Artist Talk: Ik-Joong Kang with Dr. Katherine Anne Paul

 

Internationally acclaimed artist Ik-Joong Kang in conversation about his art and career with Dr. Katherine Anne Paul, Curator of Asian Art, the Birmingham Museum of Art.

Due to the novel coronavirus (COVID-19), this program will be conducted virtually. This live session will be provided free of charge at the specified date and time. A limited number of viewing links will be provided to the people who sign up through the form below. Those unable to view the live session will have the opportunity to watch the recorded video or listen to the podcast soon after.

 

 

Gallery Slide

 

Other works

 

     

 

Artist Talk: Ik-Joong Kang
with Dr. Katherine Anne Paul

Friday, May 15, 2020 | 6:30 PM


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

Gallery hours: 10 AM – 4:30 PM by appointment

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 


 

Three Artists, Three Cities: The COVID-19 Diaries from MiA Collective Art

Three young artists – in New York, Berlin, and Seoul – record their situation and response to the pandemic, shelter-in-residence, and the changing landscape of the city each one lives in. Featuring Woo Ram Jung, Grace Noh, and kate-hers RHEE, the artists compare and contrast their experiences and ask themselves a question: what is the role of the creative community during a world-wide pandemic?

 


This video was produced in collaboration with MiA Collective Art.
Visit MiA Collective Art’s online exhibition:
http://www.miacollectiveart.com/covid19-diaries-series-part1/online-exhibition

 

 

Three Artists, Three Cities: The COVID-19 Diaries from MiA Collective Art
with
Woo Ram Jung, Grace Noh and kate-hers RHEE

Friday, May 1, 2020

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


ABOUT THE ARTISTS:

Woo Ram Jung is a photography-based artist whose background lies in architecture. Jung received his Master of Architecture from Virginia Polytechnic Institute and State University in 2010 and MFA in Photography and Related Media from Parsons School of Design in 2014. His street photography explores his interaction with anonymous strangers. His work has been exhibited at MiA: Beijing Station: First Chapter in Beijing, #IRL In Real Life, Aronson Gallery at Sheila C. Johnson Design Center in New York, Street Shots/NYC, South Seaport Museum in New York, ALIGN, Atrium Gallery at Temple University in Philadelphia, and You Are Not Paranoid, Observe Yourself Being Watched, Jimei x Arles International Photography Festival in Xiamen.

Grace Noh received her M.A. in Art History from New York University Institute of Fine Arts. Her curatorial practice revolves around translating the past and forming them into new ideas in the present and the future. She challenges and pushes the boundaries of viewing and understanding exhibition format to encourage greater discussion. She has curated and organized exhibitions, produced digital contents and published journals for a number of institutions, galleries and magazines, including Jimei x Arles International Photography Festival in Xiamen, China and Fotografiska New York. In addition, she co-founded MiA Collective Art, an art collective platform based in Beijing and New York.

kate-hers RHEE is an interdisciplinary artist, arts educator, and cultural worker. Orphaned in Seoul, Korea and transnationally adopted into a white working class Detroit suburb, she became painfully aware of racial and socio-economic differences at a young age. She employs performance, installation, drawing, and participatory events to explore the concepts of home, kinship, cultural acquisition/appropriation, and gendered violence. She is currently working between Newark and New York, at Rutgers University and researching at the Metropolitan Museum of Art; Berlin, Germany at the Atelierhaus Mengerzeile; and South Korea, where she has been conducting independent research since 2014.

 


 

Contemporary Photography in Korea: Reception & Panel Discussion

 

FREE with RSVP

In conjunction with the current exhibition of Seunggu Kim’s photography series Better Days, the Korea Society is pleased to present a panel of selected photographers and curators for a discussion on contemporary photography in Korea.

 

Contemporary Photography in Korea: Reception & Panel Discussion
 

Thursday, November 14, 2019 | 6 PM


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

Gallery hours: 10 AM – 4:30 PM by appointment

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 


 

About the panelists

Taejoong Kim received an M.F.A. from Columbia University and a B.F.A. in photography from Chung-Ang University. Mr. Kim has done artist residencies in France, Germany, and Poland, and has received various grants and awards from Foam Fotografiemuseum(Amsterdam), Goethe-Institut(Seoul), The Jewish Museum(New York), among others. His last solo exhibition was at Space 776, New York, and he has participated in numerous group exhibitions in the U.S., Europe, and Asia. He lives and works in New York City and Seoul.

