lee Chung Chung (b. 1978), for LIE; Lee Jean Youn (b. 1978); and Shin Kyu Yong (b. 1988) and Park Ji Sun (b. 1988), for Blindness.

Through juxtaposing historical and contemporary ensembles, Korean Couture: Generations of Revolution recounts the definition of “couture” from an inclusive perspective, amplifying how tradition has empowered contemporary Korean fashion designers to invent a new artistic language.
Photos Courtesy of Lie Sangbong 

Korean Couture: Generations of Revolution is a compelling exhibition at the Cleveland Museum of Art about the history and transformative legacy of Korean fashion, presenting garments ranging from excavated 17th-century aristocratic garments to contemporary Korean couture by leading and emerging designers, including André Kim (1935–2010); Lie Sang Bong (b. 1954); Lee Chung Chung (b. 1978), for LIE; Lee Jean Youn (b. 1978); and Shin Kyu Yong (b. 1988) and Park Ji Sun (b. 1988), for Blindness.

Through juxtaposing historical and contemporary ensembles, Korean Couture: Generations of Revolution recounts the definition of “couture” from an inclusive perspective, amplifying how tradition has empowered contemporary Korean fashion designers to invent a new artistic language.

Join us for a conversation with Darnell-Jamal Lisby, who co-curated the exhibition with Sooa Im McCormick.

 

Korean Couture: Generations of Revolution | A Curator’s Perspective

Thursday, September 5, 2024 | 6:30 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

 

Darnell-Jamal Lisby is Assistant Curator of Fashion at the Cleveland Museum of Art, where he develops projects rooted in fashion studies that connect with the institution’s comprehensive art collection. As a fashion historian, Lisby has a thorough understanding of the global history of fashion dating back to the 1300s. Notably, he has sought opportunities throughout his career to raise awareness around the intersection of Blackness and fashion studies from the 1800s to the present. Thus far at the CMA, he’s helped organize the museum’s iteration of The New Black Vanguard: Photography between Art and Fashion and curated the exhibitions Egyptomania: Fashion’s Conflicted Obsession and Korean Couture: Generations of Revolution.

Lisby holds degrees from the Fashion Institute of Technology, including an MA in fashion and textiles studies: history, theory, and museum practice and a BS in art history and museum professions. Before coming to Cleveland, he worked at Cooper Hewitt, Smithsonian Design Museum, as the sole fashion historian on the curatorial team for the Willi Smith: Street Couture exhibition and as an education coordinator for advanced audiences organizing programming, including the museum’s first virtual symposium, “Fashion, Culture, Futures: African American Ingenuity, Activism, and Storytelling.” Before Cooper Hewitt, Lisby worked at an array of institutions in New York City, including the Museum at the Fashion Institute of Technology and the Costume Institute of the Metropolitan Museum of Art.

He also taught in the Fashion Institute of Technology master’s program in fashion design, fortifying emerging designers with the historical knowledge they require to pursue fruitful careers. He has published extensively in academic and mainstream platforms, including the Fashion and Race Database, Cultured Magazine, The Fashion Studies Journal, and Teen Vogue.


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