Prometheus: The Art of Tchah Sup Kim

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Tchah Sup Kim has experimented with a wide variety of genres and methods, including pop art, geometric abstraction, mail art, readymade objects, environmental art, and minimalism. Although the styles and materials have changed over time, Kim’s artwork always expresses a quest for the transcendent—as well as a critique of the Western-centric perspective.

Born in Japan’s Yamaguchi Prefecture, Kim and his family moved to Gyeongju, Korea, in 1944.  He graduated from Seoul National University in 1963 and represented Korea at the Biennale de Paris in 1966. In 1974, a scholarship from the Rockefeller Foundation enabled him to study at the Pratt Institute in New York.

Kim’s work was exhibited in the National Print Exhibition, 20th Biennial: 30 Years of American Printmaking at the The Brooklyn Museum (1976), Prints: Acquisitions, 1973-1976 at the Museum of Modern Art (1977), and Six Artists from Korea at the Grace Borgenicht Gallery (1995). The Leeum Samsung Museum of Art, the National Museum of Contemporary Art in Gwachon, Korea, the Library of Congress, the Metropolitan Museum of Art, and the Cincinnati Art Museum all include Kim’s work in their permanent collections.

 

This exhibition is presented in collaboration with the Dongwha Cultural Foundation.

 

October 13, 2016 – January 6, 2017


Gallery Opening

Thursday, October 13, 2016 | 6 PM

 

FREE with RSVP

The Korea Society Gallery
950 Third Avenue, 8th Floor, New York, NY 10022 (Corner of 57th & 3rd)

Gallery Hours: M-F, 10 AM-5 PM

 

 For more information, please contact Jahee Yu or call at 212-759-7525 ext. 301.

 

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This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 


 

SYMPOSIUM FOR KOREAN ART CURATORS

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The Korea Society and the Korea Foundation organized the Symposium for Korean Art Curators from Friday, September 30, to Saturday, October 1, on the theme of “Challenges in Presenting Korean Arts and Culture at Museums in the United States.” The event consisted of a one-day conference and a one-day field trip to Korean arts and culture events around the New York City area.

This symposium examined ongoing challenges and rewards in presenting Korean arts in the United States and strengthen networks among Korean art curators and relevant scholars. 

 


 

SYMPOSIUM FOR KOREAN ART CURATORS

SEPTEMBER 30 – OCTOBER 1, 2016

 

Day 1: Friday, September 30

9:00 AM | Opening Ceremony

10:00-12:00 PM | Acquisition: Sustainable Korean Arts and Culture: Share examples of the acquisition of Korean artworks of high quality and exchange opinions on assuring the presence and sustainability of Korean arts and culture at U.S. museums 

Session Chair: Soyoung Lee (The Metropolitan Museum of Art)

Presenters: Joan Cummins (Brookyln Museum), Sooa McCormick (Cleveland Museum of Art), Daisy Y. Wang (Peabody Essex Museum)

2:00-4:00 PM | Exhibition and Education: Creative Ways to Promote Korean Arts and Culture Share experiences about recent exhibitions and educational programs/ Exchange ideas on more effective ways to introduce Korean arts and culture to local audiences 

Session Chair: J. Keith Wilson (Freer and Sackler Galleries)

Presenters: Hyonjeong Kim Han (Asian Art Museum), Ann R. Kitagawa (Jordan Schnitzer Museum of Art), Thomas R. Vick (Freer and Sackler Galleries), Souyeon Woo (The National Museum of Korea)

Day 2: Saturday, October 1 Field Trips

The Power and Pleasure of Possessions in Korean Painted Screens (Chaekgeori) at Charles B. Wang Center of Stony Brook University

New exhibition at Korean Gallery at The Metropolitan Museum of Art


 

 If you have any questions, please contact Kloe Byun or (212) 759-7525, ext. 352.


 A weblink to the Korea Foundation

 

 

Invocation: Anji Park & SamulGwangDae

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Master percussionist Anji Park leads SamulGwangdae, a group of artists known for their high energy performances combining song and dance. Park trained under Master Sungho Lee and Kwangsoo Lee to learn binari and specializes in kkwaenggwari. Join us for this evening of samulnori that will bring you to your feet!

