——CANCELLED——Telling a Korean Family History

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Due to circumstances beyond our control, this program has been cancelled.
We apologize for the inconvenience. 

Koreans are known for their keen interest in genealogy and, long before there was ancestry.com, many Koreans kept detailed records of their ancestral lineages in their family jokbo. Twenty-five years ago, Dr. Eugene Y. Park, Korea Foundation Associate Professor of History and Director of the James Joo-Jin Kim Program in Korean Studies at the University of Pennsylvania, set out to find his own roots. His research tracing his patrilineal ancestry back to a Miryang Pak lineage of Chungin (“middle people”) class is the basis for Dr. Park’s new book, A Family of No Prominence, a remarkable historical account of the Pak family over three hundred years and the birth of modern Korea.

Dr. Park discusses researching his family history and the many challenges surrounding tracing one’s Korean roots, including a critique of invented traditions. His research also raises fascinating issues around identity, class, colonialism, modernity, and memory.

 

Tuesday, August 12, 2014 | 6:30 PM

 

Explorers and Above: Free

Members and Students: $10

Nonmembers: $20

 

Korean War Exhibition Photos

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Han Chung Eun’s Starlight Forest Concert

 2014 07 31  han-chung-eun  icon2Renowned flutist Han Chung Eun presents fresh interpretations of traditional Korean court music through solo performances and duets with Rami Seo on Gayakeum. Chung Eun’s recent performances include the historic inauguration of Park Geun-Hye, the first woman to be elected as President in South Korea, the 2013 NYC Winter Jazz Festival with Sunny Kim, the Opening Ceremony at 2013 Busan International Film Festival, and the Closing Ceremony at 2014 Sochi Winter Olympics.

 

 

Thursday, July 31, 2014

 

5:30 PM | Registration

6:00 PM | Performance

 

Members: Free with registration

Non-members $10

Students: Free with valid Student ID


Korea’s Taste of Summer

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Explore the tastes of summertime in Korea in this cooking demonstration and hands on workshop led by culinary instructor and food writer, Shin Kim. Learn to prepare bibim guksu (spicy noodle salad), aehobak jeon (pan-fried summer squash), oi naengguk (chilled cucumber soup), and patbingsu (shaved ice with sweet red beans), all dishes that Koreans love to eat during the rainy season and summer heat.

 

Tuesday, July 22, 2014 | 6 PM

Advanced ticket purchase required for this event. Space is limited.

$25 Members / $40 Non-members


 

Culinary programs are generously sponsored by SK.

Gallery Talk: Contemporary Printmaking

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Learn about the fascinating history of printmaking in Asia and the West from Bruce Waldman, professor of printmaking at the School of Visual Arts. Professor Waldman will explain how printmaking evolved from simple beginnings into today’s complex kaleidoscope of techniques and genres through reference to many of the Korean and American prints showing in Made in New York/Made in Seoul, the exhibition currently at The Korea Society Gallery. He will also introduce the master printmakers in history who helped build the foundation for contemporary printmaking and explain how they influenced the artists taking part in the exhibition.

 

Thursday, July 10, 2014 | 5:30 PM

 

This program is now FREE to all guest, but please RSVP. Limited seats available.

 

 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 

ROUGH PLAY

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North American Premiere

Rough. Raw. Real. The Kim Ki-duk school of filmmaking has given us several great projects produced and written by Kim and directed by young filmmakers: Poongsan, Bedevilled, and now we have Rough Cut’s spiritual successor in Rough Play. The film opens with crazed actor Oh Yeong (K-Pop idol Lee Joon playing totally against type) dragging a mannequin up the stairs of a department store and spouting some rather menacing dialogue. Intercut with this is a stage performance from early in his career where Oh takes his performance a bit too far and threatens the actress he’s doing a scene with. The rest of the film expands outward from these two moments and shows Oh’s rise and violent fall under the influence of mobbish manager Kim Jang-ho (Seo Bum-suk). Lee Joon is absolutely captivating in a performance that is all about the destruction that narcissism and rampant ego can bring. He lets it all hang out and embodies Oh’s (literally) insane dedication to his craft. A darker than dark take on the Korean film industry, Rough Play rails against the apathy of a business wholly concerned with appearance and that gives no long-term thought to the future.

 

Tuesday, July 1, 2014 | 6:30 PM

Thursday, July 3, 2014 | 3:30 PM

ROUGH PLAY
배우는 배우다 | SHIN YEON-SHICK, 2013
SOUTH KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: DCP | 98 MINUTES

 

 $10 affiliate rate for The Korea Society members.
You can also purchase at the box office by showing your membership card
or mention “The Korea Society.”

 

Walter Reade Theater
165 West 65th Street, New York, NY

 

New York Asian Film Festival 2014

 

 


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NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 

MOEBIUS

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New York Premiere

A playfully twisted black comedy with no dialogue, Moebius is an everyday tale of penectomy, rape, sadomasochistic sex, and incestuous love. It continues maverick writer-director Kim Ki-duk’s journey into the madness of the Korean soul—though in a much more in-your-face way than last year’s Pietà. Marbled with references to earlier films like The Isle (genital mutilation), Bad Guy (tough, twisted love), and Pietà (“mother” love), plus numerous other titles, Moebius is a quintessentially Kim Ki-duk movie in its risk-taking and outsider feel, and could have been made by no other filmmaker currently working in the country. Words have never formed a major component of Kim’s films, which reveal themselves more through physical action than dialogue. But the absence here of any words (along with any names for the characters) brings an even more allegorical, universal aspect to the movie’s themes while still leaving it feeling absolutely Korean in its emotional intensity. Moebius’s sheer cheek and bravado is more than welcome at a time when South Korea’s film industry has become more and more conventional, predictable, and risk-averse.

