Artist Talk: Kyungmin Park & Jinsik Yoo

Courtesy of Artist

Through figurative sculpture, two Korean-born artists transcend language and cultural barriers to tell their personal stories and express emotions that resonate universally. By sharing their unique perspectives and introspection, they offer alternative interpretations and an opportunity for a more comprehensive understanding of ourselves and the world around us.

Kyungmin Park‘s artistic vision was inspired by her experience as an immigrant in the U.S., where she had to learn a new language and customs. This process of adaptation reminded her of the experience of being a child, which led her to explore a childlike state, characterized by freedom, creativity, and the ability to embrace new experiences without restraint. Park’s ceramic sculptures often feature childlike figures with expressive faces that convey a range of human emotions and experiences. Amorphous forms symbolize the boundless imagination of childhood, while the lines and colors represent the societal expectations and constraints of adulthood.

Jinsik Yoo works with clay to create abstract representations of bodily forms, sculptures that embody the layered nature of existence. Through his artistic practices, Yoo expands, alters, intensifies, and ambiguates features so that his sculptures resonate beyond the physical and depict social, emotional, and psychological complexity. Ambiguity in his sculptures  challenges viewers to engage with the art on a deeper level, prompting them to ask questions about themselves and their own inner worlds. Yoo’s artistic inquiry centers less on offering definitive conclusions and more on exploratory thinking and questioning. 

 

 

Artist Talk: Kyungmin Park & Jinsik Yoo

Tuesday, June 10, 2025


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


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Sculpted Voices | Kyungmin Park & Jinsik Yoo The Flow of Ink and Color: A Journey of Korean Ink Painting by Sunglim Kim The Rise of Korean Contemporary Art with Peter Kahng

From POW Camp to Muralist: The Untold Story of Lee Qoede

Join Korean art historian and curator Jinyoung Jin as she reveals the fascinating life and art of Lee Qoede (1913–1965), a groundbreaking twentieth-century Korean painter shaped by the turbulent ideological battles of postliberation Korea. From surviving three years in a prisoner-of-war camp during the Korean War to defecting to North Korea in 1953, Lee’s journey and artistry reflect a profound resilience. Jin will delve into his impactful contributions to twentieth-century social realism, uncovering the surprising and powerful influence of Mexican muralism on his work.

 

Sign Up Here to Attend In-Person

 

From POW Camp to Muralist: The Untold Story of Lee Qoede

Thursday, June  5, 2025 | 6:30 PM


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

 

Jinyoung Anna Jin, Ph.D., is the Director of Asian Art and Culture at the Charles B. Wang Center at Stony Brook University. Jin has organized critically acclaimed exhibitions including Korea: A Land of Hats (2019), The Power and Pleasure of Possessions in Korean Painted Screens (2016), Comfort Women Wanted (2014), and Seas of Blue: Asian Indigo Dye (2014). Many of her curated exhibitions have been featured in the New York Times, the Wall Street Journal and PBS. Jin’s recent publication includes Art, War, and Exile in Modern Korea: Rethinking the Life and Work of Lee Qoede, Park Dae Sung: Ink Reimagined, and Chaekgeori: The Power and Pleasure of Possessions in Korean Painted Screens. Jin serves as a member of the community advisory board of PBS Thirteen/WLIW.


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Future Present: Contemporary Korean Art with Andy St. Louis

 

Join Andy St. Louis for an in-depth exploration of South Korea’s burgeoning art scene and the most intriguing artists who are at the forefront of a generational shift in Korean art. Working in the fields of painting, sculpture, installation, video and photography, these artists collectively foreground the facets of contemporary Korean culture that have enabled the country’s cultural exports to resonate so strongly worldwide. In his lecture, St. Louis will showcase the diversity of contemporary Korean art practices while situating them amid the global contemporary art conversation.

 

 

Future Present: Contemporary Korean Art with Andy St. Louis

Tuesday, June 3, 2025 | 6:30 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

 

Andy St. Louis is a Seoul-based writer, curator and consultant with more than a decade of experience in the field of contemporary Korean art, and editor of Future Present: Contemporary Korean Art. In 2018, he founded Seoul Art Friend, an online platform dedicated to promoting Korean art and documenting Seoul’s art scene. He is currently the Seoul desk editor for ArtAsiaPacific and has contributed to international publications including Artforum, Artnet News, The Art Newspaper, ArtReview and frieze.


