Koreatown LA/NY

Images courtesy of the artists |

Two young Korean-American photographers present a series of images, a poignant portrait of a community and its habitants from the areas considered to be “Koreatown”—one in Los Angeles, one in New York. Emanuel Hahn and Janice Chung document the lives and stories in two of the most diverse neighborhoods in America, as the communities and neighborhoods themselves continue to evolve and change. It is a celebration of the Korean immigrants and their experiences, and the artists ask the viewer to reconsider the common notions of what it means to be from “here.”

Emanuel Hahn‘s Koreatown Dreaming series was born out of a sense of urgency to document the stories of Koreatown LA during the Covid-19 pandemic and creeping gentrification. Although Koreatown is increasingly a popular destination for tourists and transplants, many small businesses in Koreatown serving the local population are closing, and long-time establishments and mom-and-pop stores have disappeared without leaving a record of their history and contributions to the city of Los Angeles. Documenting the lives and stories of those who are still surviving, his photo series offers a compelling insight into this entrepreneurial immigrant group.

In her HAN IN TOWN series, Janice Chung captures what was once the epicenter of Koreatown in New York City—Flushing, Queens—and focuses on the various businesses that have continued to serve the Korean-American community through all of the neighborhood’s transformations. By spotlighting these businesses, Chung investigates communal nostalgia for a Flushing of the past. Her other series Where Are You? uncovers a vulnerable search for identity and belonging within the intimate spaces of family. Documented over the course of five years, photographs taken in her hometown of Queens weave together the places of Chung’s childhood. Viewers are asked to take a second glance and remain just a while longer in the generational gaps and cultural tensions felt by Korean Americans.


 

Artist Talk: Emanuel Hahn

 

Artist Talk: Janice Chung

 


The Korea Society Gallery is open only by appointment. The appointment must be made at least 24 hours prior to the scheduled visit. To make an appointment, please contact info@koreasociety.org.

Gallery Hours: Monday-Friday 10 AM-4:30 PM
Summer Hours during the month of August: Monday-Thursday 10 AM-4:30 PM

By Appointment Only

Click here to make an appointment

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTISTS:

Emanuel Hahn is a Los Angeles-based photographer and director. As a Korean Third Culture Kid growing up in Singapore and Cambodia, he developed an interest in storytelling around topics of identity, diasporic experiences and the question of what it means “to belong”. His deep observational and listening abilities have led him to tell the stories of the coffee farmers in Colombia, Chinese grocery store owners in the Mississippi Delta, the Korean Uzbeks in Brooklyn, and most recently the Koreatown community in Los Angeles through his photo book Koreatown Dreaming.

Born and raised in Queens, New York City, Janice Chung is a Korean American photographer whose work explores themes of nostalgia, home, and the hyphenated experience. Often utilizing the natural elements in her environment, Chung examines the nuanced complexities of Korean American identity within the diasporic struggle and immigrant narrative. Chung’s work has been featured in publications such as Vogue, New York Magazine’s The Cut, Hyperallergic, Damn Magazine, and Booooooom.


 

 

Artist Talk: Janice Chung

Images courtesy of the artist

In her HAN IN TOWN series, Janice Chung captures what was once the epicenter of the Koreatown in New York City—Flushing, Queens—and focuses on the various businesses that have continued to serve the Korean-American community through all of the neighborhood’s transformations. By spotlighting these businesses, Chung investigates communal nostalgia for a Flushing of the past.

Her other series Where Are You? uncovers a vulnerable search for identity and belonging within the intimate spaces of family. Documented over the course of five years, photographs taken in her hometown of Queens weave together the places of Chung’s childhood. Viewers are asked to take a second glance and remain just a while longer in the generational gaps and cultural tensions felt by Korean Americans.

Chung, one of the two photographers featured in The Korea Society’s Koreatown LA/NY, talks about her career and work.

 

Artist Talk: Janice Chung

Thursday, July 6, 2023
Video release

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

Gallery hours: Monday-Friday 10 AM – 4:30 PM
Summer Hours during the month of August: Monday-Thursday 10 AM-4:30 PM
By Appointment Only

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTIST:

Born and raised in Queens, New York City, Janice Chung is a Korean American photographer whose work explores themes of nostalgia, home, and the hyphenated experience. Often utilizing the natural elements in her environment, Chung examines the nuanced complexities of Korean American identity within the diasporic struggle and immigrant narrative. Chung’s work has been featured in publications such as Vogue, New York Magazine’s The Cut, Hyperallergic, Damn Magazine, and Booooooom.