Grace Noh received her M.A. in Art History from New York University Institute of Fine Arts. Her curatorial practice revolves around translating the past and forming them into new ideas in the present and the future. She challenges and pushes the boundaries of viewing and understanding exhibition format to encourage greater discussion. She has curated and organized exhibitions, produced digital contents and published journals for a number of institutions, galleries and magazines, including Jimei x Arles International Photography Festival in Xiamen, China and upcoming exhibitions at Fotografiska New York. In addition, she co-founded MiA Collective Art, an art collective platform based in Beijing and New York.

Sora Woo is a visual artist and photographer based in Brooklyn, New York. Her works concentrate on observing the spatial relationship between humans and place. Woo is interested in discovering the threads of human interaction and what occurs after the absence of a person. Woo’s photographs capture a moment in the slow process of the passage of time. She not only depicts the passing of time, but also points out the physical and spiritual aspects of the “Irreversible”. Sora received her MFA from Pratt Institute, New York in 2018 and BFA from the School of Visual Arts, New York in 2015.


Happy Hour at Martos Gallery: Jennie Jieun Lee

Meet us downtown! Join us at Martos Gallery with Assistant Director Sarah Han, and meet the artist Jennie Jieun Lee, whose solo exhibition Sizzling Gouba and Long Beach will be on view.

Complimentary drinks available

Tickets

 
The Korea Society Fellow, Patron and
Corporate members: FREE with registration

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Happy Hour at Martos Gallery: Jennie Jieun Lee

Thursday, September 26, 2019 | 6 PM

Martos Gallery
41 Elizabeth St
New York, NY 10013
212 560 0670

 

 


About the Artist:

Jennie Jieun Lee engages in a dialogue with clay as a medium through an array of techniques including wheel-throwing, hand-building, and slip casting. Similar to how clay retains the mark of the artist’s hands, Lee embeds her work with memory and nostalgia. Though the work sometimes alludes to (or openly expresses) as forms of figuration, Lee’s use of color and gesture transcend the medium beyond sculpture, function or vessel, and begin to blur the line between painting and sculpture.

Jennie Jieun Lee (b. 1973, Seoul, South Korea) currently lives and works in Los Angeles, CA. She received a BFA from the School of the Museum of Fine Arts, Boston in 1999, and an MFA from California State University, Long Beach in 2019.

Select exhibitions include: Mrs. Thompson’s Mirror, Martos Gallery New York; Marlborough Chelsea: Viewing Room, New York; Seizure Crevasse, The Pit, Los Angeles; Am I Ugly, Cooper Cole, Toronto; Smile Purgatory, Galerie Lefebvre et fils, Paris; Immigrant’s Ear, Levy Delval, Brussels; Object Painting – Painting Object, Jonathan Viner, London; Life Eraser, Brand New Gallery, Milan; and Halsey McKay, New York.

Select awards and fellowships include: CSULB Graduate Research Fellowship, 2018; John Simon Guggenheim Memorial Foundation Fellowship, 2017; Pollock Krasner Foundation Grant 2016; Artadia New York Award, 2015.


Artist Talk: Jung Hee Choi with Jay Sanders

 

FREE with RSVP

““…while watching Ms. Choi’s hallucinatory screen, you may find yourself in an altered state of consciousness, on the verge of some ineffable, transcendental revelation.” – The New York Times.

Jung Hee Choi’s solo exhibition Black: Trans: Maya: Light at the Korea Society focuses on her series of light point drawings and graphite drawings. Utilizing both traditional and experimental techniques, Choi presents mesmerizing images that capture and transfigure light.

In this Artist Talk, Choi will be joined by Jay Sanders, Executive Director and Chief Curator of Artists Space.

