Korean Dance Basics for Adults: An Introduction

Tuesdays 5 – 6 PM | June 26, July 10, 17, 31

This introductory traditional Korean dance workshop uses gentle movement techniques to establish an appreciation of the dance form. Each week the focus is comprised of applications within the dance syntax such as key body positions and elemental dance phrases to develop an understanding of the dance. The students build an essential understanding of the dance form as beginner dance students or as informed audience members. This 4 week workshop is intended to build groundwork using the dance form to further identify the physical self not just in the dance class but taking that movement in practical ways into daily life.

Class Fee (Limited spaces available)
Members & KLP Students FREE
Non-Members $75
 

Tickets

Members & KLP Students: FREE with registration

Tickets
 
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Class Schedule
Tuesday Afternoons 5 – 6 PM

Tuesdays 5 -6 PM
June 26
July 10
July 17
July 31

 

Dance Level
Dancers and non dancers are welcome
ALL movement abilities are welcome
Chairs will be available
All dance and fitness props will be provided for use in the class.

Clothing
BODY – Comfortable , loose clothing
FEET – Socks or ballet flats (please) No shoes, no bare feet

The Korea Society | 350 Madison Avenue 24th Fl | New York, NY 10017
Entrance between 44th & 45th Streets

 


 

ABOUT THE INSTRUCTOR

Ms. Kriegel is the creative force behind the World Dance Initiative dance collective and teaches Korean dance in New York City to teens and adults. As a performer, Ms. Kriegel dances independently and with community organizations. Promoting traditional dance and working with other artists, Ms. Kriegel aims to share Korean dance with heritage and non heritage audiences, focusing on the details, intricacies and depth of the dance form. While performing, teaching and lecturing regularly on the subject of Korean dance worldwide, Ms. Kriegel has won several gold medals and prizes in Korean dance. For teaching, she received the 2012 T.A.S.K. Korean Dance Teacher’s Award and the 2012 Foundation for Korean Language and Culture in USA Appreciation Award. Ms. Kriegel received honors with fellowships in Korean Studies from Stanford University S.P.I.C.E. program (2012) and The Freeman Foundation Fellowship on Korean Studies (2013). Ms. Kriegel received congressional recognition in 2017 for her work at home and abroad, as well as a fellowship from the Hemerra Foundation for Peace Research in 2018.


Taste of Korean Temple Food with Wookwan

The Korea Society welcomes Wookwan, cookbook author of “Wookwan’s Korean Temple Food: The Road to the Taste of Enlightenment,” to introduce Korean temple food built on the philosophy of Buddhism along with the long tradition of Korean cuisine. Korean temple food “does not only provide nutrition for a healthy body, but preparing the food is a practice of mediation as well.” Wookwan, a respected monk and temple-food expert, will demonstrate the preparation of several dishes while sharing knowledge on each ingredient on how to retain natural flavors.

The event, co-organized by Korean Cultural Center New York and International Contents Platform, ICP, is not to be missed with inspiring talks followed by a tasting reception. Tickets are available to purchase but are limited so be quick! 

     

 

 

Taste of Korean Temple Food with Wookwan

Thursday, July 19, 2018 | 6:30 PM


If you have any questions, please contact Kloe Byun or call (212) 759-5360.

 

The Korea Society | 350 Madison Ave., 24th floor, New York, NY 10017

Preregistration is now required for all Korea Society events, and an ID is required for security. 

 

 


 

About the SpeakerAbout the Moderator

Wookwan
Born in Korea, Wookwan entered Yaksusa temple in the Gwanak Mountains under the teaching of the Venerable Jeong Hwa in 1988 to become a Buddhist nun. As a certified master of Korean temple food and the Director of the Mahayeon Temple Food Cultural Center in Korea, she not only shared the techniques of temple food in her home country, but has also been invited to share the beauty of temple cuisine at workshops and festivals all over the world including New York, London, Madrid and Hong Kong. With her mindful approach to food as a spiritual practice, Wookwan believes that all of the varied flavors of nature come together to become the taste of enlightenment. To share this with the world, Wookwan continually studies and creates recipes that emphasize the nourishment of mind, body, and soul.