Artist Talk: Emanuel Hahn

Images courtesy of the artist

Emanuel Hahn‘s Koreatown Dreaming series was born out of a sense of urgency to document the stories of Koreatown LA during the Covid-19 pandemic and creeping gentrification. Although Koreatown is increasingly a popular destination for tourists and transplants, many small businesses in Koreatown serving the local population are closing, and long-time establishments and mom-and-pop stores have disappeared without leaving a record of their history and contributions to the city of Los Angeles. Documenting the lives and stories of those who are still surviving, his photo series offers a compelling insight into this entrepreneurial immigrant group.

Hahn, one of the two photographers featured in The Korea Society’s Koreatown LA/NY, talks about his career and work.

 

Artist Talk: Emanuel Hahn

Thursday, June 1, 2023
Video release

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

Gallery hours: Monday-Friday 10 AM – 4:30 PM
Summer Hours during the month of August: Monday-Thursday 10 AM-4:30 PM
By Appointment Only

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTIST:

Emanuel Hahn is a Los Angeles-based photographer and director. As a Korean Third Culture Kid growing up in Singapore and Cambodia, he developed an interest in storytelling around topics of identity, diasporic experiences and the question of what it means “to belong”. His deep observational and listening abilities have led him to tell the stories of the coffee farmers in Colombia, Chinese grocery store owners in the Mississippi Delta, the Korean Uzbeks in Brooklyn, and most recently the Koreatown community in Los Angeles through his photo book Koreatown Dreaming.


Seongmin Ahn | Enchanted Reality

January 19 – April 14, 2023|
Opening Reception: Thursday, January 19, 2023 5-7 PM (EST)|
Artist Talk: Tuesday, March 21, 2023 6 PM (EST)|

In her solo exhibition at The Korea Society, Seongmin Ahn presents a series of paintings and wall installations that fuses her insight in the relativity of perception with a deep regard for traditional Korean art, especially minhwa–folk painting. In her work, Ahn begins with traditional forms and themes, which she then extends into multi-disciplinary and multi-media practices by adopting science, technology, and multiple cognitive models.

For Ahn, whose work reads as equally playful and earnest, bringing light to a dark room at the touch of a finger is a wondrously apt metaphor for the role of art in our lives. —Richard Vine, a senior editor at Art in America

The Korea Society Gallery is open only by appointment. The appointment must be made at least 24 hours prior to the scheduled visit. To make an appointment, please contact info@koreasociety.org.

Gallery Hours: Monday-Friday 10 AM-4:30 PM
By Appointment Only

Click here to make an appointment

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTIST:

Seongmin Ahn holds an MFA in Asian traditional painting from Seoul National University and another MFA in mixed media from the Maryland Institute College of Art. As an active participant in the contemporary art scene in New York and East Asia, she has exhibited work at such major venues as the National Museum of Modern and Contemporary Art in Seoul, the Jordan Schnitzer Museum of Art at the University of Oregon, and the Charles Wang Center at Stony Brook University. She has received a number of funding awards, including two Pollock Krasner Foundation grants, AHL foundation artist grant and Café Royal Cultural Foundation grant. Her work has been reviewed in The Washington Post, the Philadelphia Inquirer, The Baltimore Sun, The Plain Dealer and others. Her work has been acquired by the National Museum of Modern and Contemporary Art in Korea, Princeton University Art Museum, and Hudson River Museum.


Image courtesy of the artist

 

 

Minhwa: Korean Paintings of the People, by the People, and for the People

Tiger with Two Cubs and Two Magpies, Late Joseon Dynasty (18th or 19th Century), Mattielli Collection. Image courtesy of jstor.org

In this lecture, Professor Sunglim Kim explores Korean folk painting, minhwa, and examines its origin and development, the different genres within it, and their meanings and functions. She will also illustrate how minhwa paintings were consumed by Koreans in the past and the present.

 

Minhwa
Korean Paintings of the People, by the People, and for the People
by Sunglim Kim

Wednesday, April 5, 2023 | 6:30 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


ABOUT THE SPEAKER:

Sunglim Kim is an associate professor of Korean art and culture at Dartmouth College. She specializes in the material and consumer culture of the late Joseon period and women artists in modern and contemporary Korea.


