Korean Couture: Generations of Revolution | A Curator’s Perspective

Korean Couture: Generations of Revolution is a compelling exhibition at the Cleveland Museum of Art about the history and transformative legacy of Korean fashion, presenting garments ranging from excavated 17th-century aristocratic garments to contemporary Korean couture by leading and emerging designers, including André Kim (1935–2010); Lie Sang Bong (b. 1954); Lee Chung Chung (b. 1978), for LIE; Lee Jean Youn (b. 1978); and Shin Kyu Yong (b. 1988) and Park Ji Sun (b. 1988), for Blindness.

Through juxtaposing historical and contemporary ensembles, Korean Couture: Generations of Revolution recounts the definition of “couture” from an inclusive perspective, amplifying how tradition has empowered contemporary Korean fashion designers to invent a new artistic language.
Photos Courtesy of Lie Sangbong 

Korean Couture: Generations of Revolution is a compelling exhibition at the Cleveland Museum of Art about the history and transformative legacy of Korean fashion, presenting garments ranging from excavated 17th-century aristocratic garments to contemporary Korean couture by leading and emerging designers, including André Kim (1935–2010); Lie Sang Bong (b. 1954); Lee Chung Chung (b. 1978), for LIE; Lee Jean Youn (b. 1978); and Shin Kyu Yong (b. 1988) and Park Ji Sun (b. 1988), for Blindness.

Through juxtaposing historical and contemporary ensembles, Korean Couture: Generations of Revolution recounts the definition of “couture” from an inclusive perspective, amplifying how tradition has empowered contemporary Korean fashion designers to invent a new artistic language.

Join us for a conversation with Darnell-Jamal Lisby, who co-curated the exhibition with Sooa Im McCormick.

 

Korean Couture: Generations of Revolution | A Curator’s Perspective

Thursday, September 5, 2024 | 6:30 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

 

Darnell-Jamal Lisby is Assistant Curator of Fashion at the Cleveland Museum of Art, where he develops projects rooted in fashion studies that connect with the institution’s comprehensive art collection. As a fashion historian, Lisby has a thorough understanding of the global history of fashion dating back to the 1300s. Notably, he has sought opportunities throughout his career to raise awareness around the intersection of Blackness and fashion studies from the 1800s to the present. Thus far at the CMA, he’s helped organize the museum’s iteration of The New Black Vanguard: Photography between Art and Fashion and curated the exhibitions Egyptomania: Fashion’s Conflicted Obsession and Korean Couture: Generations of Revolution.

Lisby holds degrees from the Fashion Institute of Technology, including an MA in fashion and textiles studies: history, theory, and museum practice and a BS in art history and museum professions. Before coming to Cleveland, he worked at Cooper Hewitt, Smithsonian Design Museum, as the sole fashion historian on the curatorial team for the Willi Smith: Street Couture exhibition and as an education coordinator for advanced audiences organizing programming, including the museum’s first virtual symposium, “Fashion, Culture, Futures: African American Ingenuity, Activism, and Storytelling.” Before Cooper Hewitt, Lisby worked at an array of institutions in New York City, including the Museum at the Fashion Institute of Technology and the Costume Institute of the Metropolitan Museum of Art.

He also taught in the Fashion Institute of Technology master’s program in fashion design, fortifying emerging designers with the historical knowledge they require to pursue fruitful careers. He has published extensively in academic and mainstream platforms, including the Fashion and Race Database, Cultured Magazine, The Fashion Studies Journal, and Teen Vogue.


You May Also Enjoy:

Majestic Elegance: Art, Crafts, and Techniques by Sunglim Kim Hallyu! The Korean Wave – The Curatorial Roundtable Dyadic | A Duo Exhibition – Annette Hur & Hayoon Jay Lee Hanbok: The Celebration

Home/Away | Heejung Cho, Simpson Kim, Jian Yoo

EXHIBITION:

May 2 – July 31, 2024 |

How can a Korean artist—however one identifies as such—shape their own narrative in this fast changing, global environment? Educated, living, and working in both the United States and South Korea, three Korean artists ponder what home means to them by exploring the landscape surrounding them. Working in three distinctive media—sculpture, photography, and contemporary mother-of-pearl art—this group of young artists represent the international experience and diversity within the new generation of Korean artists and the fluid definition of one’s identity and home in the age of intercontinental living.