Chef Youngsun Lee
Chef Lee was born in Korea and grew up in NYC. He graduated from School of Visual Arts studying Graphic Design and Fine Arts and studied classical Western Cuisine at Institute of Culinary Education. He worked at many renowned restaurants in NYC for 20 years and now teaches Culinary Arts at Culinary Tech Center. Focusing on local food and right diet, chef Lee practices many different recipes. 


A Midsummer Night’s Soirée

w/ Gallery Talk: Ungno Lee’s Art World | 

In celebration of the 60th anniversary of artist Lee Ungno’s arrival in Paris, the Korea Society welcomes you to enjoy the art exhibition of the Korean-born French artist who combined the abstract tendencies of the Art Informel movement with traditional forms of Korean art. Artist and scholar Robert C. Morgan and former student of Lee Ungno, sculptor Alain Kirili, discuss Lee’s work and the artist’s influence on Asian contemporary art.

Join us for a summer gathering with fellow art enthusiasts, followed by a reception with drinks on the 25th floor rooftop terrace!

Complimentary admission includes light snacks and cash bar with $5 beer and wine.

 

 RSVP

A Midsummer Night’s Soirée
includes Gallery Talk: Ungno Lee’s Art World

Wednesday, July 18, 2018 | 6:30 PM

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


 

ABOUT THE SPEAKERS

Robert C. Morgan is an artist, scholar, teacher, and art historian. Knowledgeable in the history and aesthetics of both Western and Eastern art, Dr. Morgan has lectured widely, published many essays and books, and curated numerous exhibitions. In 1999, he was awarded the first ARCALE prize in International Art Criticism in Salamanca (Spain) and served on the UNESCO jury at the 48th Biennale di Venezia the same year. In 2003, he was appointed Professor Emeritus in Art History at the Rochester Institute of Technology and in 2005, became a Senior Fulbright Scholar in the Republic of Korea. Dr. Morgan also continues his work as an artist and abstract painter, displaying his work in various exhibitions and collections.

Alain Kirili is a sculptor of verticality and modeling. His work emphasizes an “aesthetics of spontaneity” and seeks its formal unity through the variety of materials he employs in a quest for “organic simplicity.” He has worked on the monumental aspects of sculpture in public spaces (at the campus of the University of Bourgogne in Dijon, in Paris and Grenoble). Alain Kirili was commissioned by the Ministère de la Culture to install the sculpture of the 20th century in the Tuileries in Paris.


 

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

Kpop Summer Social

SOLD OUT |

 

Celebrate the start of summer and all things Kpop with The Korea Society!

Join us for an evening of dynamic performances, art making, and an exclusive Kpop dance workshop with the talented team of I LOVE DANCE. Enjoy Korean food, drinks, and the latest Kpop hits at our rooftop reception. Raffle prizes are not to be missed!

6:30 PM | Doors Open
7:15 PM | Performances
7:30 PM | Dance Workshop with I LOVE DANCE
8:00 PM | Rooftop Reception

 

Limited spaces available, get your tickets before they sell out!

Location:

The Korea Society | 350 Madison Avenue 24th Fl | New York, NY 10017
Entrance between 44th & 45th Streets

Check out I LOVE DANCE’s newest dance cover of BTS’ Fake Love!

 


 Sponsors

          


LEE UNGNO: EN MASSE

May 31 – August 10, 2018 | 

Lee Ungno (1904-1989) was among the most influential Asian contemporary painters of the twentieth century. Driven by a yearning for peace and unity amidst times of tumultuous violence, Lee conceived a contemporary form of art unique to Korean culture and history. As a member of the Parisian avant-garde, Lee introduced modern abstract art practices to the traditional forms of Korean art, creating a new style of contemporary painting tempered with Eastern ideologies. Deeply impassioned by the social movements of democratization in 1980s Korea, Lee’s “People” series aspired to illustrate the movement of the masses and their united march towards peace. His works from 1980 to his death in 1989 emphasize this recurring theme, with the image of crowds becoming a symbol of the rise of Korean people and democracy.

Master Series: Lee Ungno will be displayed in The Korea Society Gallery from May 31 to August 10, 2018.

This exhibition is presented in collaboration with Donghwa Cultural Foundation and Gana Art.