 

Tickets include special entry to 8 PM reception with actress Lee Eun Woo, “Moebius,” Shin Yeon-shick, director of “Rough Play,” and Lee Su-jin, director of “Han Gong-ju.” 

 

Light refreshments and appetizers will be served. Limited seats available.

 

Wednesday, July 2, 2014

8:00 PM | Reception

9:30 PM | Film

MOEBIUS
뫼비우스 | KIM KI-DUK , 2013
SOUTH KOREA | NO DIALOGUE | FORMAT: DCP | 90 MINUTES

 

$10 affiliate rate for The Korea Society members.
You can also purchase at the box office by showing your membership card
or mention “The Korea Society.”

 

Walter Reade Theater
165 West 65th Street, New York, NY

 

New York Asian Film Festival 2014

 

 


logo nyaff basic logo-thumb-300xauto-47837

 


NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 

Han Gong-ju

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New York Premiere

Praised by Martin Scorsese, who presented it with the Golden Star for Best Film at the Marrakech International Film Festival last year, the feature debut from writer-director Lee Su-jin has walked a path strewn with prizes since it premiered at the 2013 Busan International Film Festival, where it won two awards, and went on to win the Tiger Award at the Rotterdam International Film Festival. A devastating portrait of South Korea’s blame culture, embedded cronyism and destructive family pressures, the film follows a high-school girl, by the name of Han Gong-ju, as she seeks anonymity and escape from the horror of an unnamed past experience. Han Gong-ju focuses largely on the aftermath, rather than the event itself. Refreshingly free of self-pitying trauma, the film offers the beautiful character of a young girl, almost a woman, who, in the face of social stigmatization, stands radiant, strong, and self-reliant… not given easily to tears and only wanting to rebuild her life after moving away from home. With her mother divorced and her father on the bottle, Gong-ju works out her own problems, fiercely defending her privacy from new school friends. Strong, compelling, and anchored by a superb lead performance by Chun Woo-hee, Han Gong-ju is a standout social and psychological drama.

 

HAN GONG-JU
한공주 | LEE SU-JIN, 2014
SOUTH KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: DCP | 114 MINUTES

 


Walter Reade Theater

165 West 65th Street, New York, NY

Monday, June 30, 2014 | 6 PM

 

$10 affiliate rate for The Korea Society members.
You can also purchase at the box office by showing your membership card
or mention “The Korea Society.”

 


 

MoMA | Museum of Modern Art

11 W 53rd St, New York, NY 10019

 

Tuesday, July 1, 2014 | 7 PM, Theater 2, T2
(Followed by discussion with Su-jin Lee)

Wednesday, July 2, 2014 | PM, Theater 2, T2

Thursday, July 3, 2014 | PM, Theater 2, T2

Friday, July 4, 2014 | 4:30  PM, Theater 2, T2

Saturday, July 5, 2014 | PM, Theater 2, T2

Sunday, July 6, 2014 | PM, Theater 2, T2

Monday, July 7, 2014 | 4:30  PM, Theater 2, T2

 


 

New York Asian Film Festival 2014

 

 


logo nyaff basic logo-thumb-300xauto-47837moma-bw-logo


 

NYCulture current inverted white logo

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.

 

 

MADE IN NEW YORK/ MADE IN SEOUL

This exhibition of works by sixty contemporary artists from New York and Seoul reveals the broad range of techniques, styles, and sensibilities active in printmaking today. Representing the state-of-the-art of the genre, these artists manipulate the deep tones and textures accessible to the printmaker to produce artwork with the eye-catching graphic quality that is the hallmark of print.

Printmaking, through its unique ability to produce affordable copies, has been long associated with the democratization of information—and it continues to be a force for wider dissemination of fine art, even in this digital age. Today’s print artists from New York and Seoul, through application of the wide palette of printer techniques, participate in and extend their respective country’s remarkable—and in the case of Korea’s, ancient—history of printmaking.

“Made in New York/Made in Seoul” is a joint effort of the New York Society of Etchers, the Korean Contemporary Printmakers Association, The School of Visual Arts, Carrier Pigeon magazine, and The Korea Society. The collection will also be exhibited at the Seoul Museum of Art’s Gyeonghuigung Annex from October 1-5, 2014.

 

June 11—August 15, 2014

 

Reception

New York

Wednesday, June 11, 2014 | 5:30 PM-8 PM

 

Gyeonghuigung Annex building of the Seoul Museum of Art
45, Saemunan-ro Jongno-gu, Seoul (Simmunno 2-ga)

Wednesday, October 1, 2014 | 4:30 PM-6 PM

 

For more information, please contact Jahee Yu

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Kyung-sook Shin: I’ll Be Right There

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Kyung-sook Shin, one of Korea’s most acclaimed writers and author of the international bestseller Please Look After Mom, has written a seventh novel, I’ll Be Right There, a coming-of-age story set in South Korea’s turbulent 1980s. Following the June 3rd release of the English translation of I’ll Be Right There, Ms Shin visits The Korea Society to discuss her life and writing, as well as her latest book.

A reception and book signing will follow.

 

 

Thursday, June 5, 2014 | 6:30 PM

 

The Korea Society
950 Third Avenue, 8th floor
New York, NY 10022

 

 

You may pre-order a paperback copy of the book, I’ll Be Right There, for pick-up at registration on June 5. Books will also be on sale at the program for $15.

 

Members – ticket: Free

Book Only: $12

Nonmembers – ticket:  $20

Nonmembers Plus Book: $32

 


 

Collaborating Organizations

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 Contemporary Culture programs are generously sponsored by CJ

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