Percussionists of SamulGwangDae
Anji Park
Hyunjin Jang
Han Bok Kim
Chan Sun Shin
Dong Joo Lee

Supporting Artists
Sungshil Yu, gayageum & vocals
JinHee Kim, dancer

Program

1. Invocation (축원)
Binari, Introductory Prayer Chant or Shaman Ritual

Among the four major pieces of samulnori, the binari is most akin to a religious ritual, featuring pleas to the spirits for blessings. The piece welcomes the spirits to spread good luck to the audience.

2. Taepyeongmu (태평무)

Taepyeongmu, literally “great peace dance,” functions as a wish for harmony. This artistic dance employs techniques and musical patterns from Gyeonggi-do danggut, a shamanic ritual that honors the village god of Gyeonggi province.

3. Chunghyang Sarangga (가야금병창 춘향가 중 사랑가)

Gayageum byeongchang is a genre in which the gayageum player also performs vocals. The song is the main pillar and the instrument supports as an accompaniment. Chunghyangga is the most famous p’ansori and is considered one of the best musically and as a work of literature. Sarangga is a song depicting the love story of Chunhyang, one of the most well-known Korean folk tales.

4. 설장구&사물놀이 위한 “NORI”

Perhaps the most famous of all samulnori pieces, samul nongak garak, is an arrangement of the representative rhythms from all around Korea, performed in a seated position. Three separate pieces, Yangnam Nongak, Uddari Pungmul, and Honam Udo-gut, performed in the early years of samulnori were later combined into this single piece. This piece highlights the contrasting timbre of the gongs and drums, arranged in a way that embodies the principles of winding, bending, and blending.


 

Invocation: Anji Park & SamulGwangDae 

 

Wednesday, September 28, 2016 | 6:30 PM

$10 Members, $20 Guests

Explorer, YPN and above attend this program for FREE with RSVP

 

6:00 PM | Registration

6:30 PM | Performance

 

If you have any questions, please contact Luz Lanzot  or (212) 759-7525 ext 309.

 


 

  NYCulture logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


About the Artists

 

Anji Park earned his Ph.D. in Music from ChungAng University. He is a master of Important Intangible Cultural Asset No. 92, Taepyeongmu. He is the Director of the Park Anji YeonHee Company and an adjunct Professor at ChungAng University, Korea National University of Arts, Sejong University, and Ewha Woman’s University. Master Park is also an instructor at National Gukak High School and National Traditional Arts High School. He is the Chairman of the Korean Traditional Performing Arts Association Samulnori Division, was the recipient of the President’s Prize at the International Samulnori competition in 1994, and currently a member of SamulGwangDae.

 SamulGwangDae  

Founded in 1988 by Duksoo Kim, Kwangsoo Lee, Yongbae Kim, and Jongsil Choi, SamulGwangDae is dedicated to performing and preserving traditional Korean music and dance. They earned the grand prize at the 1st World Samulnori Competition.


 

 

 

 

 

 

Gayageumist Haerina Park @ The Korea Society

Dr. Haerina Park, professor of Korean Music at Chung-Ang University, performs a diverse program of traditional and modern compositions for the Korean zither. Dr. Park is joined by Chun-Seung Lee on drums (changgu), as well as Hyun-Ju Kim and Sang-A Kim, also on zither (gayageum).


Program

최옥삼류 가야금 짧은 산조 | Gayageum Sanjo (Choi Ok-Sam School)

25현 가야금 독주곡 찬기파랑가 | Changiparangga, Composed by Jeung, Dong-Hee

목각인형의 춤 | Dance of the Wooden Doll, Composed by Choi, Ji-Hye

노랫가락 | Noraetgarak, Composed by Hwang, Ho-Joon

돈돌나리 | Dondolrari, Composed by Park, Bum-Hoon

 


 

 

Gayageumist Haerina Park   

 

Tuesday, July 12, 2016 | 6 PM

$10 Members, $20 Guests

Explorer, YPN and above attend this program for FREE with RSVP

 

5:30 PM | Registration

6:00 PM | Screening & Performance

 

If you have any questions, please contact Luz Lanzot  or (212) 759-7525 ext 309.

