Remapping Identity Politics in K-Pop

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The creators behind EXP (Bora Kim, Karin Kuroda, and Samantha Y. Shao), the first non-Korean K-pop boy band, discuss the themes of cultural authorship and originality, posing the question, what is lost in translation with regard to identity within the Korean wave with Maud Lavin–Professor, Visual Studies and Art History, School of the Art Institute of Chicago.

 

Remapping Identity Politics in K-Pop

Tuesday, May 31, 2016 | 6:30 PM

6:30 PM | Reception
7:00 PM | Discussion and Q&A

 

FREE for Explorers & Above with RSVP

Members $5

Non-Members $10

 

 If you have any questions, please contact Jamie Tyberg or (212) 759-7525, ext. 321.


About the Panels

 

Maud Lavin  (Professor, Visual and Critical Studies and Art History, Theory and Criticism, School of the Art Institute of Chicago) is a nonfiction writer and cultural historian. She is a professor of Visual and Critical Studies and Art History, Theory, and Criticism at the School of the Art Institute of Chicago. She is a recipient of a Guggenheim fellowship (in 2005) and a National Endowment for the Arts grant.

 

 


Bora Kim (Korea University, BA in Sociology; School of the Art Institute of Chicago, BFA, 2013; Columbia University, MFA, 2015) is an interdisciplinary artist and sociologist from Seoul, Korea. Her artistic process is based in cultural research revolving around the spectacle and performance of gender, particularly in the context of global media. Kim’s work addresses the public gaze and aims to occupy the sphere of popular culture.


 

 

Karin Kuroda  (School of the Art Institute of Chicago, BA in Visual and Critical Studies, BFA in Studio Art, 2013) is a research consultant/writer and creative collaborator from New York City, who focuses on the intersectional narratives of minority politics. She serves as the band’s director of editorial content and oversees the curation of production, social media, theoretical research, and critical analysis.


 

 

Samantha Y. Shao (National Cheng Kung University, BA in History, 2010; Maastricht University, Netherlands, MA in Arts Management, 2013) is a curator/writer from Taipei, Taiwan, who is interested in cultural translation and postcolonialism. Shao serves as the marketing and development director. She oversees all administrative and communications directives.


 

 

 

 

Pieces of Us: Film & Live Music Concert

 

 

Co-presented by The Korea Society and 7000 Miles, Pieces of Us brings together four composers and four directors to showcase their original works live. Recognizing the emerging Korean talent in both the film and music industries, this event will highlight eight upcoming Korean-American artists while providing a space for networking and collaboration.

 

Pieces of Us: Film & Live Music Concert 

 

Thursday, May 12, 2016 | 6:30-8 PM

$5 for Members and Industry Professionals

$10 Non-Members

FREE for Students and Explorer & Above with RSVP

 

6:00-6:30 PM | Reception

6:30-6:35 PM | Welcoming Remarks by Professor Mark Suozzo of NYU Steinhardt’s Department  of Scoring for Film and Multimedia

6:35-8:00 PM | Film Screening & Live Music Concert

If you have any questions, please contact Jamie Tyberg  or (212) 759-7525 ext. 321

 


 

  

About the Film DirectorsAbout the Film Score Composers

Sofia Cho is a native of South Korea and has worked for Korean and international productions for the past six years as a freelance producer and a videographer. She holds a BFA from New York University’s Tisch School of the Arts. As an artist, she creates the works that are allegorical of our lives. The story belongs to you, or me, or the girl next-door. It happened to nobody yet everybody at the same time. 

 

Haeyoung Paul Chung is a senior in undergraduate Tisch School of the Arts at NYU. He lived in South Korea for 12 years and currently resides in New York as an independent filmmaker. His short film Mercy is written, directed, and edited by Chung, and it deals with a young couple going through the morning of 9/11. He sees himself as a writer-director with an emphasis on good story and believes that all good stories should be made into film. Paul is currently producing for Vivid, a short film he has written and will be directing. 

 

Hye Mee Na, a Writer/Director/Editor, she immigrated with her family to the United States from South Korea when she was fifteen.

She is deeply interested in exploring the factors that influence the formation of one’s identity and the perception of the “other” in her films, and her ultimate goal as a filmmaker is to make the audience laugh and cry at the same time. In 2015, she graduated from New York University’s prestigious MFA Film program and now works in New York City where she recently finished editing Chi-Raq, Spike Lee’s latest feature film, while writing her own feature length screenplay.