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MThe Flow of Ink and Color: A Journey of Korean Ink Painting by Sunglim Kim The Rise of Korean Contemporary Art with Peter Kahng Korean Couture: Generations of Revolution | A Curator’s Perspective From POW Camp to Muralist: The Untold Story of Lee Qoede

Sculpted Voices | Kyungmin Park & Jinsik Yoo

Sculpted Voices | Kyungmin Park & Jinsik Yoo

Sculpted Voices | Kyungmin Park & Jinsik Yoo

May 8 – July 31, 2025|
Opening Reception: Thursday, May 8, 2025 | 5-7 PM |
Images courtesy of the artists |

Through figurative sculpture, two Korean-born artists transcend language and cultural barriers to tell their personal stories and express emotions that resonate universally. By sharing their unique perspectives and introspection, they offer alternative interpretations and an opportunity for a more comprehensive understanding of ourselves and the world around us.

Kyungmin Park‘s artistic vision was inspired by her experience as an immigrant in the U.S., where she had to learn a new language and customs. This process of adaptation reminded her of the experience of being a child, which led her to explore a childlike state, characterized by freedom, creativity, and the ability to embrace new experiences without restraint. Park’s ceramic sculptures often feature childlike figures with expressive faces that convey a range of human emotions and experiences. Amorphous forms symbolize the boundless imagination of childhood, while the lines and colors represent the societal expectations and constraints of adulthood.

Jinsik Yoo works with clay to create abstract representations of bodily forms, sculptures that embody the layered nature of existence. Through his artistic practices, Yoo expands, alters, intensifies, and ambiguates features so that his sculptures resonate beyond the physical and depict social, emotional, and psychological complexity. Ambiguity in his sculptures challenges viewers to engage with the art on a deeper level, prompting them to ask questions about themselves and their own inner worlds. Yoo’s artistic inquiry centers less on offering definitive conclusions and more on exploratory thinking and questioning.


 

Opening reception

Thursday, May 8, 2025  |  5-7 PM

 

Click here to RSVP for the opening reception

 

The Korea Society Gallery is open only by appointment. The appointment must be made at least 24 hours prior to the scheduled visit. To make an appointment, please contact info@koreasociety.org.

Gallery Hours: Monday-Friday 10 AM-4:30 PM
Summer Hours during the month of August: Monday-Thursday 10 AM-4:30 PM

By Appointment Only

Click here to make an appointment

 


 

Artist Talk:
Kyungmin Park & Jinsik Yoo

Tuesday, June 10, 2025

 


The Korea Society 
350 Madison Avenue, 24th Floor, NYC

 

 


ABOUT THE ARTISTS:

Kyungmin Park is a South Korean-born ceramic artist. Park earned her BFA from the New York State College of Ceramics at Alfred University in 2008 and her MFA from the University of Georgia in 2012. She currently lives and works in Boston and is an Associate Professor at Endicott College in Beverly, MA.

Park was selected as a 2025 National Council on Education in the Ceramic Arts (NCECA) Demonstration Artist and has received numerous awards, including the 2016 NCECA Emerging Artist of the Year, the 2015 Emerging Artist Award from Ceramics Monthly Magazine, and the Matsutani (2014-2015) and Windgate (2015-2016) Fellowships while at the Archie Bray Foundation. She has participated in artist residencies at AIR Vallauris in France (2011 & 2022), Jingdezhen International Studio in China (2017), Red Lodge Clay Center in Montana (2018), and Watershed Center for the Ceramic Arts in Maine (2016).

Park’s work has been exhibited both nationally and internationally, most notably at the Aqua Art Miami Basel, SOFA Chicago, The Clay Studio in Philadelphia, Scripps College Ceramic Annual, Penland School of Crafts, Arrowmont School of Arts, Fuller Craft Museum, Museum of Arts and Science in Georgia, The Museum of Contemporary Art of Georgia, Canton Museum of Art, and Jule Collins Smith Museum of Fine Art, along with a multitude of galleries, including Abel Contemporary, Abmeyer + Wood, Belger Arts Center, Cerbera, Companion, Duane Reed, Eutectic, Kolva-Sullivan, Lacoste, Leedy-Voulkos Art Center, Lillstreet Art Center, Morean Art Center, and various Signature galleries.