The Korea Society Gallery is open only by appointment. The appointment must be made at least 24 hours prior to the scheduled visit. To make an appointment, please contact info@koreasociety.org.

 

Gallery Hours: Monday-Friday 10 AM-4:30 PM
By Appointment Only

Click here to make an appointment

 

 

 

  Home/Away
Heejung Cho, Simpson Kim, Jian Yoo

 

Reception & Gallery Talk with Heejung Cho and Simpson Kim

Wednesday, June 5th | 5-7 pm

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTISTS:

Heejung Cho is a sculptor and printmaker born in Korea and currently lives in NYC. She has completed residencies at Museum of Arts and Design, Newark Museum, Bronx Museum of Arts, Lower East Side Printshop, Elizabeth Foundation for the Arts and Robert Blackburn Workshop. Her work is featured in numerous venues internationally in the U.S., Korea, China and Sweden. She received her BFA at Seoul National University and a MFA at the Mason Gross School of the Arts, Rutgers University.

Cho abstracts the urban landscape by breaking down the structure and perspective with reclaimed wood scraps. Deconstructing and reconstructing her personal landmarks into structures of perspective, the works represent spaces beyond the specific place and time, presenting an abstraction of space, texture, color and pattern of urban landscape.

 

https://www.heejungcho.com/

 

Simpson Kim is a South Korean photographer, specializing in street style and fashion photography. In 2011, he left university and headed to New York to become a street photographer. He walked New York’s streets every day, capturing the eclectic styles of the city. Since 2015, Simpson has worked with WWD for street style during Seoul Fashion Week. 

His photographs have been featured in Vogue US, British GQ, and Hollywood Reporter, among other publications. He has also worked with various fashion brands around the world, including Louis Vuitton, Bureau Betak, Eider, and many others. Currently, he serves as an ambassador and muse at Nikon Imaging Korea.

 

http://simpsonkim.com/

https://www.instagram.com/aka_simpson/

 

Jian Yoo is a contemporary mother-of-pearl artist residing and working between Korea and the United States. While studying Interior Design at Pratt Institute of New York, Yoo chose mother-of-pearlor “jagae” in Koreanas her medium, inspired by her father, a master of  “najeonchilgi” or Korean nacre lacquerware who ran his own studio throughout her childhood. Returning to Korea in 2013, Yoo embarked on pioneering the modern mother-of-pearl art while establishing her own studio, ARIJIAN. 

Yoo designed the trophy for the first Seoul Smart City Prize, and her artwork was chosen as the Presidential State Gift for the South Korea-US Summit of 2023 and 44 other heads of state and foreign dignitaries. She held a solo exhibition at the Andaz Hotel Gangnam in Seoul, Lotte Hotel Seoul, Culture Object in New York, and was featured in exhibitions at, among others, Downtown Design Dubai, UNESCO Headquarter in Paris, and National Folk Museum of Korea, which also acquired her artwork. Jian Yoo has also collaborated with brands such as Rolls-Royce Motor Cars, Cartier, Blancpain, Girogetti, and many others. 

 

http://arijian.com/

https://jianyoo.com/



 

 

Majestic Elegance: Art, Crafts, and Techniques by Sunglim Kim

National Museum of Korea; Cultural Heritage Administration

In this lecture, Professor Sunglim Kim explores various metalwares and decorative arts throughout the history of the Korean peninsula, and craftsmanship and techniques used to create them.

 

Sign Up Here to Attend the Event in Person

 

Sign Up Here to Receive the Viewing Link

 

Majestic Elegance: Art, Crafts, and Techniques by Sunglim Kim

Thursday, April 11, 2024 | 6:30 PM (EDT)

 

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

Sunglim Kim is an associate professor of Korean art and culture at Dartmouth College. She specializes in the material and consumer culture of the late Joseon period and women artists in modern and contemporary Korea.