 

Sewi Ryu was born on March 17th 1995, in Seoul, South Korea. She attends the University of Southern California, School of Cinematic Arts to cultivate her interest in filmmaking. Her interest spans across many fields such as film directing, editing, screenwriting, photography, and graphic design. Her most recent short film, Averted Vision, which she directed, produced, and edited, tells a story about a lonely, delusional man who confronts the unbearable truth as he recounts his past marriage. The film is noted for its stylistic visual aesthetics. 

 

 

Yereum Kang is originally from South Korea and a New York based composer for film and multimedia. She is also a singer-songwriter and her main instrument is a piano. She attended City College of New York for Music BA and graduated from film scoring master’s program at NYU on May, 2015. She has studied with Mark Suozzo, Michael Patterson, and a Grammy Award nominated jazz trombonist, Alan Ferber for jazz arranging and composition. 

 

Narim Kim a recipient of Alan Menken Award has proven to be a composer of highest caliber in concert classical music, film scoring and songwriting. His concert pieces were read by prominent ensembles such as Penderecki String Quartet and Kitchener-Waterloo Symphony. His credits as a film composer include My Life In Your Memories (Jung, 2014) screened by KAFFNY and co-composing for Meet Miss Anxiety (Kwak, 2014) which was widely released in Asia. He also worked as a music supervisor for recently-discovered Past and Present in the Cradle of Dixie (Montgomery, 1914) which was screened at Museum of Moving Image. He is currently working on his first songwriting album. 

 

Sean Shinwon Kim is an internationally recognized composer, producer and performer born in Seoul, South Korea. Long before moving to New York City, Kim was passionate about blending Western classical practices with Korean traditional  music. Kim earned his film scoring master’s degree (M.M.) from New York University under the direction of Dr. Ronald Sadoff. He was recently one of eight participants to be selected for the prestigious SCL mentorship program. Additionally, he has participated in the ASCAP/NYU Buddy Baker’s workshop  and has been honored with awards in several composition competitions. Recently, Kim has contributed to a diverse array of concerts such as the UN 70th anniversary concert with KBS Korean Traditional Orchestra, Lang Lang and Harlem Gospel Choir as well as a Hanryu concert in Washington D.C.  Currently, Kim is working on several films and album projects and is the radio DJ of a program titled ‘Lalala’ on FM 87.7 KRB NY Radio Korea.

 

Jane Eunsun Lee is a composer for film, multimedia, and musical theatre and is also an arranger and a keyboardist. She earned her Master’s degree in Scoring for Film and Multimedia at New York University and her Bachelor’s in Music Composition at University of California, Los Angeles. In 2015, she was selected as a composer at BMI Lehman Engle Musical Theatre Workshop and has been participating since. Her musical theatre credits include “In Life and Death” and “Enchanted by a Spell” as a composer and music director. Also, she was a keyboardist for “Wearing Black” the musical at the 2015 New York Musical Theatre Festival. As a film composer, she did an internship at Sound Mind Music in Hollywood in 2012, where she was an assistant for composer David Ari Leon (“Spider-Man”, “Avengers”  TV series at Marvel) and has scored for various short films since. Her compositions and arrangements have been performed by different groups from Sejong University Faculty Orchestra to Broadway singers at renowned venues such as Joe’s Pub and Laurie Beechman Theatre.


 Community Partners

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Master Kim Youngjae: A Living National Treasure

Living National Treasure Kim Youngjae performs at The Korea Society. Winner of the 2015 Bang Il-Young Gugak Prize, which celebrates the preservation of traditional culture, Master Kim plays haegeum, the Korean fiddle. At this performance, Master Kim is accompanied by SunHo Kim on daegeum, the Korean bamboo flute.

At this performance, Master Kim is accompanied by:

Sunho Kim, daegeum
Rami Seo, gayageum
Sunghyun Kim, gomungo
Chunkyung Park, gomungo & changgo
Kwangil Choi, piri
Jeongmi Park, vocals

 

 

Master Kim Youngjae: A Living National Treasure 

with YoungJae Kim & SunHo Kim    

 

Wednesday, May 4, 2016 | 6 PM

$10 Members, $20 Guests

Explorer, YPN and above attend this program for FREE with RSVP

 

5:30 PM | Registration

6:00 PM | Screening & Performance

 

If you have any questions, please contact Luz Lanzot  or (212) 759-7525 ext 309.