Jinsik Yoo is a sculptor and painter from Daejeon, South Korea. He received his BFA in graphic design from Konkuk University in Seoul. He then worked as a graphic designer for three years before returning to Konkuk to complete graduate studies in ceramics. In 2017, Yoo moved to the United States to pursue his MFA at the New York State College of Ceramics at Alfred University, completing a year-long residency at the Wellsville Creative Arts Center upon finishing his degree. He then moved to Brooklyn, New York, in 2020, where he worked as a fabrication assistant for Simone Leigh. After completing the residency program at The Clay Studio in Philadelphia, Yoo is currently based in Athens, GA, teaching at the University of Georgia while continuing his artistic practice.

Yoo’s paintings and ceramic sculptures have been exhibited nationally and internationally, most notably at the KIAF Seoul Art Fair, A.P.E. Gallery, Jane Hartsook Gallery, The Clay Studio, Stroll Garden Gallery, and Eutectic Gallery. He won the 2021 NCECA’s Emerging Artists Fellowship, and his work is in the collection of Alfred Ceramic Art Museum, Alfred Ny, and Museum of Medellin Modern Art in Columbia.

 

The Flow of Ink and Color: A Journey of Korean Ink Painting by Sunglim Kim

In this lecture, Professor Sunglim Kim explores the history of ink painting in Korea, and examines its origin and development, both in the past and the present. |
Hemyeong Kim Seongheui Constellation Links

In this lecture, Professor Sunglim Kim explores the history of ink painting in Korea, and examines its origin and development, both in the past and the present.

 

The Flow of Ink and Color: A Journey of Korean Ink Painting by Sunglim Kim

Tuesday, March 18, 2025 | 6:30 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

 

Sunglim Kim is an associate professor of Korean art and culture at Dartmouth College. She specializes in the material and consumer culture of the late Joseon period and women artists in modern and contemporary Korea.


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Cho In Ho | In the Manner of Magnificence

Opening Reception: Thursday, January 23, 2025 @ 5-7 PM | Exhibition: January 23 – April 18, 2025 | In the tradition of ink painting, the genre of landscape presents a view of nature that may appear simply descriptive. However, landscape is more than mere representation but an encompassment of all things of this word of different meanings, dimensions, and concepts, and an expression of an individual artist. |
Image Courtesy of the Artist |

Exhibition: January 23 – April 18, 2025 |

In the tradition of ink painting, the genre of landscape presents a view of nature that may appear simply descriptive. However, landscape is more than mere representation but an encompassment of all things of this word of different meanings, dimensions, and concepts, and an expression of an individual artist.

While firmly rooted in tradition, Cho In Ho reinterprets and reiterates the landscape from multiple and moving perspectives. Painting the recognizable locations in present-day Korea using only muk (black ink), Cho reconstructs and transforms what he learned from nature, offering a visual journey through space and time.

 

 

Gallery Hours: Monday-Friday 10 AM – 4:30 PM
By Appointment Only

The Korea Society Gallery is open only by appointment. The appointment must be made at least 24 hours prior to the scheduled visit. To make an appointment, please contact info@koreasociety.org.

 

  Cho In Ho | In the Manner of Magnificence

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTIST:

Cho In Ho is Professor in Department of Oriental Painting, College of Fine Arts, Seoul National University. He has also served as Research Director at Seoul National University Art Conservation Center and Director of Conservation Science at Kyujanggak Institute for Korean Studies. Most recently, Cho was a Visiting Scholar at Oregon State University.

Cho has exhibited his work in Korea, China, Japan, Vietnam, Italy, and Canada, and was awarded the National Academy of Arts of the Republic of Korea Award in 2023. Cho received B.F.A., M.F.A., and Doctor of Fine Arts from Seoul National University.

 

Artist Talk: Hayoon Jay Lee with Seph Rodney

In the modern tradition of abstract art, artists look beyond what we physically see. Using color, shape, line, and texture, they express strong emotional content without constraints of representation.