You May Also Enjoy:

Minhwa Korean Paintings of the People, by the People, and for the People by Sunglim Kim Hanbok: The Celebration Hanbok: Gender, Class and Modernity Hanbok: A New Lexicon of World Fashion Men’s Hanbok

Majestic Elegance- Art, Crafts, and Techniques by Sunglim Kim

National Museum of Korea; Cultural Heritage Administration

In this lecture, Professor Sunglim Kim explores various metalwares and decorative arts throughout the history of the Korean peninsula, and craftsmanship and techniques used to create them.

 

Sign Up Here to Attend the Event in Person

 

Sign Up Here to Receive the Viewing Link

 

Majestic Elegance: Art, Crafts, and Techniques by Sunglim Kim

Thursday, April 11, 2024 | 6:30 PM (EDT)

 

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

Sunglim Kim is an associate professor of Korean art and culture at Dartmouth College. She specializes in the material and consumer culture of the late Joseon period and women artists in modern and contemporary Korea.


You May Also Enjoy:

Minhwa Korean Paintings of the People, by the People, and for the People by Sunglim Kim Hanbok: The Celebration Hanbok: Gender, Class and Modernity Hanbok: A New Lexicon of World Fashion Men’s Hanbok

Jian Yoo | Iridescent Hue

January 25 – April 18, 2024 |

Working in the precise and fine medium of mother of pearl – “jagae” in Korean – Jian Yoo’s iridescent art bridges historical and contemporary, nature and artificial, arts and crafts. Made of thousands of mother-of-pearl pieces layered in intricate patterns, Yoo’s art respectfully acknowledges the long tradition of master craft workers while reinventing the genre with distinctively modern sensibilities.

The Korea Society Gallery is open only by appointment. The appointment must be made at least 24 hours prior to the scheduled visit. To make an appointment, please contact info@koreasociety.org.

Gallery Hours: Monday-Friday 10 AM-4:30 PM
By Appointment Only

Click here to make an appointment

 

 

 

New York Asia Week Reception

Thursday, March 14, 2024 | 5-7 PM (EDT)

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTIST:

Jian Yoo is a contemporary mother-of-pearl artist residing and working between Korea and the United States. While studying Interior Design at Pratt Institute of New York, Yoo chose mother-of-pearl—or “jagae” in Korean—as her medium, inspired by her father, a master of “najeonchilgi” or Korean nacre lacquerware who ran his own studio throughout her childhood. Returning to Korea in 2013, Yoo embarked on pioneering the modern mother-of-pearl art while establishing her own studio, ARIJIAN.

Yoo designed the trophy for the first Seoul Smart City Prize, and her artwork was chosen as the Presidential State Gift for the South Korea-US Summit of 2023 and 44 other heads of state and foreign dignitaries. She held a solo exhibition at the Andaz Hotel Gangnam in Seoul, Lotte Hotel Seoul, Culture Object in New York, and was featured in exhibitions at, among others, Downtown Design Dubai, UNESCO Headquarter in Paris, and National Folk Museum of Korea, which also acquired her artwork. Jian Yoo has also collaborated with brands such as Rolls-Royce Motor Cars, Cartier, Blancpain, Girogetti, and many others.


 

 

Jian Yoo | Iridescent Hue

January 25 – April 18, 2024 |

Working in the precise and fine medium of mother of pearl – “jagae” in Korean – Jian Yoo’s iridescent art bridges historical and contemporary, nature and artificial, arts and crafts. Made of thousands of mother-of-pearl pieces layered in intricate patterns, Yoo’s art respectfully acknowledges the long tradition of master craft workers while reinventing the genre with distinctively modern sensibilities.

The Korea Society Gallery is open only by appointment. The appointment must be made at least 24 hours prior to the scheduled visit. To make an appointment, please contact info@koreasociety.org.

Gallery Hours: Monday-Friday 10 AM-4:30 PM
By Appointment Only

Click here to make an appointment

 

 

 

New York Asia Week Reception

Thursday, March 14, 2024 | 5-7 PM (EDT)

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTIST:

Jian Yoo is a contemporary mother-of-pearl artist residing and working between Korea and the United States. While studying Interior Design at Pratt Institute of New York, Yoo chose mother-of-pearl—or “jagae” in Korean—as her medium, inspired by her father, a master of “najeonchilgi” or Korean nacre lacquerware who ran his own studio throughout her childhood. Returning to Korea in 2013, Yoo embarked on pioneering the modern mother-of-pearl art while establishing her own studio, ARIJIAN.