 

 

  NYCulture logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


About the Artists

 

2016 05 04  Master-KimAs a world class Living National Treasure title-holder, Mr. YoungJae Kim has performed throughout the world with traditional and popular repertoires of his own composition. Master Kim is now a geomungo sanjo player holding National Intangible Heritage No.16. In 2015, Master Kim was awarded the 22nd Bang Il Young Gugak Prize, an award presented to first-rate musicians in Korea. Master YoungJae Kim is currently an honorary professor at Korea National University Of Art.

 

 

 

2016 05 04  Sunho-Kim  iconMr. SunHo Kim, one of the most popular daegeum players in Korea, was influenced by his father, JongSun Kim, a master of multiple instruments. SunHo Kim earned his Bachelor’s and Master’s degrees in Traditional Music Orchestra from Chung Ang University. Mr. Kim is also a winner of multiple competitions such as 4th Ji-young Hee National Traditional Music Competition (Grand prize), 8th National Traditional Music Competition (Grand prize) and 7th Gi-san National Traditional Music Competition (Grand prize). He is currently a concert master of KBS traditional and a music director of the Korean traditional folk music ensemble Suri.


 

 

 

 

Intercultural Synergy Series: Gayageum & Kora w/ Rami Seo & Alhaji Papa Susso

Celebrate traditional and fusion music with The Korea Society as gayageumist Rami Seo and Gambian kora (African harp-lute) master Alhaji Papa Susso perform together. A short documentary chronicling their creative journey and the histories of their instruments screens before the performance.

 

Intercultural Synergy Series: Gayageum & Kora

withRami Seo & Alhaji Papa Susso  

 

Thursday, April 7, 2016 | 6 PM

$10 Members, $20 Guests

Explorer, YPN and above attend this program for FREE with RSVP

 

5:30 PM | Registration

6:00 PM | Screening & Performance

 

If you have any questions, please contact Luz Lanzot  or (212) 759-7525 ext 309.

 


 

  NYCulture logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


About the Artists

 

Ms. Rami Seo is an accomplished gayageum artist whose expansive musical repertoire on the 12-string and 25-string gayageum spans the traditional and the contemporary to include ancient Korean court music and folk music, as well as current and cross-cultural compositions from across the globe. Born and bred in Seoul, Korea, Ms. Seo is the protégé of world class maestros and several of Korea’s most revered National Cultural Living Treasure title-holders. She graduated from the prestigious National Music School and National High School for Traditional Arts with full scholarships and top honors. In 2002, she was Class Valedictorian at Chung-Ang Univ., College of Korean Traditional Performing Arts, where she earned her Bachelor’s Degree in Korean Traditional Music and Music Education. With an impending Master’s Degree in Ethnomusicology from Hunter College, Ms. Seo is a bona-fide scholar, musician, and performance artist.

 

Winner of multiple performing arts competitions, Ms. Seo has graced many renowned stages throughout the United States, Panama, Nicaragua, China, Korea and Japan, both as a soloist and in collaboration with other famed artists. Major works include performances at the National Grand Theater of Korea, Korean Traditional Orchestra of Seoul, Korean National Orchestra for Traditional Music, Chung-Ang Orchestra, 1988 Seoul Olympics Anniversary Commemoration, Yo Yo Ma’s Silk Road Project for World Music, World Music Virtuosi Concert at Lincoln Center, UN, Isaac Stern at  Carnegie Hall, Korean Embassy, Korean Cultural Service, Asia Society, The Korea Society, National Folk Festival in Richmond, Virginia, Futurism on the Occasion of the 100th Anniversary of Marinetti’s Manifesto, Symphony Space, The Kennedy Center, Bryant Park, Time Square, Smithsonian Museum, Museum of Arts and Design, Metropolitan Museum of Art and Conon House in the White House.

 

To date, Ms. Seo has released several albums and singles including First Morning, Fallen Leaves, Kaya Song with Fred Ho  and her Asian Jazz Fusion Concert recording in collaboration with the Jeff Fairbanks Jazz Orchestra. A passionate and inspiring instructor, she is a frequent guest speaker and lecturer at local schools, colleges, cultural workshops and events. Ms. Seo is also the founder and music director of GEMiNY, an emerging gayageum ensemble for young artists, and the ever popular band Rami Seo’s project WORLD MUSIC ENSEMBLE.