 

ARTIST TALK: JUNG HEE CHOI
with Jay Sanders

THURSDAY, SEPTEMBER 5, 2019 | 6 PM


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

Gallery hours: 10 AM – 4:30 PM by appointment

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 


 

About the Speakers

Jung Hee Choi has exhibited and performed widely in the U.S., Europe and Asia, including Dia Art Foundation, Guggenheim Museum, Berliner Festspeile, and FRESH Festival in Bangkok. Choi received her B. A. and M.A. in art and sound from New York University, and she is a senior disciple of La Monte Young and Marian Zazeela in the classical Kirana vocal tradition. She founded with them The Just Alap Raga Ensemble in 2002. The New York Times listed Choi’s Tonecycle for Blues performed by her Sundara All Star Band as one of The Best Classical Music Performances of 2017.

Jay Sanders was named as Executive Director and Chief Curator of Artists Space in 2017. Prior to his tenure at Artists Space, Sanders was at the Whitney Museum of American Art, where he successfully reshaped its performance program and curated important exhibitions and event series, including 2012 Whitney Biennial. He has also served as a director of Greene Naftali Gallery and curated programs, series, and events for New York institutions such as White Columns, Sculpture Center, Performa, Anthology Film Archives, and Electronic Arts Intermix.


Korean Illuminated Sutra Transcription Talk & Demonstration

Master artist Kim Kyeong-Ho is a pioneer and transmitter of the art of Sagyeong, Korean Sutra Copying. He was appointed by the Korean Ministry of Employment and Labor as the sole Traditional Sutra Copying Skills Transmitter, and is both an accomplished artist and teacher of this unique art that had not been practiced for 600 years since the Joseon Dynasty. During the lecture, Master Kim will speak about the process and ingredients used in his sutra transcription as well as his philosophy and approach to this thousand years old art form. He will also demonstrate a transcription with gold powder for 5 minutes.

Free admission for members & non-members with RSVP 

 

Korean Illuminated Sutra Transcription Talk & Demonstration
with
Kim Kyeong-Ho

WEDNESDAY, MAY 8, 2019 | 12 PM

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

For more information contact, Jay Oh, Arts & Culture Director.

 


About the Speaker

Master Kim Kyeong-Ho serves as the President Emeritus of the Korea Sutra Copying Research Association and Director of the Korean Institute of Traditional Sutra Copying. Recently, he has devoted himself to the work of expansion, artistic exploration and creation of modern Sutra copying by incorporating various elements from the Bible, the Quran, mandalas, and tantras from the Indian and Tibetan traditions. Master Kim has had 20 solo and group exhibitions including the Los Angeles County Museum of Art (Los Angeles, U.S.) in 2010, Flushing Town Hall (New York, U.S.) in 2012, Korean Cultural Center (Los Angeles, U.S.) in 2014, and Tibet House US (New York, U.S.) in 2019. Master Kim is the author of 20 books (3 co-authorship).


ASIA WEEK ARTIST TALK with Suh Seung Won

 

Simultaneity presents an ongoing series based on the Korean Dansaekhwa monochrome movement by artist Suh Seung Won (b. 1941), a pioneer of geometric abstraction in Korean contemporary art. Expanding on a career across five decades, Suh’s Simultaneity series explores his continued meditations on the concurrence of time and space, expressed through interactions between geometric forms and the underlying surface.

This exhibition primarily shows Suh’s works created between 1970 and the present, in which the rigid geometric forms found in his earlier works shift into more obscure, diaphanous patterns, creating new depths within the surface of the picture plane. This expansion of Suh’s previous abstractions produces works which appear monochrome from a distance, but upon closer examination are revealed to be composed of a variety of colors, allowing the artist to show the coexistence of the visible and the invisible aspects of reality.

Suh seeks to enable the unseen to be seen through the use of the physical medium of paint to render the “world of nirvana”, the intangible phenomena beyond human awareness. The harmonious balance between space and form found in the Simultaneity series exposes a truth beyond the limits of visible human reality. For Suh Seung Won, these works explore the ways in which the consistency of time can be interpreted through the consistency of space in a unification of form, color and surface.