Hayoon Jay Lee uses rice as object, motif, metaphor and visceral biomorphic forms, meticulously and meditatively arranging individual grains of rice into a surface with modeling paste to create physical and emotional topographies. In this Artist Talk, Lee will be in a conversation with art critic Seph Rodney about her art and career.
Courtesy of Artist

In the modern tradition of abstract art, artists look beyond what we physically see. Using color, shape, line, and texture, they express strong emotional content without constraints of representation.

Hayoon Jay Lee uses rice as object, motif, metaphor and visceral biomorphic forms, meticulously and meditatively arranging individual grains of rice into a surface with modeling paste to create physical and emotional topographies.

In this Artist Talk, Lee will be in a conversation with art critic Seph Rodney about her art and career.

 

Artist Talk: Hayoon Jay Lee with Seph Rodney

Tuesday, October 29, 2024 | 6:30 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Artist:

 

Hayoon Jay Lee is an interdisciplinary artist who frequently combines installations, performances, sculptures, videos and paintings. Born in Daegu, South Korea, Lee obtained both a BFA and MFA in sculpture from the Maryland Institute College of Art. Among other awards, Lee received a Jacob K. Javits Fellowship award from the U.S. Department of Education and a Full Fellowship Artist in Residency Award from the Pollock-Krasner Foundation. Her work can be found in the collections of the Zimmerli Museum; Asheville Museum; the Gwangju Contemporary Museum of Art; the Henan Museum in Zhengzhou, China; Hollis Taggart Gallery; and many private collections.

 

About the Moderator:

 

Seph Rodney, PhD, was born in Jamaica, and came of age in the Bronx, New York. He is a former senior critic and opinions editor for Hyperallergic, and now regularly contributes to The New York Times. He has written for CNN, NBC, Art in America, American Craft Magazine and penned catalog essays on Gary Simmons, Lisa Corinne Davis, Pope.L, Teresita Fernandez, Sarah Oppenheimer, and Meleko Mokgosi, among others. His book, The Personalization of the Museum Visit, was published by Routledge in May 2019. In 2020 he won the Rabkin Arts Journalism Prize and in 2022 the Andy Warhol Foundation Arts Writers Grant. He is also a curator of contemporary art and has co-curated Get in the Game, a show on sports that is the largest exhibition that SFMoMA has undertaken.


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Artist Talk: Annette Hur

In the modern tradition of abstract art, artists look beyond what we physically see. Using color, shape, line, and texture, they express strong emotional content without constraints of representation. With her bold colors and brushstroke Annette Hur deliberately positions her paintings in between abstraction and figuration, dealing with the conflicts of the real lived experience and how her body remembers and processes it. “Anchoring to nothing, my ever-flowing identity as an immigrant female”
Courtesy of Artist

In the modern tradition of abstract art, artists look beyond what we physically see. Using color, shape, line, and texture, they express strong emotional content without constraints of representation. With her bold colors and brushstroke, Annette Hur deliberately positions her paintings in between abstraction and figuration, dealing with the conflicts of the real lived experience and how her body remembers and processes it.

Anchoring to nothing, my ever-flowing identity as an immigrant female in the United States created the journey to investigate my self-perception, longing and belonging. The urge to release myself from the past traumas conflicts with the yearning for home and the loved ones who are no longer with me. This collision between reality, dreams, and desires resonates through layers of violent hues of colors and boundless yet determined brushstrokes. Water-in nature- as a universally symbolic capricious element, operates as a metaphor for perpetual journeys and reflecting the passing of time.”

 

Artist Talk: Annette Hur

Tuesday, October 15, 2024


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Artist:

 

Annette Hur was born in South Korea and lives and works in Brooklyn. Her recent exhibitions include solo/group exhibitions at Hesse Flatow, Home Gallery, Ross + Kramer, Assembly Room, Wallach Gallery, Gavin Brown Enterprise, RegularNormal, Urban Zen, Times Square Space in New York; Phillips Auction Seoul & Hong Kong; Long Story Short LA, Helen J Gallery, Los Angeles; Unit London, London. Hur was a nominee for Rema Hor Mann Grant, a resident of BOLT Residency at Chicago Artists Coalition and she holds a BA from Ewha Women’s University, a BFA from The School of the Art Institute of Chicago, and MFA from Columbia University.