Yoo designed the trophy for the first Seoul Smart City Prize, and her artwork was chosen as the Presidential State Gift for the South Korea-US Summit of 2023 and 44 other heads of state and foreign dignitaries. She held a solo exhibition at the Andaz Hotel Gangnam in Seoul, Lotte Hotel Seoul, Culture Object in New York, and was featured in exhibitions at, among others, Downtown Design Dubai, UNESCO Headquarter in Paris, and National Folk Museum of Korea, which also acquired her artwork. Jian Yoo has also collaborated with brands such as Rolls-Royce Motor Cars, Cartier, Blancpain, Girogetti, and many others.


 

 

Artist Talk | Three Clay Artists

Images courtesy of the artists

Firing clay has been amongst the few mediums to have persevered through thousands of years. Three contemporary ceramic artists pursue their own exploration with clay while reshaping the tradition. Transcending the stereotype of the medium, Janny Baek, Steven Young Lee, and Sunkoo Yuh offer new perspectives shaped by cultural and social influences and reflect the shifting emphasis within the practice of ceramic art.

In this conversation, three artists discuss their work and career, and the group exhibition at The Korea Society.

 

Artist Talk | Three Clay Artists

Thursday, October 12, 2023
Video release

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

Gallery hours: Monday-Friday 10 AM – 4:30 PM
By Appointment Only

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTISTS:

[center] Janny Baek is an artist and architect born in Seoul, South Korea and raised in Queens, New York. Janny received her BFA in ceramics from Rhode Island School of Design, and worked as a sculptor in animation and toys before completing her Masters in Architecture at Harvard University, and counts her experiences in craft, pop culture, industrial design and architecture as the major influences on her current work in ceramics. After founding her firm, McMahon-Baek Architecture, in 2014, Janny returned to making sculptures and started her ceramics practice in 2019. Baek currently lives and works in lower Manhattan with her husband and their two daughters.

[right] Steven Young Lee is an artist in Helena, Montana. He was the Resident Artist Director of the Archie Bray Foundation for 16 years until 2022, where he maintained an active studio practice along with orchestrating an organization devoted to excellence in ceramics. In 2004-05, he lectured and taught at numerous universities throughout China as part of a cultural and educational exchange in Jingdezhen, Shanghai and Beijing and spent two months in Seoul, South Korea studying ceramic tradition and history. In 2005-6 he was a visiting professor at Emily Carr Institute of Art and Design in Vancouver, B.C. Lee has lectured extensively in North America and Asia. In the Fall of 2016 he was one of four artists featured as part of the Renwick Invitational at the Smithsonian Museum in Washington, D.C. In March 2013 he participated on a panel, “Americans in the Porcelain City,” at the Metropolitan Museum of Art in New York. Also in 2013, he was one of several international artists invited to participate in “New Blue and White,” an exhibition at the Museum of Fine Arts in Boston, MA featuring contemporary artists working in the blue-and-white tradition. In 2019, he had a solo exhibition at the Portland Art Museum. In 2021, his work was included in “Crafting America”, a survey of contemporary craft at the Crystal Bridges Museum of American Art and OBJECTS:USA 2020 curated by Glenn Adamson in partnership with R&Co in New York, NY. His work has been collected by the Smithsonian Museum, the Los Angeles County Museum of Art, Crystal Bridges Museum of Art, the Portland Art Museum, the Newark Museum of Art, the Daum Museum of Contemporary Art, the Everson Museum of Art, the Four Seasons Hotel in Seoul, Korea, and many private and public collections. Lee earned his BFA and MFA in Ceramics from Alfred University.