Works by Suh Seung Won are included in the permanent collections of The National Museum of Modern and Contemporary Art (Korea), Seoul Museum of Art (Korea), The British Museum (UK), Hokkaido Museum of Modern Art (Japan), Shimonoseki Museum (Japan), and the Brooklyn Museum (US). His works have been featured in key international exhibitions, including “Five Korea Artists, Five Kinds of White” at the Tokyo Gallery (1975), “Korea: Facet of Contemporary Art” at the Tokyo Museum (1983), “Art Contemporain Coreén” at the Cordeliers Convent in Paris (1995), “The Facet of Korean and Japanese Contemporary Art” at the Gwangju Biennale (2000), and “Origin” at the Galerie Perrotin in Paris (2016).

This exhibition is presented in collaboration with the Donghwa Cultural Foundation.

 

ASIA WEEK ARTIST TALK:
with Suh Seung Won

Followed by:
Special recorded commentary by Raphael Rubinstein

Art critic and curator Raphael Rubinstein will address the work of Suh Seung Won in the context of 20th century abstraction and contemporary painting, noting how Suh has developed a distinct approach that highlights the perceptual, meditative qualities of abstraction in which the borders between figure and ground seem to dissolve.

THURSDAY, MARCH 14, 2019 | 6:30 PM


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

Gallery hours: 10 AM – 4:30 PM by appointment

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 


 

Of Interest:

The New York Times: The Buddhas, Gods and Emperors of Asia Week New York


 

Women on Manhwa: The Future of Korean Comics

While male-focused narratives have led Western and American comics, manhwa (Korean comics) are leading the charge for women and gaining popularity as a cultural export, reaching fans worldwide via mobile apps. Artists Narae Lee, Ministry of Culture Grand Prize winner, and Kyungran Park discuss their craft at The Korea Society. Sun Bang, CEO of TappyToon, provides insight into this rapidly expanding global industry.

Talk followed by Q&A and networking reception.

 

 

Women on Manhwa: The Future of Korean Comics

Friday, November 16, 2018 | 6:30 PM

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 


About the ArtistsAbout TappyToon

Narae Lee has created comics since 2007. Her original series Bloody Sweet, about a young moodang (traditional Korean shaman) who becomes linked to a vampire, won the 2016 Korean Ministry of Culture’s Grand Prize in manhwa. She is the artist of James Patterson’s The New York Times bestselling Maximum Ride original English-language manga adaptations since 2008.

 

Kyungran Park won the 2007 Haksan Publishing comics contest, and was artist for the four-volume series M.A.X. and multiple short series. She began serialization of her original comic Imitation in 2014, about a newbie K-pop idol’s romance and rise to stardom. The latest works of both creators have been translated into Japanese, Chinese, French, Indonesian, English and more, and are available digitally on major online comics portals.


Since 2016, TappyToon has offered a diverse range of manhwa (Korean comics) through its top-ranking smartphone apps and website, accessed daily by readers in over 190 countries. From novel adaptations to K-pop, TV drama originals to exclusive hits, TappyToon covers all genres of comics and is partnered with over a dozen publishers.

Sun Bang is CEO and co-founder of TappyToon. Previously, she led teams at Bucheon International Fantastic Film Festival and has worked in North American film sales.


 

Aggregation: Artist Talk & Closing Reception

The Korea Society invites you to the gallery talk and closing reception of the exhibition, Kwang Young Chun: Aggregation. Artist Kwang Young Chun discusses his craft and the techniques used to create his acclaimed artwork.

Followed by a networking reception with light lunch.

 

Aggregation: Artist Talk & Closing Reception

Thursday, November 15, 2018 | 12 PM

FREE with RSVP


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

Gallery hours: M-Th: 10 AM – 4:30 PM | F: 10 AM – 2:30 PM | by appointment

For more information, please contact Yoonjin (YJ) Choi or call (212) 759-7525 / Ext#307.

 

 

 


ABOUT THE ARTISTABOUT THE MODERATOR

Chun Kwang Young (Korean, b.1944) is a sculptor known for his constructions made out of Korean mulberry paper. He received his BFA from Hong-Ik University in Seoul in 1968, and his MFA from Philadelphia College of Art in 1971. Early in his career, Chun focused on painting, deeply influenced by Abstract Expressionism, before switching to the creation of large-scale sculptures in the mid-1990s.