Artist Talk: Seongmin Ahn with Eleanor Hyun

Traditional Korean Painting for Modern Times: In Seongmin Ahn’s paintings, it is not our past we are looking at but our possible future. – John Yau, Hyperallergic

In her solo exhibition at The Korea Society, Seongmin Ahn presents a series of paintings and wall installations that fuses her insight in the relativity of perception with a deep regard for traditional Korean art, especially minhwa–folk painting. In her work, Ahn begins with traditional forms and themes, which she then extends into multi-disciplinary and multi-media practices by adopting science, technology, and multiple cognitive models.

In conversation with Eleanor Hyun, Associate Curator for Korean Art at the Metropolitan Museum of Art, Seongmin Ahn discusses her work, her career, and her solo exhibition at The Korea Society.

 

Artist Talk: Seongmin Ahn
with Eleanor Hyun

Tuesday, March 21, 2023 | 6 PM (EDT) | In Person

Friday, March 24, 2023 | Video Release

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

Gallery hours: (M-F) 10 AM – 4:30 PM by appointment

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTIST:

Seongmin Ahn holds an MFA in Asian traditional painting from Seoul National University and another MFA in mixed media from the Maryland Institute College of Art. As an active participant in the contemporary art scene in New York and East Asia, she has exhibited work at such major venues as the National Museum of Modern and Contemporary Art in Seoul, the Jordan Schnitzer Museum of Art at the University of Oregon, and the Charles Wang Center at Stony Brook University. She has received a number of funding awards, including two Pollock Krasner Foundation grants, AHL foundation artist grant and Café Royal Cultural Foundation grant. Her work has been reviewed in The Washington Post, the Philadelphia Inquirer, The Baltimore Sun, The Plain Dealer and others. Her work has been acquired by the National Museum of Modern and Contemporary Art in Korea, Princeton University Art Museum, and Hudson River Museum.

ABOUT THE MODERATOR:

Eleanor Soo-ah Hyun is the Associate Curator for Korean Art at The Metropolitan Museum of Art. She joined The Met in September 2019. From 2015 to 2019, she worked at the British Museum as the first Curator for the Korean Collections. She is a PhD candidate at the University of Chicago completing a dissertation on late imperial Joseon Korean and Qing Chinese art.


Artist Talk: Young Min Moon

In his paintings Young Min Moon depicts Jesa, a Confucian ritual for commemoration of the deceased, which was one of the earliest memories he holds while growing up in the military regime of South Korea in the 1970s and 80s. Despite the gender politics now associated with the ritual today due to its patriarchal nature, Moon insists on exploring the legacy. For him, the ritual holds multiple layers of meanings: an occasion of silence utterly severed from the violent era of his childhood, a means of remembering the deceased, and a tradition that may be discontinued in the age of globalization.

Moon’s paintings are also a way of honoring women’s labor for the patriarchal tradition, and an invitation to the celebration of familial ties that are largely inaccessible for diasporic Koreans. In his solo exhibition at The Korea Society, Moon also complicates his relation to the legacy of Jesa by situating it in relation to Catholicism that impacted the Confucian tradition in Korea.

Moon, whose solo exhibition The Share for Those Who Remain is on view at The Korea Society Gallery September 15-December 9, 2022, talks about his career and work.

 

Artist Talk: Young Min Moon

Tuesday, October 25, 2022 | 5 PM (EDT)
Video release

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

Gallery hours: (M-F) 10 AM – 4:30 PM by appointment

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTIST:

Young Min Moon is an artist and critic whose work reflects his migration across cultures and his awareness of the hybrid nature of identities forged amid the complex historical and political relationships between Asia and North America. Moon has shown his art in many exhibitions in South Korea and North America, including Sansumunhwa, Art Space Pool, Kumho Museum of Art, Gyeonggi Museum of Art, Kukje Gallery, Smith College Museum of Art, and the Carpenter Center at Harvard University, among others. Moon published his essays on contemporary Korean art in a wide range of publications, including Contemporary Art in Asia: A Critical Reader (MIT), and a chapter in A Companion to Korean Art (Wiley). He serves on the editorial board for the online journal Trans Asia Photography. Moon is a professor at University of Massachusetts Amherst and a recipient of Guggenheim Fellowship and Joan Mitchell Foundation Grant.


Bojagi Workshop

Learn how to make your own bojagi—traditional Korean wrapping cloths—in this hands-on workshop. Participants will learn how to create a mini double layer bojagi called gub-bo using various colorful Korean ramie and hemp fabric and hand sewing techniques. Your own unique mini bojagi with geometric patterns can either be displayed as art in a frame or used as a decorative household item.  

Most materials—Korean ramie fabric, colored thread, needle, pins, marker, pencil, eraser, rulers—will be provided. Bring your own pin cushion if you would like.