 

 


 

 

Alhaji Papa Susso, Master kora (African harp-lute) player and oral historian from The Gambia, West Africa, conducts visits to schools, university campuses, and cultural centers in the United States and Canada.  Papa Susso hails from a long line of Griots (traditional oral historians) of the Mandinka people.  He was taught the kora by his father and has been playing since the age of five.

The kora, a 21-stringed harp-lute, evolved from earlier hunter harps used by the Mandinka people of West Africa. It is said to have been invented by the Susso family.  It is the preferred instrument of Mandinka Jalolu (Griot), itinerant musicians, who were traditionally attached to royal courts where their duties included recounting the tribal history and genealogy, composing commemorative songs, and performing at important tribal events.

Today Papa Susso is a goodwill ambassador, traveling North America to share his culture. He gives both classroom presentations and formal concert performances where he recounts the  history of his country and his people, discusses the roles of griots in West African culture, and performs the classics songs of the griot repertoire. Papa Susso He appears alone with his kora or with his ensemble that includes singer/dancer Tapa Demba, balafonist Bala Kouyate, and his son, Alhassan Susso, on second kora.

 

 

 

 


 

Korean Ceramics: The Great Tradition

This illustrated slide lecture will survey the history of Korean ceramics from the early historic period through the nineteenth century. It will focus on the robust stonewares of the Three Kingdoms (57 BC-AD 668) and Unified Silla (668-935) periods, the classical celadons of the Koryŏ (Goryeo) dynasty (918-1392), and the delicate porcelains and rustic punch’ŏng (buncheong) wares of the Chosŏn (Joseon) dynasty (1392-1910). The lecture will emphasize characteristics and innovations that are uniquely Korean (such as the invention of the inlay technique of ceramic decoration), but it will also explore relationships between Korean ceramics and Chinese ceramics, just as it will touch on relationships between Korean ceramics and works of art in other media—from gold, silver, and bronze to lacquer and painting. The lecture will also seek to place the ceramics within the larger context of Korean society and culture.

 

Korean Ceramics: The Great Tradition

Asia Week Lecture by Robert D. Mowry  

 

Thursday, March 17, 2016 | 6:30 PM

 

 

If you have any questions, please contact Jahee Yu  or (212) 759-7525 ext 301.

Space is Limited. Early Registration Requested.

 

NYCulture logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


About the Speaker

2016 03 17  gallery-talk  speakerRecently retired after more than 25 years as a senior curator at the Harvard Art Museums (H/AM), Robert D. Mowry was also the university’s Alan J. Dworsky Curator of Chinese Art (2000-2013) and Head of the Department of Asian Art (1991-2013). He continues to serve as Senior Lecturer on Chinese and Korean Art in Harvard’s Department of the History of Art and Architecture. Under his stewardship, Harvard added numerous and very significant works to what already was one of the finest collections of Asian art in the Western world. Mowry was instrumental in acquiring several renowned collections as well as important endowments for the H/AM, over and above annual fundraising efforts for specific acquisitions and exhibitions. The National Museum of Korea has named Robert Mowry its Senior International Fellow for 2013, and he is also senior editor of its scholarly journal, The Journal of Korean Art and Archaeology.  

 

Mowry’s passion for Asian art and culture was sparked by his two-year service in the Peace Corps in Korea more than 40 years ago (1967-1969). He taught English at Seoul National University, before returning to the University of Kansas, where he completed his graduate work with Chu-tsing Li and Laurence Sickman, taking his degrees with honors. Fluent in Mandarin, he spent two years as a curatorial assistant and translator in the Department of Painting and Calligraphy at the National Palace Museum, Taipei (1975-1977). His career is distinguished with many pioneering leadership roles and ground-breaking scholarship. He was founding Curator of the Mr. and Mrs. John D. Rockefeller 3rd Collection at The Asia Society, New York (1980-1986), and, before that, Assistant Curator of Oriental Art at Harvard’s Fogg Art Museum (1977-1980).