 

  NYCulture logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


About the Artist

 

2016 07 12  haerina-parkHaerina Park is currently a professor in the department of Korean Music at Chung-Ang University in Korea. A Korean native, Ms. Park holds a B.A. and Ph.D. from Chung-Ang University and earned her master’s degree from New York University in 2007. Ms. Park has extensive experience on the gayageum and other traditional instruments with several orchestras, including the Traditional Korean Orchestra at the National Theater in Korea, Korea W Philharmonic Orchestra at the Seoul Art Center, and the New Jersey Philharmonic Gala Concert at Carnegie Hall. She is also a representative of Gayastra, a gayageum ensemble orchestra that has released several albums. She trains younger students and published a book called Research on Yoohee-Chang-ga (Korean children’s songs) Before Liberation of Korea (2008), Ms. Park is making strong efforts to develop Korean music education.

 


 

 

 

 

 

 

Remapping Identity Politics in K-Pop

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The creators behind EXP (Bora Kim, Karin Kuroda, and Samantha Y. Shao), the first non-Korean K-pop boy band, discuss the themes of cultural authorship and originality, posing the question, what is lost in translation with regard to identity within the Korean wave with Maud Lavin–Professor, Visual Studies and Art History, School of the Art Institute of Chicago.

 

Remapping Identity Politics in K-Pop

Tuesday, May 31, 2016 | 6:30 PM

6:30 PM | Reception
7:00 PM | Discussion and Q&A

 

FREE for Explorers & Above with RSVP

Members $5

Non-Members $10

 

 If you have any questions, please contact Jamie Tyberg or (212) 759-7525, ext. 321.


About the Panels

 

Maud Lavin  (Professor, Visual and Critical Studies and Art History, Theory and Criticism, School of the Art Institute of Chicago) is a nonfiction writer and cultural historian. She is a professor of Visual and Critical Studies and Art History, Theory, and Criticism at the School of the Art Institute of Chicago. She is a recipient of a Guggenheim fellowship (in 2005) and a National Endowment for the Arts grant.

 

 


Bora Kim (Korea University, BA in Sociology; School of the Art Institute of Chicago, BFA, 2013; Columbia University, MFA, 2015) is an interdisciplinary artist and sociologist from Seoul, Korea. Her artistic process is based in cultural research revolving around the spectacle and performance of gender, particularly in the context of global media. Kim’s work addresses the public gaze and aims to occupy the sphere of popular culture.


 

 

Karin Kuroda  (School of the Art Institute of Chicago, BA in Visual and Critical Studies, BFA in Studio Art, 2013) is a research consultant/writer and creative collaborator from New York City, who focuses on the intersectional narratives of minority politics. She serves as the band’s director of editorial content and oversees the curation of production, social media, theoretical research, and critical analysis.


 

 

Samantha Y. Shao (National Cheng Kung University, BA in History, 2010; Maastricht University, Netherlands, MA in Arts Management, 2013) is a curator/writer from Taipei, Taiwan, who is interested in cultural translation and postcolonialism. Shao serves as the marketing and development director. She oversees all administrative and communications directives.


 

 

 

 

Pieces of Us: Film & Live Music Concert

 

 

Co-presented by The Korea Society and 7000 Miles, Pieces of Us brings together four composers and four directors to showcase their original works live. Recognizing the emerging Korean talent in both the film and music industries, this event will highlight eight upcoming Korean-American artists while providing a space for networking and collaboration.

 

Pieces of Us: Film & Live Music Concert 

 

Thursday, May 12, 2016 | 6:30-8 PM

$5 for Members and Industry Professionals

$10 Non-Members

FREE for Students and Explorer & Above with RSVP

 

6:00-6:30 PM | Reception

6:30-6:35 PM | Welcoming Remarks by Professor Mark Suozzo of NYU Steinhardt’s Department  of Scoring for Film and Multimedia

6:35-8:00 PM | Film Screening & Live Music Concert

If you have any questions, please contact Jamie Tyberg  or (212) 759-7525 ext. 321

 


 

  

About the Film DirectorsAbout the Film Score Composers

Sofia Cho is a native of South Korea and has worked for Korean and international productions for the past six years as a freelance producer and a videographer. She holds a BFA from New York University’s Tisch School of the Arts. As an artist, she creates the works that are allegorical of our lives. The story belongs to you, or me, or the girl next-door. It happened to nobody yet everybody at the same time. 