 

LEE UNGNO: EN MASSE


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

Gallery hours: M-Th: 10 AM – 4:30 PM | F: 10 AM – 2:30 PM | by appointment

For more information, please contact Yoonjin (YJ) Choi or call (212) 759-7525 / Ext#307.

 

 


 

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


 

Private Tour: A Comparative Study on Korean and Chinese Landscape Paintings at the Metropolitan Museum of Art

Join Dr. Soyoung Lee, Curator for Korean Art and Joseph Schiere-Dolberg Associate Curator of Chinese Paintings, in the Asian Art Department at The Metropolitan Museum of Art, on a private tour of two exquisite exhibitions featuring landscapes of Korea and China. It’s time to celebrate spring and indulge in beautiful depictions of nature from two different national perspectives on this exclusive art tour.

The tour is led by Dr. Young Yang Chung, Chair of the Program Committee for Arts & Culture at The Korea Society.

A Comparative Study on Korean and Chinese Landscape Paintings at the Metropolitan Museum of Art

Tuesday, May 8, 2018 | 4 – 6 PM

The Metropolitan Museum of Art
1000 Fifth Avenue
New York, NY 10028

 

 


 

Exhibition Descriptions

Diamond Mountains: Travel and Nostalgia in Korean Art
The Diamond Mountains—perhaps the most famous and emotionally resonant site on the Korean peninsula—is the theme of this international loan exhibition. Though the region has inspired cultural pride since ancient times, its location in what is today North Korea has kept it largely inaccessible in modern times. Featuring nearly 30 works—from delicately painted scrolls and screens to monumental modern and contemporary art—the exhibition presents the visual imagery of this iconic site from the 18th century to the present. Among the highlights is a designated Treasure from the National Museum of Korea: an album by Jeong Seon (1676–1759), who revolutionized Korean painting. Most of the objects on view have never before been displayed in the United States.

Streams and Mountains without End: Landscape Traditions of China
This exhibition, which showcases more than 120 Chinese landscape paintings in four rotations, offers insights into the tradition, revealing distinctions between types of landscape that might not be obvious at first glance. What appears to be a simple mountain dwelling, for example, turns out to be the villa of the painter’s friend, encoding a wish for his happy retirement. Similarly, what seems at first to be a simple study in dry brushwork turns out to be an homage to an old master, an expression of reverence for what has come before. Drawn primarily from The Met’s holdings and supplemented by a dozen private loans, the presentation is augmented by decorative art objects with landscape themes.


 

Streams of Wind: Piri

This unique concert presents Korean traditional music by artist gamin, performed alongside active New York-based American wind and percussion instrument players Ned Rothenberg, Jeff Fairbanks, and Satoshi Takeishi. Artists play Korean traditional instruments such as piri, the Korean bamboo-oboe as well as saxophone, clarinet, trombone, and shakuhachi, the Japanese flute. This performance encourages the audience to learn about the Korean wind instrument piri and pungnyu, an artistic form of recreation, intrinsic to a tasteful lifestyle and relevant to Koreans’ collective and individual entertainment culture.

Streams of Wind: Piri

Thursday, April 26, 2018 | 6:30 PM

Tickets
Members $15
Non-Members $25

Piri (피리)
The piri is a cylindrical double-reed bamboo oboe with eight finger holes, one in the back for the thumb and seven in the front. Its large reed and cylindrical bore gives it a mellower sound than that of many other types of oboe. The piri is an essential instrument and popularly used in both folk and classical court music.  

 

 


 

ABOUT THE ARTISTS

gamin
gamin is a New York-based distinguished soloist performing traditional Korean music as well as cross-disciplinary collaborations worldwide. Born in Seoul, she began studying piano at the age of six, violin at the age of nine, Korean music (piri major) at age fifteen. In 1998, she received her B.A. in Korean Music from Seoul National University. Her main instrument is the piri, a double reed instrument similar to the oboe. She also plays the taepyeonso (a double-reed horn) and saenghwang (a type of mouth organ). She is a yisuja, official holder of the Important Intangible Cultural Asset No. 46 for Classical Court Music, Classical Piri Music, and Daechita (royal military music). She has also dedicated herself to academic studies, receiving a D.M.A. (Doctor of Musical Arts) in Korean traditional music from Seoul National University. She was a member of the National Gugak Orchestra from 2004 to 2010 as assistant principal piri player. She was the recipient of a residency program grant from the Ministry of Culture, Sports and Tourism of the Republic of Korea in 2011 & 2012 and has toured with lecture concerts at Harvard University, University of Pennsylvania, Dartmouth College, Northeastern University, University of Hartford, among other places. Currently, gamin is a visiting scholar at the James Joo-Jin Kim Program in Korean Studies in University of Pennsylvania.