Mowry is a popular speaker, consultant and author in his many areas of expertise, which include Chinese and Korean ceramics, Chinese painting of the Song, Yuan and Ming periods, Chinese jade, Chinese scholar’s materials, and Korean paintings. Among his many articles, catalogues, textbooks and books, perhaps his best known is Hare’s Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown- and Black-Glazed Ceramics, 400-1400 (Harvard University Art Museums, 1996), the catalogue for an exhibition that he curated and that opened at Harvard’s Arthur M. Sackler Museum in December 1995 and then toured nationally in 1996. He also is the curator of and principal catalogue author for Worlds Within Worlds: The Richard Rosenblum Collection of Chinese Scholars’ Rocks (1997), another exhibition he organized.

 

 

 

 

 

 


 

Body and Spirit Moon Jars by Park Boo Won

Park Boo Won’s contemporary reproductions of moon jars simultaneously carry on and advance the Korean royal ceramic tradition. Traditional moon jars originated in the court of King Chŏngjo at the end of the 18th century. The white porcelain and simple curves embodied the principles of frugality and purity—neo-Confucian ideals of the ruling dynasty.

Born in the countryside of Kimje in 1938, Park learned the royal ceramic tradition under distinguished master ceramist Ji Soontag. In the 1970s, Park began to add expressive hues and natural textures to the traditional moon jar through a firing process that permits wind, temperature, and humidity to determine the shape and color of a piece. In this way, Park believes the clay “body” of the jar is animated by the “spirit” of the fire—with the final result solely in the hands of God.

Park has been named the first “Master Potter of Royal Ceramics” by the government of Kwangju, Kyŏnggi—the center for court pottery in the Chosŏn era. His works are part of the permanent collections of the Smithsonian Institution, The National Folk Museum of Korea, the Incheon World Ceramic Center, the Korea Ceramic Foundation, and the Victoria and Albert Museum.

This exhibition is presented in collaboration with the Dongwha Cultural Foundation.

 

March 17 – May 20, 2016

 

Gallery Opening

Thursday, March 17, 2016 | 6 PM

 

FREE to Public

The Korea Society Gallery
950 Third Avenue, 8th Floor, New York, NY 10022 (Corner of 57th & 3rd)

Gallery Open Daily, M-F, 10 AM-5 PM

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 


 

K-Beauty Show

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Experience the K-Beauty regimen firsthand at The Korea Society’s first ever K-Beauty Show! Learn about K-Beauty trends, the emergence of K-Culture, and meet beauty experts including Alicia Yoon of Peach & Lily, makeup artist Seong Hee Park, Cosmopolitan’s Deputy Beauty Editor Jessica Matlin, and fashion & lifestyle blogger Patricia Chang. The K-Beauty Show will include a panel discussion, as well as giveaways and 1-on-1 beauty consulting.

K-Beauty Show

Wednesday, March 9, 2016 | 5:30-7:30 PM

 

FREE for Explorers & Above with RSVP

Members $10

Non-Members $20

 

 If you have any questions, please contact Jamie Tyberg or (212) 759-7525, ext. 321.


 

Juilliard Artists @ TKS with Julia and Jennifer Choi


Violinist Julia Choi has been recognized and praised by critics as an emerging young artist of impassioned energy, commanding stage presence, and musical integrity. At 23 years of age, she has already performed as a substitute musician member of the Philadelphia Orchestra and the San Diego Symphony, and has worked in various orchestras with many renowned conductors, including Alan Gilbert, Yannick Nézet-Séguin, Zubin Mehta, Esa-Pekka Salonen, and James Levine. In pursuit of her ultimate goal of becoming a versatile and well-rounded musician, Julia Choi has performed for audiences as a soloist, chamber musician, and orchestral musician across three continents. Julia and sister Jennifer, a cellist, perform together.

 

Juilliard Artists @ TKS 

with

Julia Choi
Violinist

Jennifer Choi
Cellist

 

Wednesday, February 24, 2016 | 6 PM

  

5:30 PM | Registration

6:00 PM | Performance

 

 If you have any questions, please contact Luz Lanzot or (212) 759-7525, ext. 309.