 

Haeyoung Paul Chung is a senior in undergraduate Tisch School of the Arts at NYU. He lived in South Korea for 12 years and currently resides in New York as an independent filmmaker. His short film Mercy is written, directed, and edited by Chung, and it deals with a young couple going through the morning of 9/11. He sees himself as a writer-director with an emphasis on good story and believes that all good stories should be made into film. Paul is currently producing for Vivid, a short film he has written and will be directing. 

 

Hye Mee Na, a Writer/Director/Editor, she immigrated with her family to the United States from South Korea when she was fifteen.

She is deeply interested in exploring the factors that influence the formation of one’s identity and the perception of the “other” in her films, and her ultimate goal as a filmmaker is to make the audience laugh and cry at the same time. In 2015, she graduated from New York University’s prestigious MFA Film program and now works in New York City where she recently finished editing Chi-Raq, Spike Lee’s latest feature film, while writing her own feature length screenplay.

 

Sewi Ryu was born on March 17th 1995, in Seoul, South Korea. She attends the University of Southern California, School of Cinematic Arts to cultivate her interest in filmmaking. Her interest spans across many fields such as film directing, editing, screenwriting, photography, and graphic design. Her most recent short film, Averted Vision, which she directed, produced, and edited, tells a story about a lonely, delusional man who confronts the unbearable truth as he recounts his past marriage. The film is noted for its stylistic visual aesthetics. 

 

 

Yereum Kang is originally from South Korea and a New York based composer for film and multimedia. She is also a singer-songwriter and her main instrument is a piano. She attended City College of New York for Music BA and graduated from film scoring master’s program at NYU on May, 2015. She has studied with Mark Suozzo, Michael Patterson, and a Grammy Award nominated jazz trombonist, Alan Ferber for jazz arranging and composition. 

 

Narim Kim,  a recipient of Alan Menken Award has proven to be a composer of highest caliber in concert classical music, film scoring and songwriting. His concert pieces were read by prominent ensembles such as Penderecki String Quartet and Kitchener-Waterloo Symphony. His credits as a film composer include My Life In Your Memories (Jung, 2014) screened by KAFFNY and co-composing for Meet Miss Anxiety (Kwak, 2014) which was widely released in Asia. He also worked as a music supervisor for recently-discovered Past and Present in the Cradle of Dixie (Montgomery, 1914) which was screened at Museum of Moving Image. He is currently working on his first songwriting album. 

 

Sean Shinwon Kim is an internationally recognized composer, producer and performer born in Seoul, South Korea. Long before moving to New York City, Kim was passionate about blending Western classical practices with Korean traditional  music. Kim earned his film scoring master’s degree (M.M.) from New York University under the direction of Dr. Ronald Sadoff. He was recently one of eight participants to be selected for the prestigious SCL mentorship program. Additionally, he has participated in the ASCAP/NYU Buddy Baker’s workshop  and has been honored with awards in several composition competitions. Recently, Kim has contributed to a diverse array of concerts such as the UN 70th anniversary concert with KBS Korean Traditional Orchestra, Lang Lang and Harlem Gospel Choir as well as a Hanryu concert in Washington D.C.  Currently, Kim is working on several films and album projects and is the radio DJ of a program titled ‘Lalala’ on FM 87.7 KRB NY Radio Korea.