[left] Sunkoo Yuh’s work is informed by his personal and intimate experiences in everyday life. He records these impressions as spontaneous yet intricate ink and brush works. Selected two-dimensional compositions are then represented and re-contextualized into conceptual and three-dimensional forms on a small to monumental scale. Yuh was born in 1960 in South Korea, immigrated to the U.S. in 1988 and now resides in Athens, GA, where he is a professor of art at the University of Georgia. He received his BFA degree from Hongik University, Seoul, Korea and his MFA degree from the New York State College of Ceramics at Alfred, NY. Yuh was the recipient of the Joan Mitchell Foundation grant, the Grand Prize at the 2nd World Ceramic Biennale International Competition, Icheon, Korea, The Elizabeth R. Raphael Founder’s Prize and the Virginia A. Groot Foundation grant. His work is in the collections of The Renwick Gallery at the Smithsonian Institution, Washington D.C., The Museum of Fine Arts, Houston, TX, The State Hermitage Museum, St. Petersburg, Russia, Icheon World Ceramic Center, Icheon, Korea, the International Museum of Ceramic Art, Alfred, NY, the Philadelphia Museum of Art, Philadelphia, PA, the Oakland Museum of Art, California and more.


Counterpoint | Three Ceramic Artists

Images courtesy of the artists |

September 14-December 8, 2023|

Firing clay has been amongst the few mediums to have persevered through thousands of years. Three contemporary ceramic artists pursue their own exploration with clay while reshaping the tradition. Transcending the stereotype of the medium, Janny Baek, Steven Young Lee, and Sunkoo Yuh offer new perspectives shaped by cultural and social influences and reflect the shifting emphasis within the practice of ceramic art.

The Korea Society Gallery is open only by appointment. The appointment must be made at least 24 hours prior to the scheduled visit. To make an appointment, please contact info@koreasociety.org.

Gallery Hours: Monday-Friday 10 AM-4:30 PM
By Appointment Only

Click here to make an appointment

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTISTS:

 

Janny Baek is an artist and architect born in Seoul, South Korea and raised in Queens, New York. Janny received her BFA in ceramics from Rhode Island School of Design, and worked as a sculptor in animation and toys before completing her Masters in Architecture at Harvard University, and counts her experiences in craft, pop culture, industrial design and architecture as the major influences on her current work in ceramics. After founding her firm, McMahon-Baek Architecture, in 2014, Janny returned to making sculptures and started her ceramics practice in 2019. Baek currently lives and works in lower Manhattan with her husband and their two daughters.

Steven Young Lee is an artist in Helena, Montana. He was the Resident Artist Director of the Archie Bray Foundation for 16 years until 2022, where he maintained an active studio practice along with orchestrating an organization devoted to excellence in ceramics. In 2004-05, he lectured and taught at numerous universities throughout China as part of a cultural and educational exchange in Jingdezhen, Shanghai and Beijing and spent two months in Seoul, South Korea studying ceramic tradition and history. In 2005-6 he was a visiting professor at Emily Carr Institute of Art and Design in Vancouver, B.C. Lee has lectured extensively in North America and Asia. In the Fall of 2016 he was one of four artists featured as part of the Renwick Invitational at the Smithsonian Museum in Washington, D.C. In March 2013 he participated on a panel, “Americans in the Porcelain City,” at the Metropolitan Museum of Art in New York. Also in 2013, he was one of several international artists invited to participate in “New Blue and White,” an exhibition at the Museum of Fine Arts in Boston, MA featuring contemporary artists working in the blue-and-white tradition. In 2019, he had a solo exhibition at the Portland Art Museum. In 2021, his work was included in “Crafting America”, a survey of contemporary craft at the Crystal Bridges Museum of American Art and OBJECTS:USA 2020 curated by Glenn Adamson in partnership with R&Co in New York, NY. His work has been collected by the Smithsonian Museum, the Los Angeles County Museum of Art, Crystal Bridges Museum of Art, the Portland Art Museum, the Newark Museum of Art, the Daum Museum of Contemporary Art, the Everson Museum of Art, the Four Seasons Hotel in Seoul, Korea, and many private and public collections. Lee earned his BFA and MFA in Ceramics from Alfred University.