 

 

  NYCulture logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


About the Artists

Violinist Julia Choi is active in many spheres of the music world today. She is an emerging young artist, praised for her “delightful idiosyncrasy” and “musical integrity” (The Classical Source). At 23 years of age, she has won top prizes in several competitions, including the LISMA International, Caprio Young Artist, and New York Competitions. Ms. Choi has performed as a member of the Philadelphia Orchestra as well as the San Diego Symphony, and has worked in various orchestras with world-renowned conductors, including Alan Gilbert, Zubin Mehta, and James Levine. In pursuit of her ultimate goal in becoming a versatile and most well-rounded musician, Julia enjoys her career as a performer, but also as a teacher for violin and ear training. An advocate of orchestral and chamber music, Julia has served as concertmaster of the Juilliard and Manhattan School Orchestras, for several tours and recording projects, and is also a violinist with the Hyon Trio. Her principal teachers include Sylvia Rosenberg, Lisa Kim, and Glenn Dicterow.

 

Cellist Jennifer Choi has performed as a soloist, chamber musician, and orchestral player across North America and Asia and is becoming recognized for her versatility, deep tone, and committed playing. With knowledge of a wide repertoire from classical to contemporary music, she has performed concerts at well-known venues such as Carnegie Hall, Avery Fisher, and Alice Tully Halls at Lincoln Center. Jennifer holds a Bachelor of Music degree and will be pursuing a Master of Music, both at The Juilliard School under the tutelage of Richard Aaron. Her other prominent teachers include David Soyer, Bonnie Hampton, Jerome Carrington, and UkJin Yang. She has taught cello privately for four years. Her students have been successful in regional competitions and orchestral auditions. Born in Korea, she was raised and is currently based in New York City and New Jersey.

 


 

Young Shik Kim

Young Shik Kim is a Korean folk-art painter who combines historic technique and materials with contemporary forms and non-traditional colors.  Her style of simple objects rendered in a soft palette was developed over twenty years of practicing traditional Minhwa painting. Ms. Kim has participated in many group exhibitions in South Korea, China, Mongolia, Switzerland, and the United States. Her work recently appeared at the Induk University Gallery and the Ara Art Center in Seoul, and she and her daughter presented a two-person show in both Konjiam and Seoul.

Young Shik Kim lives and works in South Korea. She is a member of the Korea Fine Arts Association and the Korea Folk Arts (Minwha) Association. She holds a bachelor’s degree from Ashland University.

  

Thursday, February 18, 2016 | 6 PM

Gallery Opening

 

FREE with RSVP

 

The Korea Society Gallery
950 Third Avenue, 8th Floor, New York, NY 10022 (Corner of 57th & 3rd)

Gallery Open Daily, M-F, 10 AM-5 PM

For more information, please contact  Luz Lanzot

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 


 

Tea Story

Enjoy a cup of freshly brewed tea! Representatives of the Hagajae Museum from Korea will demonstrate a traditional tea ceremony, compare the development of tea culture in Korea, China, and Japan, and show how to continue the tradition within one’s own family.

This program is open to members, tea aficionados, and past  and current students of the Society’s Korean Language Program.

 

Tea Story

 

Session 1: for Members and General Public

Wednesday, February 10, 2016 l 6 PM

Session 2: for The Korea Society’s Korean Language Program Students

Thursday, February 11, 2016 l 6 PM

 
Not a member? Click  here   to join
RSVP by Wednesday, February 3, 2016

 

Members, Guest of Explorers & Above, and KLP Students: Free with RSVP

Non-members: $10

 

If you have any questions, please contact Jahee Yu  or (212) 759-7525, ext. 301.

 

 

 

Culinary programs are generously sponsored by SK.


About Hagajae

2016 02 10  teastory hagajae-logo

Hagajae Museum began as a collective desire to establish a non-profit art organization in 2013. Expanding the depth and range of the multifarious and inventive programs, Hagajae seeks to be a catalyst for dialogue between regions, art, cultures, academia and individuals. Hagajae believes that art can be a life-changing experience and will continue to actively strive to ignite a fascinating journey in learning about one’s own curative power.

Ghim Roy is a representative of Hagajae and volunteer philosopher. He divides his time between caring for patients during the daytime, researching and lecturing the fundamental issues from a diverse spectrum of studies from East-West philosophy to literature at night. He majored in Biomedical Genetic Engineering in Seoul National University, College of Medicine and then studied Oriental Medicine in Kyung Hee University, College of Korean Traditional Medicine. Since then, he has taken a profound interest in the contraposition between Eastern and Western cultures, material and spirituality, historical tradition and future vision. Now he tries to seek healthy answers in humanities by throwing more questions for understanding oneself.