 

Jane Eunsun Lee is a composer for film, multimedia, and musical theatre and is also an arranger and a keyboardist. She earned her Master’s degree in Scoring for Film and Multimedia at New York University and her Bachelor’s in Music Composition at University of California, Los Angeles. In 2015, she was selected as a composer at BMI Lehman Engle Musical Theatre Workshop and has been participating since. Her musical theatre credits include “In Life and Death” and “Enchanted by a Spell” as a composer and music director. Also, she was a keyboardist for “Wearing Black” the musical at the 2015 New York Musical Theatre Festival. As a film composer, she did an internship at Sound Mind Music in Hollywood in 2012, where she was an assistant for composer David Ari Leon (“Spider-Man”, “Avengers”  TV series at Marvel) and has scored for various short films since. Her compositions and arrangements have been performed by different groups from Sejong University Faculty Orchestra to Broadway singers at renowned venues such as Joe’s Pub and Laurie Beechman Theatre.


 Community Partners

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Master Kim Youngjae: A Living National Treasure

Living National Treasure Kim Youngjae performs at The Korea Society. Winner of the 2015 Bang Il-Young Gugak Prize, which celebrates the preservation of traditional culture, Master Kim plays haegeum, the Korean fiddle. At this performance, Master Kim is accompanied by SunHo Kim on daegeum, the Korean bamboo flute.

At this performance, Master Kim is accompanied by:

Sunho Kim, daegeum
Rami Seo, gayageum
Sunghyun Kim, gomungo
Chunkyung Park, gomungo & changgo
Kwangil Choi, piri
Jeongmi Park, vocals

 

 

Master Kim Youngjae: A Living National Treasure 

with YoungJae Kim & SunHo Kim    

 

Wednesday, May 4, 2016 | 6 PM

$10 Members, $20 Guests

Explorer, YPN and above attend this program for FREE with RSVP

 

5:30 PM | Registration

6:00 PM | Screening & Performance

 

If you have any questions, please contact Luz Lanzot  or (212) 759-7525 ext 309.

 

 

  NYCulture logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


About the Artists

 

2016 05 04  Master-KimAs a world class Living National Treasure title-holder, Mr. YoungJae Kim has performed throughout the world with traditional and popular repertoires of his own composition. Master Kim is now a geomungo sanjo player holding National Intangible Heritage No.16. In 2015, Master Kim was awarded the 22nd Bang Il Young Gugak Prize, an award presented to first-rate musicians in Korea. Master YoungJae Kim is currently an honorary professor at Korea National University Of Art.

 

 

 

2016 05 04  Sunho-Kim  iconMr. SunHo Kim, one of the most popular daegeum players in Korea, was influenced by his father, JongSun Kim, a master of multiple instruments. SunHo Kim earned his Bachelor’s and Master’s degrees in Traditional Music Orchestra from Chung Ang University. Mr. Kim is also a winner of multiple competitions such as 4th Ji-young Hee National Traditional Music Competition (Grand prize), 8th National Traditional Music Competition (Grand prize) and 7th Gi-san National Traditional Music Competition (Grand prize). He is currently a concert master of KBS traditional and a music director of the Korean traditional folk music ensemble Suri.


 

 

 

 

Intercultural Synergy Series: Gayageum & Kora w/ Rami Seo & Alhaji Papa Susso

Celebrate traditional and fusion music with The Korea Society as gayageumist Rami Seo and Gambian kora (African harp-lute) master Alhaji Papa Susso perform together. A short documentary chronicling their creative journey and the histories of their instruments screens before the performance.

 

Intercultural Synergy Series: Gayageum & Kora

withRami Seo & Alhaji Papa Susso  

 

Thursday, April 7, 2016 | 6 PM

$10 Members, $20 Guests

Explorer, YPN and above attend this program for FREE with RSVP

 

5:30 PM | Registration

6:00 PM | Screening & Performance

 

If you have any questions, please contact Luz Lanzot  or (212) 759-7525 ext 309.

 


 

  NYCulture logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


About the Artists

 

Ms. Rami Seo is an accomplished gayageum artist whose expansive musical repertoire on the 12-string and 25-string gayageum spans the traditional and the contemporary to include ancient Korean court music and folk music, as well as current and cross-cultural compositions from across the globe. Born and bred in Seoul, Korea, Ms. Seo is the protégé of world class maestros and several of Korea’s most revered National Cultural Living Treasure title-holders. She graduated from the prestigious National Music School and National High School for Traditional Arts with full scholarships and top honors. In 2002, she was Class Valedictorian at Chung-Ang Univ., College of Korean Traditional Performing Arts, where she earned her Bachelor’s Degree in Korean Traditional Music and Music Education. With an impending Master’s Degree in Ethnomusicology from Hunter College, Ms. Seo is a bona-fide scholar, musician, and performance artist.