Sunkoo Yuh’s work is informed by his personal and intimate experiences in everyday life. He records these impressions as spontaneous yet intricate ink and brush works. Selected two-dimensional compositions are then represented and re-contextualized into conceptual and three-dimensional forms on a small to monumental scale. Yuh was born in 1960 in South Korea, immigrated to the U.S. in 1988 and now resides in Athens, GA, where he is a professor of art at the University of Georgia. He received his BFA degree from Hongik University, Seoul, Korea and his MFA degree from the New York State College of Ceramics at Alfred, NY. Yuh was the recipient of the Joan Mitchell Foundation grant, the Grand Prize at the 2nd World Ceramic Biennale International Competition, Icheon, Korea, The Elizabeth R. Raphael Founder’s Prize and the Virginia A. Groot Foundation grant. His work is in the collections of The Renwick Gallery at the Smithsonian Institution, Washington D.C., The Museum of Fine Arts, Houston, TX, The State Hermitage Museum, St. Petersburg, Russia, Icheon World Ceramic Center, Icheon, Korea, the International Museum of Ceramic Art, Alfred, NY, the Philadelphia Museum of Art, Philadelphia, PA, the Oakland Museum of Art, California and more.


 

 

Counterpoint | Three Ceramic Artists

Images courtesy of the artists |

September 14-December 8, 2023|

Firing clay has been amongst the few mediums to have persevered through thousands of years. Three contemporary ceramic artists pursue their own exploration with clay while reshaping the tradition. Transcending the stereotype of the medium, Janny Baek, Steven Young Lee, and Sunkoo Yuh offer new perspectives shaped by cultural and social influences and reflect the shifting emphasis within the practice of ceramic art.

The Korea Society Gallery is open only by appointment. The appointment must be made at least 24 hours prior to the scheduled visit. To make an appointment, please contact info@koreasociety.org.

Gallery Hours: Monday-Friday 10 AM-4:30 PM
By Appointment Only

Click here to make an appointment

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTISTS:

 

Janny Baek is an artist and architect born in Seoul, South Korea and raised in Queens, New York. Janny received her BFA in ceramics from Rhode Island School of Design, and worked as a sculptor in animation and toys before completing her Masters in Architecture at Harvard University, and counts her experiences in craft, pop culture, industrial design and architecture as the major influences on her current work in ceramics. After founding her firm, McMahon-Baek Architecture, in 2014, Janny returned to making sculptures and started her ceramics practice in 2019. Baek currently lives and works in lower Manhattan with her husband and their two daughters.

Steven Young Lee is an artist in Helena, Montana. He was the Resident Artist Director of the Archie Bray Foundation for 16 years until 2022, where he maintained an active studio practice along with orchestrating an organization devoted to excellence in ceramics. In 2004-05, he lectured and taught at numerous universities throughout China as part of a cultural and educational exchange in Jingdezhen, Shanghai and Beijing and spent two months in Seoul, South Korea studying ceramic tradition and history. In 2005-6 he was a visiting professor at Emily Carr Institute of Art and Design in Vancouver, B.C. Lee has lectured extensively in North America and Asia. In the Fall of 2016 he was one of four artists featured as part of the Renwick Invitational at the Smithsonian Museum in Washington, D.C. In March 2013 he participated on a panel, “Americans in the Porcelain City,” at the Metropolitan Museum of Art in New York. Also in 2013, he was one of several international artists invited to participate in “New Blue and White,” an exhibition at the Museum of Fine Arts in Boston, MA featuring contemporary artists working in the blue-and-white tradition. In 2019, he had a solo exhibition at the Portland Art Museum. In 2021, his work was included in “Crafting America”, a survey of contemporary craft at the Crystal Bridges Museum of American Art and OBJECTS:USA 2020 curated by Glenn Adamson in partnership with R&Co in New York, NY. His work has been collected by the Smithsonian Museum, the Los Angeles County Museum of Art, Crystal Bridges Museum of Art, the Portland Art Museum, the Newark Museum of Art, the Daum Museum of Contemporary Art, the Everson Museum of Art, the Four Seasons Hotel in Seoul, Korea, and many private and public collections. Lee earned his BFA and MFA in Ceramics from Alfred University.