 

Jeff Fairbanks
Deemed a “rising multi-faceted star if not musical voice on the New York scene” by CriticalJazz, 2016 New York Foundation for the Arts Fellow Jeff Fairbanks has won a number of highly competitive awards for composing, including the USAF Sammy Nestico Award, the Jerome Fund, ASCAP Young Jazz Composer Award, and the BMI Charlie Parker Award. He has won eight grants from the following institutions: the Aaron Copland Fund, the Queens Council on the Arts, and New Music USA (formerly American Music Center). Fairbanks is a native of South Florida. After earning a Master’s degree in Jazz Composition from USF in 2005, he moved to New York to join the BMI Jazz Composer Workshop under Jim McNeely. Now, in addition to leading and writing for Project Hansori and other projects, Jeff freelances as a composer and performer and teaches with the New York Jazz Academy. He lives in Queens, NY with his wife, Heun Choi, and their two children.

 

Photo by Caroline Forbes
Edward Rothenberg
Composer/Performer Ned Rothenberg has been internationally acclaimed for both his solo and ensemble music, presented for the past 33 years on 5 continents. He performs primarily on alto saxophone, clarinet, bass clarinet, and the shakuhachi – an endblown Japanese bamboo flute. His solo work utilizes an expanded palette of sonic language, creating a kind of personal idiom all its own. In an ensemble setting, he leads the trio Sync, with Jerome Harris, guitars and Samir Chatterjee, tabla, works with the Mivos string quartet playing his Quintet for Clarinet and Strings and collaborates around the world with fellow improvisors. Recent recordings include this Quintet, The World of Odd Harmonics, Ryu Nashi (new music for shakuhachi), and Inner Diaspora, all on John Zorn’s Tzadik label, as well as Live at Roulette with Evan Parker, and The Fell Clutch, on Rothenberg’s Animul label.

 

Satoshi Takeishi
Satoshi Takeishi, drummer, percussionist, and arranger is a native of Mito Japan. He studied music at Berklee College of Music in Boston, Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was “Macumbia” with composer/arranger Francisco Zumaque in which traditional, jazz, and classical music were combined. With this group he performed with the Bogota Symphony Orchestra to do a series of concerts honoring the music of the most popular composer in Colombia, Lucho Bermudes. In 1986, he returned to the U.S. where he began work as an arranger in Miami. In 1987, he produced “Morning Ride” for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991, he has performed and recorded with many musicians such as Ray Barretto, Carlos “Patato” Valdes, Eliane Elias, Marc Johnson, Eddie Gomez, Randy Brecker, Dave Liebman, Anthony Braxton, Mark Murphy, Herbie Mann, Paul Winter Consort, Rabih Abu Khalil, Toshiko Akiyoshi Big Band, Erik Friedlander, and Pablo Ziegler to name a few. He continues to explore multi-cultural, electronic, and improvisational music with local musicians and composers in New York.


 

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


Finding Comfort in Asian Cuisine with Jeju Noodle Bar & Mr. Bing

Chef Douglas Kim, owner of Jeju Noodle Bar in the West Village, presents ramyun, the Korean equivalent of Japanese ramen, demonstrating distinct Korean flavors and ingredients. Brian Goldberg, the owner of Mr. Bing, with locations in the East Village, Urbanspace, and Madison Square Park, serves Beijing-style jianbing, one of the most popular Chinese street foods. The two speakers share stories of promoting comfort foods perfectly suited to the taste buds of native Koreans and Chinese, while also appealing to customers in New York City and worldwide. Moderated by Matt Rodbard, the Editor in Chief of TASTE and author of Koreatown: A Cookbook, a New York Times bestseller.

Followed by a tasting reception, featuring specialties from Jeju Noodle Bar and Mr. Bing.