 

 


About the Artist:

Wonju Seo was born and raised in Seoul Korea, where she received her B.F.A in Fine Arts Painting from Hong-Ik University in 1988. After graduating college, she has worked as a package designer and silk painting artist for a long time. In 1998, she came to the United State to continue her career as an artist.

Seo has taught at The Korea Society, the Lee Young Hee Museum of Korean Culture in New York City, the Charles B. Wang Center in Stony Brook, New York and Newark Museum in New Jersey. Her art works have been selected by juries for many arts competitions, and she has been nationally and internationally exhibited in galleries and museumss.

Seo’s works are in the permanent collections of the Newark Museum, NJ; Charles B. Wang Center, Stony Brook University, NY; and Grand Hyatt Hotel, Jeju Dream Tower, Jeju Island, South Korea.


Young Min Moon | The Share for Those Who Remain

September 15 – December 9, 2022|
Artist Talk : Tuesday, October 25, 2022 5 PM ET|

In his paintings Young Min Moon depicts Jesa, a Confucian ritual for commemoration of the deceased, which was one of the earliest memories he holds while growing up in the military regime of South Korea in the 1970s and 80s. Despite the gender politics now associated with the ritual today due to its patriarchal nature, Moon insists on exploring the legacy. For him, the ritual holds multiple layers of meanings: an occasion of silence utterly severed from the violent era of his childhood, a means of remembering the deceased, and a tradition that may be discontinued in the age of globalization.

Moon’s paintings are also a way of honoring women’s labor for the patriarchal tradition, and an invitation to the celebration of familial ties that are largely inaccessible for diasporic Koreans. In his solo exhibition at The Korea Society, Moon also complicates his relation to the legacy of Jesa by situating it in relation to Catholicism that impacted the Confucian tradition in Korea.

The Korea Society Gallery is open only by appointment. The appointment must be made at least 24 hours prior to the scheduled visit. To make an appointment, please contact info@koreasociety.org.

Gallery Hours: Monday-Friday 10 AM-4:30 PM
Summer Hours during the month of August: Monday-Thursday 10 AM-4:30 PM
By Appointment Only

Click here to make an appointment

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTIST:

Young Min Moon is an artist and critic whose work reflects his migration across cultures and his awareness of the hybrid nature of identities forged amid the complex historical and political relationships between Asia and North America. Moon has shown his art in many exhibitions in South Korea and North America, including Sansumunhwa, Art Space Pool, Kumho Museum of Art, Gyeonggi Museum of Art, Kukje Gallery, Smith College Museum of Art, and the Carpenter Center at Harvard University, among others. Moon published his essays on contemporary Korean art in a wide range of publications, including Contemporary Art in Asia: A Critical Reader (MIT), and a chapter in A Companion to Korean Art (Wiley). He serves on the editorial board for the online journal Trans Asia Photography. Moon is a professor at University of Massachusetts Amherst and a recipient of Guggenheim Fellowship and Joan Mitchell Foundation Grant.


Image courtesy of the artist

 

 

Hanbok: The Celebration

Image courtesy of Cultural Heritage Administration, Republic of Korea

Riding the Korean Wave sweeping the world, the traditional Korean costumes have become increasingly visible in global media. In 2021, hanbok – the generic term referring to traditional style Korean clothing – was registered in the Oxford English Dictionary. In this comprehensive series of lectures, Dr. Minjee Kim, the preeminent scholar of Korean textile and fashion in the U.S., illustrates and elucidates hanbok in sartorial, socio-cultural, and historical contexts.

In the fourth presentation of the series, Dr. Kim will demonstrate in person how to dress the bride and the groom in their splendid wedding attires. The children’s one-year birthday celebration ensembles will also be displayed and their symbolism will be discussed.

 

Hanbok: The Celebration

Thursday, September 8, 2022 | 6:30 PM (EDT)

 This program was recorded and video released on September 14


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

Minjee Kim is a historian and lecturer specializing in dress, fashion, and textile history of Korea. She received her PhD from Seoul National University, and formerly taught at Jeonju Kijeon College, Seoul National University, and Academy of Art University in San Francisco. She has also extensively lectured for cultural institutions, museums, and colleges in California and the East Coast. Since 2018, she has served for the Costume Society of America Western Region as a Board of Director. In 2022, she joined the Tracing Patterns Foundation as a Research Associate. She is a co-editor of a forthcoming book Dress History in Korea: Critical Perspectives on Primary Sources (London: Bloomsbury).