Sunkoo Yuh’s work is informed by his personal and intimate experiences in everyday life. He records these impressions as spontaneous yet intricate ink and brush works. Selected two-dimensional compositions are then represented and re-contextualized into conceptual and three-dimensional forms on a small to monumental scale. Yuh was born in 1960 in South Korea, immigrated to the U.S. in 1988 and now resides in Athens, GA, where he is a professor of art at the University of Georgia. He received his BFA degree from Hongik University, Seoul, Korea and his MFA degree from the New York State College of Ceramics at Alfred, NY. Yuh was the recipient of the Joan Mitchell Foundation grant, the Grand Prize at the 2nd World Ceramic Biennale International Competition, Icheon, Korea, The Elizabeth R. Raphael Founder’s Prize and the Virginia A. Groot Foundation grant. His work is in the collections of The Renwick Gallery at the Smithsonian Institution, Washington D.C., The Museum of Fine Arts, Houston, TX, The State Hermitage Museum, St. Petersburg, Russia, Icheon World Ceramic Center, Icheon, Korea, the International Museum of Ceramic Art, Alfred, NY, the Philadelphia Museum of Art, Philadelphia, PA, the Oakland Museum of Art, California and more.


 

 

Koreatown LA/NY

Images courtesy of the artists |

Two young Korean-American photographers present a series of images, a poignant portrait of a community and its habitants from the areas considered to be “Koreatown”—one in Los Angeles, one in New York. Emanuel Hahn and Janice Chung document the lives and stories in two of the most diverse neighborhoods in America, as the communities and neighborhoods themselves continue to evolve and change. It is a celebration of the Korean immigrants and their experiences, and the artists ask the viewer to reconsider the common notions of what it means to be from “here.”

Emanuel Hahn‘s Koreatown Dreaming series was born out of a sense of urgency to document the stories of Koreatown LA during the Covid-19 pandemic and creeping gentrification. Although Koreatown is increasingly a popular destination for tourists and transplants, many small businesses in Koreatown serving the local population are closing, and long-time establishments and mom-and-pop stores have disappeared without leaving a record of their history and contributions to the city of Los Angeles. Documenting the lives and stories of those who are still surviving, his photo series offers a compelling insight into this entrepreneurial immigrant group.

In her HAN IN TOWN series, Janice Chung captures what was once the epicenter of Koreatown in New York City—Flushing, Queens—and focuses on the various businesses that have continued to serve the Korean-American community through all of the neighborhood’s transformations. By spotlighting these businesses, Chung investigates communal nostalgia for a Flushing of the past. Her other series Where Are You? uncovers a vulnerable search for identity and belonging within the intimate spaces of family. Documented over the course of five years, photographs taken in her hometown of Queens weave together the places of Chung’s childhood. Viewers are asked to take a second glance and remain just a while longer in the generational gaps and cultural tensions felt by Korean Americans.


 

Artist Talk: Emanuel Hahn

 

Artist Talk: Janice Chung

 


The Korea Society Gallery is open only by appointment. The appointment must be made at least 24 hours prior to the scheduled visit. To make an appointment, please contact info@koreasociety.org.

Gallery Hours: Monday-Friday 10 AM-4:30 PM
Summer Hours during the month of August: Monday-Thursday 10 AM-4:30 PM

By Appointment Only

Click here to make an appointment

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTISTS:

Emanuel Hahn is a Los Angeles-based photographer and director. As a Korean Third Culture Kid growing up in Singapore and Cambodia, he developed an interest in storytelling around topics of identity, diasporic experiences and the question of what it means “to belong”. His deep observational and listening abilities have led him to tell the stories of the coffee farmers in Colombia, Chinese grocery store owners in the Mississippi Delta, the Korean Uzbeks in Brooklyn, and most recently the Koreatown community in Los Angeles through his photo book Koreatown Dreaming.

Born and raised in Queens, New York City, Janice Chung is a Korean American photographer whose work explores themes of nostalgia, home, and the hyphenated experience. Often utilizing the natural elements in her environment, Chung examines the nuanced complexities of Korean American identity within the diasporic struggle and immigrant narrative. Chung’s work has been featured in publications such as Vogue, New York Magazine’s The Cut, Hyperallergic, Damn Magazine, and Booooooom.