 

Winner of multiple performing arts competitions, Ms. Seo has graced many renowned stages throughout the United States, Panama, Nicaragua, China, Korea and Japan, both as a soloist and in collaboration with other famed artists. Major works include performances at the National Grand Theater of Korea, Korean Traditional Orchestra of Seoul, Korean National Orchestra for Traditional Music, Chung-Ang Orchestra, 1988 Seoul Olympics Anniversary Commemoration, Yo Yo Ma’s Silk Road Project for World Music, World Music Virtuosi Concert at Lincoln Center, UN, Isaac Stern at  Carnegie Hall, Korean Embassy, Korean Cultural Service, Asia Society, The Korea Society, National Folk Festival in Richmond, Virginia, Futurism on the Occasion of the 100th Anniversary of Marinetti’s Manifesto, Symphony Space, The Kennedy Center, Bryant Park, Time Square, Smithsonian Museum, Museum of Arts and Design, Metropolitan Museum of Art and Conon House in the White House.

 

To date, Ms. Seo has released several albums and singles including First Morning, Fallen Leaves, Kaya Song with Fred Ho  and her Asian Jazz Fusion Concert recording in collaboration with the Jeff Fairbanks Jazz Orchestra. A passionate and inspiring instructor, she is a frequent guest speaker and lecturer at local schools, colleges, cultural workshops and events. Ms. Seo is also the founder and music director of GEMiNY, an emerging gayageum ensemble for young artists, and the ever popular band Rami Seo’s project WORLD MUSIC ENSEMBLE.

 

 


 

 

Alhaji Papa Susso, Master kora (African harp-lute) player and oral historian from The Gambia, West Africa, conducts visits to schools, university campuses, and cultural centers in the United States and Canada.  Papa Susso hails from a long line of Griots (traditional oral historians) of the Mandinka people.  He was taught the kora by his father and has been playing since the age of five.

The kora, a 21-stringed harp-lute, evolved from earlier hunter harps used by the Mandinka people of West Africa. It is said to have been invented by the Susso family.  It is the preferred instrument of Mandinka Jalolu (Griot), itinerant musicians, who were traditionally attached to royal courts where their duties included recounting the tribal history and genealogy, composing commemorative songs, and performing at important tribal events.

Today Papa Susso is a goodwill ambassador, traveling North America to share his culture. He gives both classroom presentations and formal concert performances where he recounts the  history of his country and his people, discusses the roles of griots in West African culture, and performs the classics songs of the griot repertoire. Papa Susso He appears alone with his kora or with his ensemble that includes singer/dancer Tapa Demba, balafonist Bala Kouyate, and his son, Alhassan Susso, on second kora.

 

 

 

 


 

Korean Ceramics: The Great Tradition

This illustrated slide lecture will survey the history of Korean ceramics from the early historic period through the nineteenth century. It will focus on the robust stonewares of the Three Kingdoms (57 BC-AD 668) and Unified Silla (668-935) periods, the classical celadons of the Koryŏ (Goryeo) dynasty (918-1392), and the delicate porcelains and rustic punch’ŏng (buncheong) wares of the Chosŏn (Joseon) dynasty (1392-1910). The lecture will emphasize characteristics and innovations that are uniquely Korean (such as the invention of the inlay technique of ceramic decoration), but it will also explore relationships between Korean ceramics and Chinese ceramics, just as it will touch on relationships between Korean ceramics and works of art in other media—from gold, silver, and bronze to lacquer and painting. The lecture will also seek to place the ceramics within the larger context of Korean society and culture.

 

Korean Ceramics: The Great Tradition

Asia Week Lecture by Robert D. Mowry  

 

Thursday, March 17, 2016 | 6:30 PM

 

 

If you have any questions, please contact Jahee Yu  or (212) 759-7525 ext 301.