Finding Comfort in Asian Cuisine with Jeju Noodle Bar & Mr. Bing

Thursday, April 19, 2018 | 6:30 PM

Tickets: $15 for Members, $25 for Non-members 

Korea Society Fellow, Patron, and Corporate members, please register HERE for complimentary tickets. 

If you have any questions, please email Kloe Byun or call (212) 759-5360.

 

The Korea Society | 350 Madison Ave., 24th floor, New York, NY 10017

Preregistration is now required for all Korea Society events, and an ID is required for security. 

 

 


 

About the SpeakersAbout the Moderator

Douglas Kim
After graduating from the Culinary Institute of America, Chef Douglas Kim embarked on the Crystal Serenity cruise for a trip of a lifetime: 65 countries around the world. Since his return, he has accumulated more than a decade of experience in the restaurant scene: Gordon Ramsay, Nobu, Per Se, Bouley, Chef’s Table at Brooklyn Fare, Morimoto, and Zuma. Combining his experience with his Korean heritage to create his take on a traditionally instant dish in Korea, he opened a modern noodle restaurant called JeJu Noodle Bar in the West Village in 2017. Acclaimed by The New York Times as well as receiving many accolades from other culinary outlets such as Eater and GrubStreet, he hopes to continue to introduce more authentic Korean dishes with his own unique twist.

Brian Goldberg
Born and raised in New York, Brian Goldberg got his taste for bings while studying abroad in Beijing in 1998. It was there that he ate jianbings daily, made fresh by a lady operating a bicycle cart right outside his school. Having fallen in love with the Northern Chinese street crepe, he aspired to bring bings to America, holding on to this idea throughout his studies and eventually drafting the original business plan for Mr. Bing in 2011 as a graduate student at Columbia University. After graduation and prior to opening Mr. Bing in the US in 2015, Goldberg spent nine years in Asian equity sales & trading (BNP Paribas, Societe Generale, Macquarie), and three years as a TV news producer and reporter (CNBC, Channel News Asia). Goldberg is also a man of many talents. He qualified for the 2002 Winter Olympics as luge athlete and currently competes in Masters swimming. Fluent in Mandarin Chinese, he lived and worked in China, Singapore, Taiwan, and Hong Kong for 13 years, and currently resides in NYC.

Matt Rodbard
He is the Editor in Chief of TASTE and author of Koreatown: A Cookbook, a New York Times bestseller. He has been published in the New York Times, Wall Street Journal, Travel & Leisure, Bon Appetit, Saveur, GQ, and Fodor’s.


Director’s Talk with Jang Jin

Accomplished film, television, and theater director Jang Jin speaks at The Korea Society. The creative talent behind films such as Good Morning President and Welcome to Dongmakgol, Director Jang shares his experience working in various sectors of the Korean entertainment industry.

Director’s Talk with Jang Jin

Moderated by Samuel Jamier

Friday, April 13, 2018 | 6:30 PM

The Korea Society Fellow, Patron and Corporate members: FREE with registration

 

 

 


 

About the DirectorAbout the Moderator

Jang Jin (born in 1971 in Seoul, Korea) is an accomplished South Korean film director, theater director, playwright, screenwriter, film producer, and mastermind of the television show Saturday Night Live Korea. He also played as Director for the opening and closing ceremony of 2014 Asian Game in Incheon, Korea.

Started acting in his freshman year of high school, his passion in acting led him to major in theater studies at Seoul Institute of the Arts. He then stared working full-time as a brilliant theater director in Korea and later his career brought him to the top of Korea’s directors. Considered one of the most distinctive voices to emerge from the 1990s Korean cinema renaissance, Jang’s unique filmmaking style mixes unconventional storylines, quirky characters, dry and subversive humor, comic twists, sharp puns, stagy presentation, a keen observation of society, and humanism.

In 2015, the International Film Festival Rotterdam honored Jang with a retrospective. Tony Rayns wrote that the director “is best known for one thing: satire. He doesn’t respect institutions, powerful individuals or dogmas of any kind. He believes, endearingly, that satirical comedy might change society more effectively than throwing Molotov cocktails.”