The artist has received numerous awards, and was named artist of the year by the National Museum of Contemporary Art in Seoul in 2001. In 2009, he was awarded the Presidential Prize in the 41st Korean Culture and Art Prize by the Ministry of Culture, Sports and Tourism in Korea.

His works can be found in the collections of Victoria & Albert Museum in London, the Seoul National University Museum of Art, the Museum Kunstwerk in Germany, the Woodrow Wilson International Center in Washington, D.C., the Malta National Museum, and the Busan Metropolitan Art Museum. Chun’s solo exhibition will also be showcased at the Brooklyn Museum from November 16 to July 2019. He currently lives and works in South Korea.


New York-based Gallery Director Susan McCaffrey has over twenty years of experience in the international contemporary art market. During her fifteen years at Sundaram Tagore Gallery, McCaffrey has mounted hundreds of exhibitions and supervised installations in museums, cultural venues, commercial spaces, government embassies and private residences around the world.

As the director of Sundaram Tagore’s two New York galleries, McCaffrey is responsible for shaping the gallery’s exhibition program, which mounts an average of ten shows a year, along with a rigorous international art fair calendar. Notable exhibitions include a recent solo show with Korean artist Chun Kwang Young, acclaimed photographer Sebastião Salgado and numerous group invitational shows featuring work by established artists from Asia, Southeast Asia and the Middle East. McCaffrey was also the senior art consultant for Frontiers Reimagined, a Collateral Event of the Venice Biennale, organized by Sundaram Tagore in 2015.

In her role as Gallery Director, McCaffrey has been responsible for ascertaining new talent to bring into the gallery, such as Japanese artist Miya Ando, whose work was recently on view at the Noguchi Museum, New York, and the Los Angeles County Museum of Art (LACMA), and ArtPrize recipient, Pakistani-American artist Anila Quayyum Agha.

Over the years, McCaffrey has been instrumental in developing the careers of the gallery’s artists, including working in collaboration on site-specific installations and placing photography, paintings and sculpture in significant private and public collections across the globe. In 2017, McCaffrey served on the fundraising committee for the International Studio and Curatorial Program (ISCP).

McCaffrey lives in Brooklyn, New York, with her husband and daughter.


A Midsummer Night’s Soirée

w/ Gallery Talk: Ungno Lee’s Art World | 

In celebration of the 60th anniversary of artist Lee Ungno’s arrival in Paris, the Korea Society welcomes you to enjoy the art exhibition of the Korean-born French artist who combined the abstract tendencies of the Art Informel movement with traditional forms of Korean art. Artist and scholar Robert C. Morgan and former student of Lee Ungno, sculptor Alain Kirili, discuss Lee’s work and the artist’s influence on Asian contemporary art.

Join us for a summer gathering with fellow art enthusiasts, followed by a reception with drinks on the 25th floor rooftop terrace!

Complimentary admission includes light snacks and cash bar with $5 beer and wine.

 

 RSVP

A Midsummer Night’s Soirée
includes Gallery Talk: Ungno Lee’s Art World

Wednesday, July 18, 2018 | 6:30 PM

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


 

ABOUT THE SPEAKERS

Robert C. Morgan is an artist, scholar, teacher, and art historian. Knowledgeable in the history and aesthetics of both Western and Eastern art, Dr. Morgan has lectured widely, published many essays and books, and curated numerous exhibitions. In 1999, he was awarded the first ARCALE prize in International Art Criticism in Salamanca (Spain) and served on the UNESCO jury at the 48th Biennale di Venezia the same year. In 2003, he was appointed Professor Emeritus in Art History at the Rochester Institute of Technology and in 2005, became a Senior Fulbright Scholar in the Republic of Korea. Dr. Morgan also continues his work as an artist and abstract painter, displaying his work in various exhibitions and collections.

Alain Kirili is a sculptor of verticality and modeling. His work emphasizes an “aesthetics of spontaneity” and seeks its formal unity through the variety of materials he employs in a quest for “organic simplicity.” He has worked on the monumental aspects of sculpture in public spaces (at the campus of the University of Bourgogne in Dijon, in Paris and Grenoble). Alain Kirili was commissioned by the Ministère de la Culture to install the sculpture of the 20th century in the Tuileries in Paris.


 

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.