Space is Limited. Early Registration Requested.

 

NYCulture logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.


About the Speaker

2016 03 17  gallery-talk  speakerRecently retired after more than 25 years as a senior curator at the Harvard Art Museums (H/AM), Robert D. Mowry was also the university’s Alan J. Dworsky Curator of Chinese Art (2000-2013) and Head of the Department of Asian Art (1991-2013). He continues to serve as Senior Lecturer on Chinese and Korean Art in Harvard’s Department of the History of Art and Architecture. Under his stewardship, Harvard added numerous and very significant works to what already was one of the finest collections of Asian art in the Western world. Mowry was instrumental in acquiring several renowned collections as well as important endowments for the H/AM, over and above annual fundraising efforts for specific acquisitions and exhibitions. The National Museum of Korea has named Robert Mowry its Senior International Fellow for 2013, and he is also senior editor of its scholarly journal, The Journal of Korean Art and Archaeology.  

 

Mowry’s passion for Asian art and culture was sparked by his two-year service in the Peace Corps in Korea more than 40 years ago (1967-1969). He taught English at Seoul National University, before returning to the University of Kansas, where he completed his graduate work with Chu-tsing Li and Laurence Sickman, taking his degrees with honors. Fluent in Mandarin, he spent two years as a curatorial assistant and translator in the Department of Painting and Calligraphy at the National Palace Museum, Taipei (1975-1977). His career is distinguished with many pioneering leadership roles and ground-breaking scholarship. He was founding Curator of the Mr. and Mrs. John D. Rockefeller 3rd Collection at The Asia Society, New York (1980-1986), and, before that, Assistant Curator of Oriental Art at Harvard’s Fogg Art Museum (1977-1980).

Mowry is a popular speaker, consultant and author in his many areas of expertise, which include Chinese and Korean ceramics, Chinese painting of the Song, Yuan and Ming periods, Chinese jade, Chinese scholar’s materials, and Korean paintings. Among his many articles, catalogues, textbooks and books, perhaps his best known is Hare’s Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown- and Black-Glazed Ceramics, 400-1400 (Harvard University Art Museums, 1996), the catalogue for an exhibition that he curated and that opened at Harvard’s Arthur M. Sackler Museum in December 1995 and then toured nationally in 1996. He also is the curator of and principal catalogue author for Worlds Within Worlds: The Richard Rosenblum Collection of Chinese Scholars’ Rocks (1997), another exhibition he organized.

 

 

 

 

 

 


 

Body and Spirit Moon Jars by Park Boo Won

Park Boo Won’s contemporary reproductions of moon jars simultaneously carry on and advance the Korean royal ceramic tradition. Traditional moon jars originated in the court of King Chŏngjo at the end of the 18th century. The white porcelain and simple curves embodied the principles of frugality and purity—neo-Confucian ideals of the ruling dynasty.

Born in the countryside of Kimje in 1938, Park learned the royal ceramic tradition under distinguished master ceramist Ji Soontag. In the 1970s, Park began to add expressive hues and natural textures to the traditional moon jar through a firing process that permits wind, temperature, and humidity to determine the shape and color of a piece. In this way, Park believes the clay “body” of the jar is animated by the “spirit” of the fire—with the final result solely in the hands of God.

Park has been named the first “Master Potter of Royal Ceramics” by the government of Kwangju, Kyŏnggi—the center for court pottery in the Chosŏn era. His works are part of the permanent collections of the Smithsonian Institution, The National Folk Museum of Korea, the Incheon World Ceramic Center, the Korea Ceramic Foundation, and the Victoria and Albert Museum.

This exhibition is presented in collaboration with the Dongwha Cultural Foundation.

 

March 17 – May 20, 2016

 

Gallery Opening

Thursday, March 17, 2016 | 6 PM

 

FREE to Public

The Korea Society Gallery
950 Third Avenue, 8th Floor, New York, NY 10022 (Corner of 57th & 3rd)

Gallery Open Daily, M-F, 10 AM-5 PM

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.