2016   8th Festival International Du Film Policier Du Beaune: Grand Prix (Man on the High Heels)
2012   30th Fajr International Film Festival International Cinema Competition (Eastern Vista, Asian Cinema): Crystal Simorgh for Best Screenplay (Romantic Heaven)
2009   MBC Drama Awards: Special Award for Radio Show Segment (Standard FM Radio Book Club)
2009   5th Korea Green Foundation’s People Who Brightened Our World: Person of the Year
2005   4th Korean Film Awards: Best Screenplay (Welcome to Dongmakgol)
2004   5th Busan Film Critics Awards: Best Screenplay (Someone Special)
2000   36th Baeksang Arts Awards: Best Screenplay (The Spy)

His recent works include ‘The Ice (2016 / theater)’, ‘Flower’s Secret (2015 / theater)’, ‘We Are Brothers (2014 / film)’, ‘Man on High Heels (2014 / film)’, ‘December: Unfinished Song (2013 / theater), ‘Romantic Heaven (2011 / film)’, etc.

 

Samuel Jamier is the executive director of The New York Asian Film Festival, North America’s leading festival of popular Asian cinema, “the world’s best-curated program of new and classic Asian cinema” (Indiewire), conceived and produced by Subway Cinema (and held at Film Society of Lincoln Center and SVA Theatre), a film and culture nonprofit which he also heads since 2015. He is also the founder of Windwellers Films and Citizen Pain Releasing Productions, a film producer, and a partner at the Hong Kong based film sales agency Good Move Media.

Until July 2013, he was senior film programmer and curator at Japan Society, responsible for the selection and organization of all films, series and festivals, and was in charge of its acclaimed Japanese Film Festival, Japan Cuts, for several years. Previously, he was senior programmer at The Korea Society, where he designed and executed cultural programming initiatives including an annual program of public lectures and workshops on topics ranging from foreign policy and corporate symposia to Korean cinema and traditional performing arts, hosted by heads of state, senior government officials, business leaders, university professors, authors, film directors and actors, as well as living national treasures.

Samuel Jamier earned doctoral, MA and BA degrees in English Literature, Comparative Literature, and Medieval Philosophy, with Honors, from the Sorbonne Nouvelle University; is an Agrégation Laureate in Modern English Literature; and a graduate from the Ecole Normale Supérieure, Paris, France. He also completed postgraduate studies at Tokyo University, Japan and King’s College in London, England.

He is of Korean descent, and grew up in Brittany, France.


 

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


Ham Sup: Paper Dreams

 

Ham Sup (b. 1942) has worked with hanji, traditional Korean paper made from the bark of mulberry trees, as his primary medium for over 30 years. Hanji is well known in Korea as a prized material for cultural and religious purposes, and has been an integral part of Korean daily life for centuries. While the traces of Korean history are immediately apparent in the medium and colors of his work, Ham’s unique artistic process reflects the visions of a true modern artist who effectively combines tradition and modern abstraction, celebrating dreams of Korea in both its past and future.

Born and raised in the Gangwon provincial capital, Chunchon, a rural area known for its natural beauty, Sup Ham has participated in numerous exhibitions at internationally renowned venues, including the National Museum of Contemporary Art (Seoul), Hyundai Art Gallery (Seoul), and the Museum for Asiatische Kunst (Berlin), and collections including the Rockefeller Foundation (USA), Boeringer Collection (Germany), and Foundation Juan Marche (Spain).

Professor Kyunghee Pyun discusses the process of Hanji making with regards to sustainability and ecosystem of a Korean artisanal tradition. She also presents Ham Sup’s unique art making with Hanji to emphasize his innovative process that touched upon the cultural heritage of Korea. 

This exhibition participated in “Asia Week 2018” and it will run until April 12, 2018.

This exhibition is presented in collaboration with the Dongwha Cultural Foundation.

 

Ham Sup: Paper Dreams

Thursday, March 15, 2018

Gallery Reception | 6 PM
Gallery Talk with Kyunghee Pyun | 6:30 PM


 

Kyunghee Pyun, Ph.D.
Assistant Professor of History of Art, Fashion Institute of Technology; Founder and Executive Director of the Bamboo Canvas

 

@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

Gallery hours: 10 AM – 4:30 PM by appointment

For more information, please contact Jahee Yu, Art Exhibition Coordinator or call 212-792-7923.

 

 


 

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.