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The Rise of Korean Contemporary Art with Peter Kahng

Join us for an engaging discussion with Peter Kahng, an expert on the intersection of global art markets and contemporary Korean art. As a lecturer at Stanford University specializing in “Global Art Markets in Asia,” Peter Kahng will provide a unique perspective on the thriving contemporary art scene in Korea. Explore how Korean art movements, including the influential Dansaekhwa, have garnered international acclaim and how contemporary Korean artists are making significant waves on the global stage.
Hyundai Commission: Anicka Yi: In Love With The World, 2021, at Tate Modern, London. Photo by Will Burrard-Lucas ©ArtNews
Seung-taek Lee, Tied White Porcelain © Gallery Hyundai
Park Seo-Bo, Ecriture No.16-78-81 © MMCA
Kyungah Ham, What you see is the unseen – Chandeliers for Five Cities © Kyungah Ham

Join us for an engaging discussion with Peter Kahng, an expert on the intersection of global art markets and contemporary Korean art. As a lecturer at Stanford University specializing in “Global Art Markets in Asia,” Peter Kahng will provide a unique perspective on the thriving contemporary art scene in Korea. Explore how Korean art movements, including the influential Dansaekhwa, have garnered international acclaim and how contemporary Korean artists are making significant waves on the global stage.

 

The Rise of Korean Contemporary Art with Peter Kahng

Wednesday, October 2, 2024 | 6:30 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

 

Peter Kahng is a lecturer at Stanford University, where he delves into the financial dynamics of global art markets with a focus on Asia. His expertise bridges the worlds of finance and art, providing a comprehensive analysis of the art ecosystem. In addition to his academic role, Mr. Kahng is involved on committees of prestigious art institutions such as the Museum of Modern Art, the Guggenheim Museum, Whitney Museum of American Art, and Tate Modern.


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Dyadic | Annette Hur & Hayoon Jay Lee

Exhibition: September 12 – December 13, 2024 |

In the modern tradition of abstract art, artists look beyond what we physically see. Using color, shape, line, and texture, they express strong emotional content without constraints of representation.

Two Korean-born artists based in New York present their own expositions and elucidations in Dyadic, a duo exhibition. With her bold colors and brushstroke, Annette Hur deliberately positions her paintings in between abstraction and figuration, dealing with the conflicts of the real lived experience and how her body remembers and processes it. Hayoon Jay Lee uses rice as object, motif, metaphor and visceral biomorphic forms, meticulously and meditatively arranging individual grains of rice into a surface with modeling paste to create physical and emotional topographies.

The Korea Society Gallery is open only by appointment. The appointment must be made at least 24 hours prior to the scheduled visit. To make an appointment, please contact info@koreasociety.org.

 

Gallery Hours: Monday-Friday 10 AM-4:30 PM
By Appointment Only

Click here to make an appointment

 

  Dyadic | A Duo Exhibition
Annette Hur & Hayoon Jay Lee

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTISTS:

Annette Hur was born in South Korea and lives and works in Brooklyn. Her recent exhibitions include solo/group exhibitions at Hesse Flatow, Home Gallery, Ross + Kramer, Assembly Room, Wallach Gallery, Gavin Brown Enterprise, RegularNormal, Urban Zen, Times Square Space in New York; Phillips Auction Seoul & Hong Kong; Long Story Short LA, Helen J Gallery, Los Angeles; Unit London, London. Hur was a nominee for Rema Hor Mann Grant, a resident of BOLT Residency at Chicago Artists Coalition and she holds a BA from Ewha Women’s University, a BFA from The School of the Art Institute of Chicago, and MFA from Columbia University.

Hayoon Jay Lee is an interdisciplinary artist who frequently combines installations, performances, sculptures, videos and paintings. Born in Daegu, South Korea, Lee obtained both a BFA and MFA in sculpture from the Maryland Institute College of Art. Among other awards, Lee received a Jacob K. Javits Fellowship award from the U.S. Department of Education and a Full Fellowship Artist in Residency Award from the Pollock-Krasner Foundation. Her work can be found in the collections of the Zimmerli Museum; Asheville Museum; the Gwangju Contemporary Museum of Art; the Henan Museum in Zhengzhou, China; Hollis Taggart Gallery; and many private collections.